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Terraced Design

The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.

10 December 2024
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The “River Park” project was completed in 2024 and is significant in scale. We have covered it multiple times: the initial phase, located in the southern section, was designed by Ostozhenka Architects in 2013. Beginning in 2017, Andrey Romanov and Ekaterina Kuznetsova of ADM Architects took over the design of the larger portion of the complex, ultimately completing five blocks. The first group in Phase II, labeled Blocks 1-3 internally, lines the northern edge along the Nagatinsky Backwater. Blocks 4-5 extend and conclude the waterfront development, occupying a corner between two water bodies and the shoreline of the Western Bay.

“River Park” housing complex
Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM


Thus, “River Park” represents a decade-long effort overall, with ADM Architects contributing seven years – a substantial timeline in itself. All the blocks are connected by a public embankment featuring shops, cafes, and salons on the ground floors. Across the development, albeit to varying extents, there is a prevailing theme of terraced volumes descending toward the water and terraces. The design and realization coincided with the burgeoning interest of Moscow developers and buyers in open terraces, with this project serving as one where it became evident during construction that apartments with terraces were in higher demand and ultimately sold better.

The two-thirds of the complex designed by ADM Architects are characterized by a blend of strict regularity – at times even rigid structure – the dominance of brick, and persistent efforts to incorporate sculptural accents. These accents range from subtle to almost megalithic: bold and confident gestures.

Notably, the architects here abandoned the vertical pairing of floors in groups of two or three, opting instead for an “honest” grid that balances vertical and horizontal elements. By day, the buildings appear distinctly solid and sculpted with confidence. By night, under backlighting and silhouetted against the sky, they resemble volumetric frameworks with irregularly filled segments, their edges seemingly torn open. Illuminated windows, like pieces in a sliding puzzle, further enhance the perception of lightness.

“River Park” housing complex
Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM


ADM Architects introduced the idea of alternating end terraces within the volumes in “River Park” for the first time. This architectural ingenuity enhances privacy between neighbors.

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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM
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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM


The result is a rigorously organized version of a “Habitat” form, with a confident cascade of open steps framed by frameless glass railings that subtly highlight the façades.

Moreover, “River Park” became a testing ground for creating semi-public and private spaces for residents. All blocks are interconnected by pedestrian bridges and archways, allowing the courtyards to be navigated from above. These upper areas feature various playgrounds for children and designated relaxation zones for adults, such as barbecue equipment.

“River Park” housing complex: blocks 1-3
Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM


The architects also began exploring new approaches to form here. While plate-like “shifts” of floors were first implemented in the Discovery residential complex back in 2015, “River Park” introduced upward-expanding brick folds. These folds, particularly in certain perspectives, make the buildings resemble flowers. Could this have been the precursor to ADM Architects’ later experiments with tower plastique?

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    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM
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    “River Park” housing complex: blocks 1-3
    Copyright: Photograph © yaroslav Lukyanchenko / provided by ADM


The recently completed blocks continue the methods and approaches developed in Blocks 1-3 but interpret them more strikingly.

One key reason for this evolution is the site’s location on a corner – not an urban corner in the traditional sense of the term, but a riverine one. The 90° angle aligns with the confluence of the man-made backwater, the bay, the Nagatinsky Channel, and the Moskva River itself. Historically, this area featured a functional beacon during its port days. Now, a symbolic lighthouse stands on the square where the shoreline makes a turn.

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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM
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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM


Yet the project’s most striking feature is not the tower or the protrusion – but the void, more of which below.

Two light, terraced volumes are positioned not perpendicular but parallel to the shores, utilizing the right-angle meeting of water masses. The end terraces of one building face the Western Bay, while those of the other overlook the Nagatinsky Backwater.

Between the two structures, an open space ascends, creating a pause that serves as a central architectural highlight. This void mirrors the gap between the two shores and even visualizes it, amplifying its presence through the layered plates of the buildings.

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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM
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    “River Park” housing complex. Section view
    Copyright: © ADM


While the terraces rise uniformly and evenly, the height of the wings varies, creating a balance between symmetry and asymmetry. Interestingly, the height difference between the two volumes reflects the lengths of the water bodies they face – Western Bay being in fact shorter than the Nagatinsky Backwater. This is a nuanced contextual response, as is the interplay with the land’s narrow isthmus.

“River Park” housing complex
Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM


At the “meeting point” of the two volumes, on the corner, a public terrace emerges at the height of three floors. This terrace functions as an intimate courtyard-like space for gatherings and small events. From here, one can see the courtyard, the promenade, and the water, as well as enjoy a unique perspective of the terraces ascending in opposite directions.

“River Park” housing complex
Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM


The two wings of the corner building resemble sails in silhouette, with the gap between them forming an inverted triangle. The triangular outline is echoed by the plan of the neighboring red-brick tower. This tower is a rare example in ADM’s portfolio, with no comparable structures currently attributed to the company. Its triangular footprint tapers toward the water, and the façades feature prominent open balconies with copper-toned underlays.

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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM
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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM


These two buildings are both rhythmic and jagged, engaging dynamically with the surrounding space, perhaps even more so than the terraces. Their design creates a unique volumetric pattern rooted in modernist principles and represents the most original accent in the entire complex. Walking along the promenade and rounding the corner offers the best view of this feature.

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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM
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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM


In contrast, the design of the two other buildings situated further back is more subdued and forms a quieter backdrop. Behind the corner building, there is a straightforward red-brick structure with a grid of square façades and a square footprint. When viewed from the plan, this building complements the triangular house, forming a pair. However, the further structure is far more restrained in its execution.

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    “River Park” housing complex
    Copyright: © ADM
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    “River Park” housing complex. Phase II. Overall plan, Phase 2
    Copyright: © ADM


To the west, the backdrop is defined by a light, folded plate-like structure and a closing dark-brown building. While the former echoes the red “bouquet” buildings from clusters 1-3, the latter showcases a restrained yet dynamic slope, a favorite technique of Andrey Romanov and Ekaterina Kuznetsova’s. Similar “steps” can be found in their other works, such as along the Novodanilovskaya Embankment or in the recently completed HIDE residential complex.

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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM
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    “River Park” housing complex
    Copyright: Photograph © Andrey Belimov-Gushchin / provided by ADM


From certain angles, the buildings of “River Park” evoke a Manhattan-like aesthetic: a strict yet varied alignment. The skyline remains undisturbed, held confidently in place. Within a context that is partially “micro-district” in character and partially shaped by the natural, scenic freedom of the landscape, the structures stand out evenly and neatly, featuring a respectable brick palette. They create a city by the water where none existed before. This approach resonates well with the architectural agenda of Moscow in the 2010s, reflecting a precise and professional response to the project”s objectives. However, what stands out is the presence of another emerging narrative – less restrained, more expressive and sculptural. Built on patterns and understated yet bold gestures, the regular slopes of the terraces, with their functional alternation, evoke not only a tamed vision of “Habitat” but also modernist pyramid houses and triangular structures. Here, one can discern both continuity with the past and a glimpse into the future – a precursor to larger-scale experiments in the development of Moscow River’s waterfront areas.

10 December 2024

Headlines now
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.