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Warm Black and White

The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.

05 June 2025
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The four black-and-white towers on the banks of a dammed section of the Serebryanka River in Pushkino form the second phase of “Quarter 31” residential complex. The first three buildings were completed in 2018, and two more – also designed by KPLN – are now nearing completion. All the buildings are 23-24 stories tall. The reservoir is surrounded by buildings of similar height, interspersed with smaller Soviet-era panel and Stalin-era apartment blocks. As a result, the central portion of “Quarter 31” does not stand out for its height, yet its façade design certainly feels like a “newcomer” here.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


From a distance, the four towers read as a neatly ordered mass. However, the master plan hides a subtle secret: while three of the towers align orthogonally to the main axes, the fourth breaks the grid, following the curve of Yaroslavskoye Highway and the boundaries of the site. Given the buildings’ size, the shift feels natural, almost imperceptible – and in fact, this slight “irregularity” brings a touch of humanity to the rigid geometry. The towers are unified by a shared plinth, whose rooftop hosts all the necessary landscaping and public spaces. Circular zones on the roof might have made the site plan resemble a quatrefoil, but instead, a stairway bridges the plinth from the highway side down to the reservoir – accessible to the public, not just residents. This seemingly small design choice was, in fact, a hard-won victory for the architects in their negotiations with the developer about ensuring the complex’s permeability.

The masterplan. "31 Kvartal« (»Quarter 31") housing complex
Copyright: © Architectural Bureau KPLN


The master plan is by far not the only part of the project where strict regularity is subtly broken – another broad stroke that makes the complex quite a sight to see is the architects’ use of color. Rather than fragmenting the towers into blocks and tiers by using different façade materials, the architects did everything the other way around and emphasized the monolithic form. Three sides of each tower are completely white, while the fourth – much like the north-facing trunk of a tree – is almost entirely black. The stark contrast elongates the silhouette, adds depth, and accentuates the plasticity of the light façades.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


The black façades are not all the same either: touches of white appear here and there as dots, grids, or stripes at different heights and densities. From afar, these subtle elements animate the façades and guide the eye across the surface, establishing visual rhythm.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


At closer range, it becomes clear that the “white” stripes on the dark façades are actually made of polished steel. The highly reflective panels create intense highlights, whose texture could even be mistaken for granite or marble.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


At street level – where it matters most – the full range of materials is revealed. The ground floors of the plinth beneath the towers are clad in glazed brick. The piers between the windows feature 3D brickwork that transforms them into “pilasters”. Each one ends in a sharp wedge shape that is echoed by a smooth, projecting element of the façade above. The pairing resembles an hourglass and separates the plinth from the residential mass not just through texture, but also through volume. The connecting segments of the plinth are clad in black, while the entrances and parking portals are trimmed with wood, adding a striking touch of warmth to the otherwise monochrome palette.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN




As for the towers themselves – they are more complex than they might first appear. A key feature that the architects use is the window grid, which varies in size. While the grid remains strict enough to avoid visual disorientation, the changing window dimensions create a gradient effect: the density and area of glazing increases from the dark northern façade toward the southern side. The most transparent point is the southern corner, where loggias give the impression of a fully glazed edge.

“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


“Quarter 31” housing complex
Copyright: Photograph © Dmitry Yagovkin / provided by KPLN


As mentioned earlier, the white façades are more plastically expressive than the black ones. Square and triangular fiber cement panels are arranged on a supporting system to create three-dimensional elements – triangular pilasters between windows, angled like sun-loving plants toward the south. The floor slabs are also slightly sloped, forming small “eaves” over the windows below. The white panels, along with the folded black seams between them, resemble sheets of paper – another way of lightening the visual mass. These origami-like folds are complemented by AC unit baskets, carefully integrated into the buildings’ design.



