Just a Mirror for the Sun

This project by Sergey Skuratov – the second stage of the high-end residential complex NV/9, located at the crossing of the Nikolovorobinsky and Tessinsky Alleys, considered and approved by Moscow Architectural Council – is situated amidst a dynamically developing context. This old-town district boasts a very central location, yet it is by no means a “quiet” place, like the Old Arbat, for example. Everywhere you look you will see construction work going on, or some new little detail, sometimes barely noticeable at first. If one is to go down the Yauza River eastwards, nearing the Garden Ring, he will see the orange-and-glass business center Silver City; to the west, from the side of the Yauza Gate, the housing complex TITUL is being built. However, the real “star” is situated right in the middle between them, and this is Art House, also designed by Sergey Skuratov. A house that ten years ago introduced in Moscow the fashion for hand-molded brick. Two laconic dark buildings are covered with bricks like they would be covered with skin, from top to bottom, from the roof to the pavement; this house is definitely the first thing that meets the eye like a work of art amidst the city bustle. Thus, the name of Art House is more than justified.

zooming — Art House residential complex

Copyright: © Sergey Skuratov ARCHITECTS

Speaking of art, it appeared here presented by Gary Tatintsian Gallery, designed in 2013 by Sergey Tchoban; the entrance is from the river side, down the stairs, into the space separated by the “archaeological” slope, which Sergey Skuratov deliberately set up here, interpreting his newly-designed project as an “ancient monument”. Then the Art House became the springboard for a massive urbanist project named “Artkvartal” (“Art Quarter”): in order to promote the idea, in 2014 they opened on the top floor of Art House – temporarily, twice in two months – the club called Door 19. In 2015, on the neighboring land site, further to the north and higher up the Nikolovorobinsky Alley – again, temporarily – opened yet another club, EMA, which got its name from the former Soviet factory of “electric medical apparatuses”. After the club was closed, in the northern part of EMA started the construction of the first stage of the housing complex NV/9, which basically stands for “Nikolovorobinsky, 9”, which was developed by State Development in collaboration with another development company, INSIGMA. Today, the construction is all but completed, and the scaffolding has been removed. The authors of the project are Irene Rimashevskaya and the architectural company “Arkhkvartal”. The buildings stand on a slope with a height drop of about 8 meters; on the alley side, the building tactfully hangs over the two-story brick façade – a fantasy inspired by the “quilling mill” built here in 1877.

The Nikolovorobinsky project by Sergey Skuratov is the second stage of NV/9, built by INSIGMA. Its land site is the part of that same factory – it stretches along the Tessinsky Alley and stops at a crossroads that essentially is the center of the neighborhood that borders on the Serebryanicheskaya Embankment. It is also situated the closest to Art House, a building with a reputation, as well as an integral and meaningful image. Therefore, Sergey Skuratov, according to his own words, interpreted his new project designed for the Tessinsky Alley rather as a background for Art House.

Yet another difficulty is that the land site is full of buildings constructed at different times. In the second half of the XIX century, still before the EMA factory was built, this territory included the quilling mill. The project provides for preserving the street facades of two of the mill’s buildings, even though they do not have a protected status: the facade of the 2nd office building on the Nikolovorobinsky Alley (1883, architect Vasily Barkov), and three bottom floors of the most conspicuous building standing at the crossroads (1895, architect Sergey Kalugin, later on the coauthor of Boris Freidenberg in the building of the Petrovsky Passage). Its corners were originally built as romantic towers, whose battlements, however, avoided the fate of being lost in later buildups.

The eastern unit on the Tessinsky Alley chiefly refers to the 1960’s, just like the constructions in the yard do. Last time around, they were reconstructed in 2008-2012 for the recent owner, one of the divisions of the Rosset state corporation; all of the later-built constructions will be torn down.

The two buildings on the Tessinsky alley will give way to a single volume of about the same scale, while the deconstruction of the inner structures will help clear the yard space. Its gently sloping surface will be leveled up to the elevation of the sidewalk of the Tessinsky Alley, providing a barrier-free access to the yard at the joint of the new and old facades through a “lobby” arch.

