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​Shape of the Winery

In this article, we are telling you more about the development of the shape and the implementation of the “Skalisty Bereg” (“Rocky Shore”) winery, designed by Alexander Balabin and his company “Severin-Project” in the Krasnodar Territory, and one of the finalists of WAF 2021.

16 February 2022
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The “Skalisty Bereg” winery, designed and built by Alexander Balabin in the village of Varvarovka not far away from Anapa – a sculptural building with the top floor executed in the shape of a sea pebble – is situated amidst gorgeous hills covered with grapevine, an area occupying 32 hectares. The name of “Skalisty Bereg” (“Rocky Shore”) has a French analogue of Cote Rocheuse – because this place produces chiefly French wines: Merlot, Pinot Noir, Cabernet Sauvignon, and Chardonnay.

"Skalisty Bereg« (»Rocky Shore") winery
Copyright: Photograph © Daniil Anneknov / Provided by Severin Project


In 2021, the winery building got an award at the “Golden Section” architectural show and was shortlisted at one of the largest architectural competitions, WAF.

As for WAF, we didn’t even hope to get that far. Global design companies with such well-known projects as, for example, an incinerator with a ski slope starting on its roof in Denmark, competed with us in the nomination “Production, energy, processing”. I consider our getting into the WAF finals, and even in the nomination where implemented projects compete, for that matter, to be a serious achievement by any standards.


“Skalisty Bereg” is a gravity-flow winery; grape juice and wort move here under the influence of gravity, the mechanical impact on them is minimized, which allows you to preserve the features of the terroir as much as possible – the sum of these features is what determines the specifics of the wine, and upon this set of features the whole value of the ”protected geographical origin” is based. The location of the building on the 32-hectare land site was proposed to the client by Alexander Balabin; the 10-meter height difference of the construction site made it possible to make a gravity-flow winery; the operated roof commands sweeping sea views between the hills. 

The building contains the entire technological chain: production, storing wine in casks and bottling it, as well as a restaurant, a tasting room and an observation deck. The winery building provides a lot of space for exhibitions and wine conventions.

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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery. Location plan
    Copyright © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery. Plan of the third floor
    Copyright © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery. Plan of the first floor
    Copyright © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery. Plan of the second floor
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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Alexander Balabin made a clear flowchart showing the entire cycle of wine production and storage with the functions distributed over the floors.

The flowchart of the gravity-flow winemaking
Copyright: © Alexander Balabin


In the movie “A Good Year”, Uncle Henry Skinner, the vineyard owner, says the famous quote: “I enjoy making wine, because this sublime nectar is quite simply incapable of lying. Picked too early, picked too late, it matters not – the wine will always whisper into your mouth with complete, unabashed honesty every time you take a sip.” These properties of wine generated the idea of the “Skalisty Bereg” winery.

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    “Rocky ShorCopyright: Photograph © Daniel Annenkov / provided by Severin Projecte” winery
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    “Rocky Shore” wineryCopyright: Photograph © Daniel Annenkov / provided by Severin Project
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniil Anneknov / Provided by Severin Project


Looking at the building created by Alexander Balabin, one can clearly see two parts in it: an orthogonal brutal three-story production building from glass and exposed concrete, partially buried in the hill, and the top elliptical-shaped volume of the tasting room that looks like a giant sea pebble. “Wine is an absolutely natural product, which only gets better with age, and exposed concrete is quite a match for it because this is an honest and natural material” the architect says. The art of winemaking is hard manual work that is done 365 days a year, and it is reflected in the main orthogonal building that includes production facilities, wine storage, and the offices. Wine tasting is a sensual enjoyment, and for this the architect designed a tasting room contained in a smooth white ellipse commanding the sea view. From the room, one can exit to the roof of the main building.

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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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The backstory of the project goes like this. In 2017, the client approached Alexander Balabin with a pragmatic task: he needed a simple technological facility built from quick-mount structures. However, in the process of the work the building changed, and it became clear that architecture was needed. Alexander came up with several options.

