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The Amber Gate

The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.

08 December 2025
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The former industrial zones located just beyond the Third Ring Road near Begovaya metro station fall within the boundaries of “The Big City”, a comprehensive redevelopment initiative targeting the “gray belt” stretching from Leningradsky Avenue to Kutuzovsky Avenue.

The block between Khoroshevskoye and Zvenigorodskoye highways began preparing for gentrification last year; several projects have now been announced or already entered the construction stage. For example, two complexes by the developer Sezar are planned on the site of the Krasnaya Presnya vegetable warehouse – City, in an art deco spirit, and Future, in a high-tech style. On the side of 1st Magistralnaya Street, an office center composed of 23 cubes is under construction, and Telegram channels are circulating renderings of a future 31-story mixed-use complex. Another major project is the Amber City residential complex, being built on the former site of the Khoroshevsky reinforced concrete factory DSK-1.

Amber City housing complex
Copyright: © Aleksey Ilin Architects


The site handled by Alexey Ilyin’s studio is shaped like an irregular wedge – its wide base faces Rozanov Street, a bundle of railway tracks, the Third Ring Road, and the Vagankovo Cemetery, while its sharp tip extends deep into the block toward the future Sezar Future (no pun intended) development and another residential complex. A planned access road trims the jagged wedge into a more regular triangle.

A preserved five-story building on Rozanov Street, presumably, triggered the two-part composition of the master plan: it is fairly long – 67 meters in length – but it seems to be this very building that, with an effortless gesture, “pushes apart” the high-rise complex, dividing it into two parts and two phases, the southern and the northern. This creates a spatial axis: one end points southeast toward Vagankovo, the other toward the Khoroshyovskaya Metro Station.

The axis divides the tower groups into two clusters. The southwest group – already well under construction – is more regular: three towers are united by a podium that forms the frontage of three streets, one of them partly existing and two planned. The eastern group is more dispersed and permeable: here, one tower “splinters off” to take its place in the row of residential buildings along 3rd Khoroshevsky Driveway. The connecting element is no longer a podium but a system of interlinked, multilevel plazas.

Amber City housing complex. The master plan
Copyright: © Aleksey Ilin Architects


All the six towers differ in height, ranging from 41 to 56 stories. Their façades, shapes, and orientations also vary, shaped by requirements for daylight exposure and views from the windows. Apartments on the upper floors will have panoramas spanning nearly half the city, but in this case a picturesque skyline is visible even from the ground level – thanks largely to the pause in Moscow’s urban fabric created by the Vagankovo Cemetery. The relatively free placement of the towers forms a sculptural silhouette that will unfold differently depending on the viewpoint.

Amber City housing complex
Copyright: © Aleksey Ilin Architects


The two central towers flanking the preserved five-story building serve as visual anchors, tying the entire complex into a unified ensemble. They are neither symmetrical nor identical – yet paradoxically joined by the spatial void they frame, as well as by their “profile” orientation: both buildings turn their narrow ends toward the Third Ring Road and Vagankovo, as if allowing a kind of flowing emptiness to pass between them. This kind of architectonic quality recalls the structure of a lock gate – as though giant plates were rotated to let through a flow that is invisible yet perceptible.

Amber City housing complex
Copyright: © Aleksey Ilin Architects


The two central towers, flanking the already-mentioned five-story building,  are slightly taller than the others – 55 and 56 stories respectively. Their warm copper tone also makes them stand out; on the other, entirely white towers this color appears only as the subtle backing of their “crowns”. The western anchor is distinguished by the purity of its form, emphasized by simple vertical and horizontal divisions. The eastern one is more voluminous and sculptural: its cascades of verticals are interrupted by “islands” of continuous glazing, as if streams of water meet a boulder and flow around it. The terraces are facing the Moscow City complex. The remaining towers follow the same principle but in different variations: enamel-glass inserts link windows vertically or horizontally, creating a woven-like pattern.

