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Transformation of "Belgrade"

The project of renovating "Belgrade" Hotel will turn it into a practical and fully-equipped facility, at the same time carefully preserving the recognizable style of the soviet modernism - and will even restore the symmetry of the Smolenskaya Square.

18 February 2016
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The new year saw "Belgrade" Hotel, built back in 1976 in pair with its "twin" tower on the Smolenskaya Street, shut down for reconstruction with an accompanying closing ceremony. The very fact is a precedent in itself - because normally guests and reporters are invited to an opening ceremony of something. In this case, however, people were invited to close this facility, see one of its walls publicly torn down, walk around its now-deserted floors, peek into the soviet-era rooms with light bulbs screwed out and furniture partially taken out as well, but nonetheless commanding the same magnificent views of the Moskva River and the high-rise of the Ministry of Foreign Affairs nearby. The hotel in its original condition - and it must be noted at this point that ever since it was built, the building was never remodeled - was seen by the crowd for the last time. On the 15th of January, the construction work began.

Project of renovating "Belgrade" Hotel. Version 2 © T+T Architects
Project of renovating "Belgrade" Hotel. In the panorama of the Smolenskaya Street. © T+T Architects


Project of renovating "Belgrade" Hotel. Master plan © T+T Architects


The project of reconstructing and changing the plan of the hotel with regard to the requirements of the well-known Azimut Hotels chain was developed by the Russian company "T+T Architects". The first thing that the architects had to take into consideration was the importance and the very specifics of the hotel's location - on one of the city's main squares. The Smolenskaya Square was formed in the first half of the XX century, its main centerpiece being the high-rise of the Ministry of Foreign Affairs. Built in 1976 and 1973 respectively, and flanking the square from the west, the two identical towers of the hotels "Belgrade" and "Golden Ring" were meant to complete the architectural ensemble as two giant propylaea, a grand entrance to the Stalin high-rise.

Project of renovating "Belgrade" Hotel. Current status © T+T Architects


The high degree of "involvement" of the building with the context made the architects refrain from the idea of making any radical changes to its architecture, even though some of the early versions of the project provided for significant changes. The long-term work inside the company and interacting with Moscow's numerous municipal agencies (the project, among other things, had to get the approval of Moscow's architectural board) helped find the best possible solution that was focused on the preservation of the historical look of the modernist high-rise. The rhythm, the texture, and the colors of the façades, the fenestration, and the integrity of the overall composition - the architects were to keep all of these intact, at the same time updating the building and breathing a new life into it. As for the "old" walls with their prominent vertical pattern and the signature "rib" feel, the architects decided to reconstruct them very delicately, changing all the old materials with the new ones, up-to-date and technology friendly. 

Project of renovating "Belgrade" Hotel. Details of the facade © T+T Architects


Project of renovating "Belgrade" Hotel. Details of the facade © T+T Architects


For example, the existing structure of aluminum cross-beams with multiple glass units will be changed to new glazing of varying transparency but of the color identical to the original. In the dull sections, the architects are planning to use blacked-out glass with a soft shimmer, while in the rooms it will be fully transparent high windows commanding panoramic views of the city. The piers between the windows will be coated with tinted glass panels that will also repeat the structure and the color of the finish of the building. In addition, by using extra decorative vertical lamellae, the architects proposed to give it a more slender and upright look. The first floor will be covered by new stained glass made from refined glass of particular transparency. Only the stone pylons that flank the bottom part of the building will be left in their places. They will be renovated, cleaned from the dirt and the streaks, and the cracks in them will be fixed. These massive, slightly concave pylons of natural stone will become one of the most palpable reminders of the authentic history of this building, its material fragment from the 1970's, clearly readable from a comparatively close range. 

Project of renovating "Belgrade" Hotel. The entrance group without the marquee © T+T Architects


The top part of the twenty-floor high parallelepiped will get a two-story glass buildup with an elliptical plan. This is the most noticeable addition of all that are made in the course of this reconstruction, and it is necessitated by the fact that the twin tower of "Golden Ring" hotel got such a buildup as early on as in 2003, and the new glass volume over "Belgrade" will only restore the symmetry of the architectural ensemble. But then again, the architects themselves confess that if they had not had to take into consideration the already existing buildup over the neighboring tower, they would have opted for a rectangular plan - such an option was even proposed in one of the early versions of the project. 

Inside the glass buildup, there will be a restaurant commanding panoramic views of the city and the Moskva River. The vacant part of the roof around the ellipsis will also be made usable - with the restaurant's summer terraces and sightseeing platforms. In addition, the buildup will include small stores, a fitness center, and a cafe.

Project of renovating "Belgrade" Hotel. Version 2 © T+T Architects


Yet another important task for the designers was accentuating the grand entrance to the hotel. Today, finding it is no easy feat - there is neither marquee nor sign, the doors mixing in with the background of the first floor. In order to repair this significant omission, the authors proposed to mark the entrance with a broad black frame of the rectangular portal - such an accent would not go unnoticed against the backdrop of refined glass with minimal joints, opening up the view of the hotel lobby. The architects also proposed to cap the entrance with a semitransparent faceted marquee - although the implementation of this particular element is still to be discussed.

Project of renovating "Belgrade" Hotel. The entrance group with the marquee © T+T Architects


Project of renovating "Belgrade" Hotel. The entrance group with the marquee © T+T Architects


Project of renovating "Belgrade" Hotel. The entrance group with the marquee © T+T Architects


Project of renovating "Belgrade" Hotel. The current status © T+T Architects


The inside space of the hotel that, when remodeled, will claim four stars instead of today's three, will also change significantly. The engineering lines will be all replaced with new ones. The basement will get a new parking garage. All the premises, including the entrance lobby with its grand staircase and the conference halls will be brought to meet the requirements of the new hotel chain operator. 

At the example of "Belgrade", the customer is looking to implement the concept of a smart-hotel, its priorities being functionality, laconism, and modern technologies. For this reason, the rooms will get equipped with new high-tech gadgets, the entrance lobby will turn into a co-working zone where one can enjoy a cup of coffee or organize business meetings 24/7. The second floor will be occupied by retail stores. At the expense of developing the floors that are unused today, the architects will be able to boost the number of hotel rooms from 236 to 474. One of the floors will be exclusively occupied by six large conference halls. In a word, keeping the recognizable features of the building's historic identity of classic modernism, the renovated "Belgrade" promises to become a comfortable, state-of-the-art, and quite reasonably priced city hotel with an attractive location. The renewed building is expected to open by 2018.
Project of renovating "Belgrade" Hotel. Version 4 © T+T Architects
Project of renovating "Belgrade" Hotel. Location plan © T+T Architects
Project of renovating "Belgrade" Hotel. Map of the territoriaal organization © T+T Architects
Project of renovating "Belgrade" Hotel. Development drawing © T+T Architects
Project of renovating "Belgrade" Hotel. Facade © T+T Architects
Project of renovating "Belgrade" Hotel. Facade © T+T Architects
Project of renovating "Belgrade" Hotel. Facade © T+T Architects
Project of renovating "Belgrade" Hotel. Facade © T+T Architects
Project of renovating "Belgrade" Hotel. Facade © T+T Architects


18 February 2016

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.