In the yard, we are welcomed by a small manmade water reservoir – a memory of the Serebryanichesky Ponds. Right of the “pond”, there is a large wide-branching tree, one of the signature techniques of Sergey Skuratov’s. There is also a lawn on the left. The pedestrian trail running between the residential buildings connects entrances and sections.

Due to the fact that the height difference between the land sites of the first and second stages is about 5 meters, the south border of the yard is preserved by a retainer wall with staircases and ramps. Such prominent and conspicuous terraces, generally a common feature for the Vorontsovo Pole, are not devoid of a spatial intrigue: the yard ends up being totally isolated and completely private.

The construction of the house itself is also quite sophisticated. There are four housing sections standing along the Tessinsky Alley. There is 1.5 meter of technical space between the apartments of the bottom floors and the underground parking garage, which makes it possible to raise the floors above the sidewalk and muffle the car noise coming from the garage. The apartments have from one to four bedrooms, the living rooms look out the sunny south facade on the Tessinsky Alley, the bedrooms – to the northern yard side. The small apartments only look south.

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The master plan. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Location plan. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the 1st floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the 2nd floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Section 3-3. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS

The penthouses on the top floors, the seventh and eighth, 7.1 meter tall, are defined by the architects as “apartments with attics” that occupy no more than a third of each of the apartments. These double-level apartments provide for a possibility to install a fireplace and have a patio on the roof of the house: the terraces are surrounded by walls from all sides, which make them akin to the little yards of Italian apartments. The most luxurious apartment of all is situated at the west end of the building – it has four bedrooms and a double patio. The double-level apartments also occupy one and a half of the top floors on the Nikolovorobinsky Alley; its two bottom floors are occupied by a fitness center.

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The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the 3rd floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the 4th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the 5th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the 6th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the 7th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the 8th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the 8th-floor attic. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Plan of the roof. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Section 4-4. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Section 5-5. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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Section 7-7. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS

The plastique of the buildings is based on a combination of three materials: brick, new and old, and bronze.

The preserved historical facades, cleared from the stucco, will yield the dark-red “factory” brick of classic proportions. The plinth-shaped brick forms a pattern of thin stripes of the “palatine” Roman kind, bringing up associations with the Patrician palace (and here we are remembering the “pond” in the yard, which is quite fit to play the role of the impluvium; for a “premium-class” house, the analogy is quite appropriate).

The brick, which varies its shades from brownish gray to almost black, is meant to set up a dialogue with Art House, which will be particularly noticeable when one goes down the Nikolovorobinsky Alley or approaches the house from the Tessinsky Alley, where NV/9 demonstrates its laconic surfaces, completely covered in brick. The same design of dark brick is applied to the retaining walls in the yard.

The south facade on the Tessinsky Alley presents a rather sophisticated picture, full of nuances. In its lower section, the new volume gets a horizontal risalit that continues the line of the preserved house, designed by Sergey Kalugin. In the point where the old and the new facades meet, as well as above the niche of the main entrance, the wall makes a smooth inward bend, forming a “fold” in the vein of the architectural curtains by Giulio Romano, thus accentuating the entrance. Meanwhile, the risalit stays stubbornly and firmly in its place; it is marked with an Indentation pattern of prominent brick strokes. A similar stroking pattern forms graphic shadows of the pilasters in the second (also new) tier of the facade of the western side – not on the whole facade but only where the piers between the windows coincide with the ones that are in the old facade. Due to the fact that the rhythm of the upper floor is slightly broader, they do not always coincide. The curving plastique and the brick strokes look at their absolutely best in the midday light that accentuates any ledges most vividly, particularly on a sunny day.

As we can see, the south facade is telling an interesting story, painting a picture of a city that grows upwards in several layers. Together with the laconic “fortress” wall of Art House, standing across the Alley, the resulting effect is akin to that of Tallinn or even Istanbul – where the newly-made structures meet the old ramparts. And, although this place never in fact had proper fortress walls – it had baths, gardens, and ponds – this does not really matter: first, something new had to appear, and, second, this effect is unobtrusive, this is not a pseudo-gothic castle, which are, sadly, quite abundant in Moscow, and not a stylization – rather, this is a story that can give the place a new aura and taste, developing the theme of imaginary history, proposed by Skuratov in Art House.

