Julia Tryaskina

Julia Tarabarina. Flexibility and Acuteness of Modernity

Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.

Alyona Kuznetsova, Julia Tarabarina. Arch, Pearl, Wing, Wind

In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.

Dmitry Leonov. Black and White

In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.

Julia Tarabarina. ​A Circular Arrangement

The project by UNK interiors, which won in the competition for the “Zagorye” metro station, is resonant to the ideas of the surrounding industrial and housing construction thanks to its modular laconic shapes. At the same time, the station is “all metal”, which is a nod towards the name of the nearby Lipetskaya Street because Lipetsk is a metallurgical center. One could expect that the authors would fall for the brutal images of metallurgy and blast furnaces but the project turned out to be light and laconic – we are examining why.

Julia Tarabarina. Julia Tryaskina: “Modern public interiors are about the super-goal, not about unnecessary embellishments”

The new IPI Award for design of public interiors considers the projects from the point of view of today’s trends of the modern world, and even broader – from the point of view of a super-goal set by the client and achieved by the architect. In this article, we are speaking to the initiator of the award: about the specifics of rating the projects, about the priorities, fears, and hopes.