По-русски

A Glazed Figurine

In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.

17 December 2025
Object
mainImg
Within the coordinate system of contemporary Moscow development, the Khamovniki district – embraced by the Moskva River – can arguably be defined as “heavy luxury”. And Block 531, adjacent to the Novodevichy Convent park, is its crème de la crème: river, greenery, and views of one of the capital’s key landmarks. On the Savvinskaya Embankment side, a residence designed by the London-based ODA Architecture is already under construction, featuring fireplaces and expressive bowl-shaped balconies. The central part of the block will soon be occupied by “House XXII”. The third representative of contemporary architecture – the subject of this article– is the building on Pogodinskaya Street, designed by GAFA.

Pogodinskaya
Copyright: © GAFA Architects


The site was acquired in 2021 by the developer Vesper, one of the most serious players in Russia’s deluxe residential real estate market. The plot is currently occupied by a business center – a 1930s building that was originally two stories high but gained height and volume during a reconstruction and buildup in 2000. Nearby stands one of the buildings of the Yushkov family estate, a regional cultural heritage site awaiting restoration. A less presentable but still high-status neighbor across the street is University Clinical Hospital No. 1. And, as Wikimapia users note, Vladimir Zhirinovsky once lived in the “House on Devichye Pole”, even though we cannot independently verify this claim. You never know.

Pogodinskaya
Copyright: © GAFA Architects


After acquiring the site, Vesper “tried on” several concepts from well-known and established architectural companies, but ultimately opted for GAFA’s proposal. The company’s team agreed that it might be best not to orient the project toward the obvious centerpiece of the surroundings – the Novodevichy Convent – and instead focus on the “here and now”, answering the question: what can a contemporary architect offer one of the most beautiful places in the city, backed by the developer’s almost unlimited support? Is it possible to persuade someone who came to see historic architecture to also pay a quick visit to Pogodinskaya Street?

Pogodinskaya
Copyright: © GAFA Architects


Pogodinskaya
Copyright: © GAFA Architects


Project ideologist Tatyana Morozkina spoke about her personal impressions of the place: crowds of tourists, students painting en plein air, artists with sketchbooks who immediately paint views of the Novodevichy Convent and sell their works, stalls with souvenirs and vintage trinkets. From these memories, an image gradually crystallized – namely, that of a glazed figurine or an enameled casket.

According to Grigorios Gavaldis, the references also included something quite the opposite: Peter Cook’s Kunsthaus in Graz, Austria. The museum was apparently used by the project team as an example of an object that deliberately contrasts with its surroundings. The same approach seems to have suggested the “metabolic” bay-window cells. Because of them, the casket expanded into a cabinet – a popular piece of furniture in the 17th-18th centuries, with numerous drawers decorated with painting, embroidery, or beautiful inlays.

Pogodinskaya
Copyright: © GAFA Architects


The façade material proved decisive both for the building’s class and for embodying the image of a vintage casket. The architects chose glazed volumetric ceramic – an expensive, technically complex material requiring handcraft, among other things. In terms of the volume of material used, this will be the first project of its kind in Russia. The supplier has yet to be selected, but the colors have already been approved: pearl white, referencing the convent walls, and emerald-jade, echoing the proximity of the picturesque Novodevichy Park and hinting at noble patina – a witness to time and change. Color is not the only thing that distinguishes the towers, which, in the context of local toponyms, one feels inclined to call sisters.

  • zooming
    Pogodinskaya
    Copyright: © GAFA Architects
  • zooming
    Pogodinskaya
    Copyright: © GAFA Architects


The project’s master plan is fairly simple: it essentially repeats the composition of the existing building on the site, only with the side risalits rising to 46 meters, while the central one, by contrast, is lowered to form the lobby uniting the two towers. The “tower in green” is set slightly back from Pogodinskaya Street, complicating the perception of the silhouette and freeing space for a ceremonial entrance zone: a car pulls into a small lay-by directly to an entrance protected by a canopy.

Pogodinskaya
Copyright: © GAFA Architects




The white tower is somewhat more square, both in plan and in the treatment of its bay windows. Its top-floor terrace faces the Novodevichy Convent. The green tower is more “rectangular”, elongated and fragmented; the angle of the bay windows is sharper, and its terrace opens toward Pogodinskaya Street.

Despite their obvious differences, what reads first and foremost are the shared “family traits” of the two towers. The most expressive of these is the sculptural, checkerboard grid of balconies and screen-like bay windows with panoramic glazing free of mullions. The regularity and rigidity of this rhythm are significantly softened by streamlined, rounded spandrels, which form “hinged axes” and lend the façades the flowing quality characteristic of glazed surfaces. The corners of all elements are smoothed both vertically and horizontally, allowing the facades to catch and reflect more light. This sense of fluidity carries over into the interiors as well, where one room flows seamlessly into the next.

Pogodinskaya
Copyright: © GAFA Architects


The entrance zone plays a crucial role in a high-status residential building: it shapes the first impression and becomes a kind of calling card, demonstrating the project’s values and those of its residents. In this area, GAFA brought together nature, history, and art.

The entire ground floor is occupied by retail, while the connecting volume between the towers houses a shared lobby reminiscent of an art gallery. Panoramic curved glazing opens views toward an intimate, picturesque garden.

Pogodinskaya
Copyright: © GAFA Architects


Despite the compact size of the courtyard, the architects managed to make it perform several functions. Tall, lush greenery planted along the perimeter screens the garden from the neighboring House XXII. Additional privacy is provided by geoplastic landscaping and by the courtyard’s elevated level relative to the street, formed by a stylobate with a parking garage inside.

The obvious playground and sports facilities were deliberately abandoned in favor of more greenery, timeless elements, and “visual calm” – especially since a fitness center will operate within the building itself. The first thing a person stepping into the courtyard sees is a dense mass of greenery. It can be admired from one of two viewing platforms or from a more secluded corner.



All the three ambitious projects in the block – by ODA, SKiP, and GAFA – make no false show of modesty: they assert their status and seek visibility. The house on Pogodinskaya Street, however, follows the concept of “quiet luxury”. A square meter of its façade made of volumetric glazed ceramic will likely be among the most expensive in Moscow, yet its true value lies above all in its uniqueness, timelessness, and its ability to age gracefully.
Pogodinskaya
Copyright: © GAFA Architects


17 December 2025

Headlines now
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.