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    Amber City housing complex
    Copyright: © Aleksey Ilin Architects
  • zooming
    Amber City housing complex
    Copyright: © Aleksey Ilin Architects


The pattern “salutes” two other prominent new Moscow complexes – located farther away, roughly 2.5 kilometers off, and hypothetically visible along the D4 rail corridor: Headliner and the first quarter of Zapadny Port complex; and we should also keep Rublyovskoye 1 in mind. It was precisely there that the cross-woven façade structure was confidently developed, a super-graphic easily legible from afar or even from a moving car. Amber City picks up and continues this theme, building semantic connections and resonances, and choosing accents that feel related. A contextual dialogue between these high-rise projects is not only possible but acutely appropriate – and, given their magnificent scale, it unfolds across long distances; as if they “signal” to each other, passing along a kind of relay of kindred architectural statements.

One might even suppose that Amber City’s towers sit at the intersection of two themes: the profile-like propylaea – dominated by warm tones – face toward Presnya, while the other buildings, with their cross-hatched white grids, look more toward the southwest. 

However, that is what you see from afar, from a kind of bird’s-eye view. Up close, Amber City reveals plenty of its own interesting features: traces of the architect’s signature style and the imprint of our era, enamored of technology and the romantic “remastering” of the 1930s. Here, streamlining rules everywhere with its flow of softened corners and lines. It turns the podium friezes into something like an ocean liner, elegantly masking technical grilles so that necessity becomes ornament.

In the apartments, the rounded window corners become an emotional attraction: reminiscent of Nakagin, yet spacious and comfortable. These curves, though they hark back to the 1930s – or the 1950s – still confidently imbue the entire complex with a futuristic note.

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    Amber City housing complex
    Copyright: © Aleksey Ilin Architects
  • zooming
    Amber City housing complex
    Copyright: © Aleksey Ilin Architects


The podium level implements the “city within a city” concept: commercial spaces will meet people’s everyday needs – shops, cafés, gyms, pharmacies, and beauty salons. The district is developing rapidly, and business centers are already planned on adjacent plots, as on Khodynka; this will likely allow some new residents to work near home, reducing daily commuter flow across the city.

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    Amber City housing complex
    Copyright: © Aleksey Ilin Architects
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    Amber City housing complex. Plan of the 1 and 2 floor
    Copyright: © Aleksey Ilin Architects


In the space behind the central towers, along the axis of the pedestrian boulevard, the Amber City project will also include an educational complex designed for 500 children.

The compact placement of the towers leaves room to create a secure and comfortable environment. A pedestrian boulevard runs across the entire site, which covers an impressive 6 hectares. It begins at the intersection of the Third Ring Road and Zvenigorodskoye Highway, where a landscaped park area will be created, then crosses the courtyard of the first tower cluster and links it to the sports core of the second cluster, ending at 3rd Khoroshevsky Proyezd. In this way, the boulevard will connect various recreational zones for children and adults, art objects, and the so-called “minor architectural forms”. To make the spaces adjacent to the buildings more vibrant, the architects use multi-level zoning. According to designs by Derevo Park and Space, the landscape will be enriched with trees and shrubs.

Amber City housing complex
Copyright: © Aleksey Ilin Architects


The theme of amber – set by the name of the complex and its façade materials – is revealed most fully in the interiors of the public spaces. These were designed by UNK Interiors, who adapted the architectural concept to a scale where surfaces are literally within arm’s reach. To avoid a “cosmic coldness”, UNK complements the white tones and streamlined forms with tactile, textured materials, greenery, and diffused, lace-like lighting. The lobbies include coworking areas with meeting rooms, and from the eastern tower residents and their guests can access a children’s play space.

The apartments in Amber City will range from studios to four-bedroom units, from 27 to 105 square meters, with high ceilings – from 3.2 to 3.7 meters. Construction of both phases is planned to be completed in 2031.



08 December 2025

Headlines now
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.