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The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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The developent drawing of the facades on the Tessinsky Alley. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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The developent drawing of the facades on the Nikolovorobinsky Alley. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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The facade plan on grid lines. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS

The third material is the copper and zinc alloy, the polished architectural bronze. It gives a shiny golden hue, and, if we compared the plinth-shaped brick with the ruins of the palatine palaces, bronze can remind us about the patrician mirror. This association is a fleeting one, though.

A bronze grille is framing the windows of the buildup of the west facade; bronze is also extensively used in the west facade of the minor building overlooking the yard, as well as in its roof.

The meaning of this golden hue can be understood in a whole number of ways: from echoing the golden domes of the Serebryaniki Trinity Church to the premium “golden” status of the expensive high-end building.

However, probably, the real reason for bronze appearing in the Sergey Skuratov project is because of the sun. Let’s just imagine for one brief moment how the golden facade of the minor building will reflect the rising sun, casting reflections into the yard and filling it with light. And then – how the chamfers of the west facade will catch the reflections of the setting sun in the west. Even now, if we are to look in the evening at the crossroads from the west side, the windows of the Sadko business center, the former building of the Institute of Nitrogen Industry, a 16-story slab, built in 1976, will show us a promo version, a teaser of the effect that the windows and window frames of the new house will produce at sunsets. During that moment, one wants to remember not only about the bronze Roman mirror but also about the bronze window frames of the 1970’s, also echoed by the newly-designed house.

The frames are not identical – they are equipped with chamfers: all of them are situated on one side, gazing southwest. They catch the glints of the summer sunsets, and, in addition, their width gradually increases from left to right, as the possibility to catch the sun rays decreases. The bronze stripes before the entrance are fitted into the “fold” of the facade in a similar “gradient” fashion.

The bronze also covers the joint of the chamfer before the lobby: it has a chance to catch the morning sunlight and “ricochet” it to the curve on the opposite side, or, the other way around, serve as a mirror in the evening. As we can see, the whole house is “fine-tuned” to the sun – it catches it with all the zeal of a resident of cloudy Moscow, where every sunbeam is worth its weight in gold.

The brick also supports the reflections theme: the risalit from the side of the red historical facade gets a stretching gradient of terra cotta insets – the overall “plinth” mass occasionally bursts out with a golden glitter.

In a word, just like on an Ars Nova picture, there are plenty of subtleties here, and none of them is excessive. This house is much “warmer” than Art House; it is more “Moscow”, which is more motivated by the inclusions of the preserved facades and the obliging neighbors – two bold statements must not contradict each other, and Sergey Skuratov was completely right speaking about the background function of the new house. It has a different purpose: the project catches the “quilted blanket” effect inherent to this place – and the house, engaged in a peer-to-peer dialogue with its neighbors, imbibes the effect of this compound city with its rich history – and we are grateful for that.

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The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS
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The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.

Copyright: © Sergey Skuratov ARCHITECTS

16 June 2020

Written by:
Julia Tarabarina
Translated by:
Anton Mizonov

Headlines now

The Mirror of Your Soul

We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.

Part of the Ideal

In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.

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The Fortress by the River

ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.

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In the Rhombus Grid

Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.

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Generational Connection

Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.

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Three Dimensions of the City

We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived

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New “Flight”

Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.

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The Yauza Towers

In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.

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Architecture and Leisure Park

For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.

Overview

The U-House

The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.

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Black and White

In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.

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The “Snake” Mountain

The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.

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Opal from Anna Mons’ Ring

The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.

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Feed ’Em All

A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.

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The Ensemble at the Mosque

OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.

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Pargolovo Protestantism

A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.

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The Shape of the Inconceivable

The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.

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Rays of the Desert

A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.

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The Dairy Theme

The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.

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The Road to the Temple

Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.

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Towers Leaning Towards the Sun

The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.

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In the spirit of ROSTA posters

The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.

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The Northern Thebaid

The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.

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Brilliant Production

The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.

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Three-Part Task: St. Petersburg’s Mytny Dvor

The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.

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The Color of the City, or Reflections on the Slope of an Urban Settlement

In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.

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A Single-Industry Town

Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.

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A New Age Portico

At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.

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A New Starting Point

We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.

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Molding Perspectives

Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.

​Just a Mirror for the Sun

Just a Mirror for the Sun