The task of the brick portals. "31 Kvartal« (»Quarter 31") housing complex
Copyright: © Architectural Bureau KPLN


In the project, the plinth performs several functions at once. First, it compensates for the natural slope of the site, which drops almost three meters toward the river. As a result, the height of the plinth ranges from one to two stories. Most of the space is taken up by parking for 330 vehicles, surrounded by storage units and public facilities: a kindergarten, a café, sports halls, shops, and, finally, co-working areas. The main entrance groups are located at street level, while residents can also enter the plinth via secondary lobbies at the second-floor level.

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    Simplified plan at elevation -3.600."31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Simplified plan of the floor at elevation -0.300. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Simplified plan of the underground mechanical rooms at elevation -5.650. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Simplified plan of the lower mechanical area at elevation +2.550 and +4.450. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Simplified plan of the 3rd residential floor. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN


Since the towers are positioned at the corners of an almost perfectly square site, the center is left open for a landscaped courtyard. On top of the plinth, the residents enjoy recreational zones, children’s playgrounds, sports areas, and greenery. A pedestrian boulevard runs through the center, leading to the Serebryanka embankment via a wide staircase. This promenade is separated from the recreation zones by wedge-shaped lawns.



Despite the pronounced geometry and monochrome palette, the complex reveals a number of personal touches, warm gestures toward residents, and even allusions to nature. One final detail deserves special mention: the realized project stays remarkably true to the original 3D renderings – we invite you to compare the photos in this article with the visualizations from the design phase.
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    “Quarter 31” housing complex
    Copyright: Photograph © Dmitry Yagovkin / provided by KPLN
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    “Quarter 31” housing complex
    Copyright: Photograph © Dmitry Yagovkin / provided by KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Section view 1-1. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Section view 2-2. "31 Kvartal« (“Quarter 31”) housing complex
    Copyright: © Architectural Bureau KPLN
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    Facade in grid 1.1-4.9. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    The facade inn grid. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN
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    Development drawing of the facades along the Yaroslavl Highway. "31 Kvartal« (»Quarter 31") housing complex
    Copyright: © Architectural Bureau KPLN


05 June 2025

Headlines now
Warm Black and White
The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.
The Colorful City
While working on a large-scale project in Moscow’s Kuntsevo district – one that has yet to be given a name – Kleinewelt Architekten proposed not only a diverse array of tower silhouettes in “Empire-style” hues and a thoughtful mix of building heights, creating a six-story “neo-urbanist” city with a block-based layout at ground level, but also rooted their design in historical and contextual reasoning. The project includes the reconstruction of several Stalin-era residential buildings that remain from the postwar town of Kuntsevo, as well as the reconstruction of a 1953 railway station that was demolished in 2017.
In Orbit of Moscow City
The Orbital business center is both simple and complex. Simple in its minimalist form and optimal office layout solution: a central core, a light-filled façade, plenty of glass; and from the unusual side – a technical floor cleverly placed at the building’s side ends. Complex – well, if only because it resembles a celestial body hovering on metallic legs near Magistralnaya Street. Why this specific shape, what it consists of, and what makes this “boutique” office building (purchased immediately after its completion) so unique – all of this and more is covered in our story.
The Altai Ornament
The architectural company Empate has developed the concept for an eco-settlement located on a remote site in Altai. The master plan, which resembles a traditional ornament or even a utopian city, forms a clear system of public and private spaces. The architects also designed six types of houses for the settlement, drawing inspiration from the region’s culture, folklore, and vernacular building practices.
Pro Forma
Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.
The Arch and the Triangle
The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
The Blooming Mechanics of a Glass Forest
The Savvinskaya 27 apartment complex built by Level Group, currently nearing completion on an elongated riverfront site next to the Novodevichy Convent, boasts a form that’s daring even by modern Moscow standards. Visually, it resembles the collaborative creation of a glassblower and a sculptor: a kind of glass-and-concrete jungle, rhythmically structured yet growing energetically and vividly. Bringing such an idea to life was by no means an easy task. In this article, we discuss the concept by ODA and the methods used by APEX architects to implement it, along with a look at the building’s main units and detailing.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.