Sergey Pereslegin

Kleinewelt Architekten

Sergey Pereslegin

information:

country
Russia
Firm’s Official Site
http://www.kleinewelt.ru/

Sergey Pereslegin graduated from Moscow Institute of Architecture; he studied under the guidance of the professors Kudryashov and Michael Eichner.
After graduation, he did a course in the Technische Universität München under the supervision of Peter Ebner.
Graduated from the post-graduate courses in the Research and Development Institute of Architecture and Urban Planning of Russian Academy of Architecture and Construction Sciences.
Sergey worked in the Austrian/German architectural company “E+E architecture+urban design” and in the Swiss company “Arch4”.

Since 2013, Sergey has been the partner of Kleinewelt Architekten. Sergey Pereslegin is the author of many built and in-construction projects, including the Winery House in Gai-Kodzor (Armenia), the Movie Theater in the Gorky Park, reconstruction of the former “communal kitchen” on the Novokuznetskaya Street in Moscow, Mercedes and Audi dealerships on the ZIL peninsula in Moscow, “Park of the Future” at Moscow’s VDNKh, and others.

Sergey Pereslegin holds classes at Moscow Institute of Architecture at the Department of Residential and Public Architecture.

Archi.ru Texts:

03.07.2025

. Peaceful Integration on Mira Avenue

The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.

04.06.2025

Julia Tarabarina. Skylights and Staircase

Photos from March show the nearly completed headquarters of FSK Group on Shenogina Street. The building’s exterior is calm and minimalist; the interior is engaging and multi-layered. The conical skylights of the executive office, cast in raw concrete, and the sweeping spiral staircase leading to it, are particularly striking. In fact, there’s more than one spiral staircase here, and the first two floors effectively form a small shopping center. More below.

06.05.2025

Julia Tarabarina. The Colorful City

While working on a large-scale project in Moscow’s Kuntsevo district – one that has yet to be given a name – Kleinewelt Architekten proposed not only a diverse array of tower silhouettes in “Empire-style” hues and a thoughtful mix of building heights, creating a six-story “neo-urbanist” city with a block-based layout at ground level, but also rooted their design in historical and contextual reasoning. The project includes the reconstruction of several Stalin-era residential buildings that remain from the postwar town of Kuntsevo, as well as the reconstruction of a 1953 railway station that was demolished in 2017.

17.04.2025

Julia Tarabarina. The Arch and the Triangle

The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.

20.02.2025

Alyona Kuznetsova, Julia Tarabarina. Orion’s Belt

The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.

see All Archi.ru Texts / Sergey Pereslegin