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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: © Severin Project
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    “Skalisty Bereg” winery
    Copyright: © Severin Project


The first one was called “Tuscan” and was designed in a generalized style of architecture of early Renaissance; the second one was called “Bauhaus”, the third “Carlo Scarpa”, in the spirit of the famous Italian master of the 20th century, and the fourth looked more technology-based, like a Swiss factory. And there was also a fifth variant, the most expressive one, which Alexander Balabin drew just for his own intellectual enjoyment. As is usually the case, this was the one that got picked.

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    “Rocky Shore” winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    “Skalisty Bereg” winery. A sketch by Alexander Balabin
    Copyright: Provided by Severin Project


The resulting building keeps up the straightforwardness and lightness of an artist’s casual stroke, inspired by the sea, the sky, and the breathing of the landscape as the artist tried to capture genius loci. The “pebble” looks as if it somewhat sloppily lies on the roof of the building, overhanging a bit like a cantilever. The main three bottom tiers are executed in concrete, but the second and third floors, where people sit, have glass facades. Thus, it looks as if the “pebble” rests on a glass volume that reflects the sky, i.e. is sandwiched between the “sky” and real sky, at the same time maintaining visual contact with the sea.

“Rocky Shore” winery
Copyright: Photograph © Daniel Annenkov / provided by Severin Project


On the whole, the tectonics of the building is rather sharp. Not only the “pebble” hovers above the ground, visually resting just on the lightweight glass tier, but also the platform with a cantilevered ledge between the first and second floor lies on a ribbon window, i.e. again almost on nothing. The entrances to the building, slightly sunken in, almost merge with the glass facade, without violating the composition of vivid horizontals. To the left of the winery, there is a main staircase spanning several floors.

Unlike the glass office part, the production part of the third tier, where the grapes are loaded, is executed in concrete with dramatic openings in the shape of pebbles of larger and smaller sizes. Thus the main theme of the sea pebble is developed in individual motifs as well. Through these windows and through the glass facades, the winery is connected with the surroundings, and there are also technical windows inside, so, when walking along the corridor, a person can look into the technology-based production facilities and admire the scenery at the same time.

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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    “Rocky Shore” winery
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project


In order to make all this a reality, Alexander Balabin and his partners had to cope with formidable technological challenges. The technology of applying fiberglass concrete to an elliptical metal structure is quite new for Russia. The coverage of the “pebble” was designed by Andrey Poletaev and the “Arkhitektura Blagopoluchiya” (“Architecture of Well-being”) group in cooperation with OOO MRG Stroy/Soldisgroup, which did the curvilinear pavilions in the Zaryadye Park, as well as the Zaha Hadid office building on the Sharikopodshipnikovaya Street.

Working with exposed concrete was just as challenging but the result was well worth it. Many architects love exposed concrete for its honesty, masculinity, and longevity. From the side of Alexander Balabin, this was also homage to Tadao Ando. The walls of the winery have three plies in them. The inner ply (200mm) and the outer ply (100mn) are exposed concrete without any decor, with a 100mm of heat retaining material sandwiched between them. The only decor on the concrete wall is holes, traces of formwork fastening, and seams.

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    “Rocky Shore” winery
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    “Rocky Shore” winery
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniil Anneknov / Provided by Severin Project


“The building of the winery was built of monolithic reinforced concrete due to seismic activity of up to 9 points – Alexander Balabin shares – I invested a lot of time in creating formwork casings. I made sure that these formwork casings had a certain size, and the fastenings were in certain places, so that it would correlate with the impost pattern, and with the horizontals. When you remove the casing, the concrete must remain as it is, without any adjustments needed. Whenever the builders did not succeed at the first attempt, I made them cut off the concrete and start all over again. For window openings in the form of pebbles, so-called shells were made in the carpentry industry. Then matching aluminum frames were made, which then fitted in the openings without any plaster. I think that the builders have coped with the implementation of the project by 90-95 percent.

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    “Rocky Shore” winery
    Copyright © Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: © Severin Project


As for the ellipse coverage, we struggled with it for a whole year. We seriously pioneered this technology of glass fiber concrete with a polymer coating in this region, and in Russia, for that matter. You can only find something distantly similar to it in Zaha Hadid’s Geidar Aliev Center in Baku. Because of the heat, it was difficult to achieve homogenization of the outer layer. The team of Andrey Poletaev, the authors of the Zaryadye Park, first intended to make a coating from lamellas and even manufactured them, but then abandoned this idea because of the unwanted seams. We decided to apply the coating using layer-by-layer spraying. But if you do not do this continuously (people also need to have lunch and sleep), the liquid solution remains in the hoses, which needs to be washed away with white spirit, and then because of this, the coating hardens poorly, with bubbles and all sorts of other issues. This problem was also solved. In other words, a lot of difficulties were overcome in the process of work, but, in the end, everything worked out.”

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    "Skalisty Bereg« (»Rocky Shore") winery
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    “Rocky Shore” winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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The interiors of the winery continue the themes set by the outside design solution. The brutal-looking production rooms with concrete walls and metal equipment, at the same time filled with light streaming from the windows, look (or you could even say “sound”) as powerful as a rock-n-roll band.

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    “Rocky Shore&#Copyright: Photograph © Daniel Annenkov / provided by Severin Project148; winery
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    “Skalisty Bereg” winery, the interior
    Copyright: Photograph: Provided by Severin Project
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    “Skalisty Bereg” winery, the interior
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The concrete staircases connect the spaces of the floors, where, expectedly, works of modern art will be exhibited. Just as dramatic and austere are the outside staircases.

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    “Rocky Shore” winery, the interior
    Copyright: provided by Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    “Skalisty Bereg” winery, the interior


The interiors in the show and tasting area are quite different. These are expressive white supports matching the outside parametric shape of the “pebble”.

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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
    Copyright: Photograph: Provided by Severin Project
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    “Rocky Shore” winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    “Skalisty Bereg” winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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The design of the wooden demonstration “column” in the reception area was also done by Alexander Balabin.

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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
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    "Skalisty Bereg« (»Rocky Shore") winery
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    “Rocky Shore” winery, the interior
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“I already said in another interview how lucky we were with this Cote Rocheuse winery – Nobody ordered a monument of architecture from us. However, I wanted to design something as honest and as durable as good wine. Hence the exposed concrete both outside and inside. Concrete is a natural and durable material, just as wine is a natural product. Modern architecture with all these hang-on facades is meant to last 50 years max. The ventilated brick facades in actuality are 2cm thick; behind them, there are metallic mounting subsystems and heat retainer. Our winery with the main foundation made of three-ply concrete will stand for five hundred years or more.”

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    "Skalisty Bereg« (»Rocky Shore") winery, the interior
    Copyright: Photograph © Daniel Annenkov / provided by Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
    Copyright: Photograph © Daniil Anneknov / Provided by Severin Project
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    "Skalisty Bereg« (»Rocky Shore") winery
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    "Skalisty Bereg« (»Rocky Shore") winery
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The architecture of wineries today is a genre as popular as the architecture of museums of modern art. Such a commission is something that many architects dream to land. The clients regard the architecture of wineries as part of the show in the sophisticated art of winemaking. Over the recent 20 years, all the international stars of architecture have been spotted in having a go at this genre. The first one was Herzog and de Meron, who, having piled up a winery of gabions in the Californian valley of Napa, at once received a Pritzker Prize in 2001. Just as spectacular were projects by Richard Rogers, Zaha Hadid, Kalatrava, Norman Foster, and others.

Finally, these trends came to Russia. Despite the prohibition proclaimed by Gorbachev in 1986 and the cutting-down of vineyards (Alexander Balabin mentioned this fact in an online presentation of his project for WAF), domestic winemaking is still developing, although this process is far from fast. For example, the vineyards of “Skalisty Bereg” began to grow in 2011. The owners, of course, want to add symbolic capital to the wine, which is surely provided by a memorable architecture. For the same purpose, wineries are combined with galleries of modern art. In recent years, a number of works in this typology have appeared. The “Skalisty Bereg” wine gallery has already aroused a lot of interest among the wine tour operators, and a special excitement is associated with architecture. As for the residents of the Krasnodar region, they already consider the “Skalisty Bereg” winery to be one of the biggest local attractions.

16 February 2022

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.