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​Walking on Clouds

A restaurant in the Khibiny skiing complex: 820 meters above the sea level, sweeping views, a levitation effect, and ingenious engineering solutions.

08 June 2021
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The closed borders made us all travel within our country and discover that we also have quite a lot of picturesque mountains, terrain routes, gastronomic wonders, and UNESCO heritage sites. We are still missing the tourism infrastructure “like in Europe”, but there have definitely been changes in this direction. The mountain restaurant in Khibiny, designed and built by Kleinewelt Architekten, is a vivid example of that. 

Kirovsk is a popular alternative to Krasnaya Polyana; in the post-COVID season, the influx of skiers here only increased – an opportunity that one could not afford to miss. The city has two ski resorts, situated on the slopes of mountains with Saam names that are really hard to pronounce – Kukisvumchorr and Aikuaivenchorr. In 2002, on the southern slope of the Aikuaivenchorr Mountain, the mountain skiing complex AO “Apatit” opened, which is part of the FosAgro complex – now it is called “Bolshoi Vudyavr” by the name of the nearby lake. Today, this is the highest mountain resort in the Northwest of Russia; the skiing season here spans from November to May. It started from 30K people per season, but today, according to the resort management, this figure hiked up to 250K. Due to the fact that Après ski is a part of a skiing vacation just as important as the slopes and comfortable cable cars, a restaurant with panoramic views, posted massively on social media sites, will definitely become a competitive advantage and an extra all-season tourist attraction.

The restaurant in the mountains
Copyright: © Kleinewelt Architekten


The restaurant is being built at a height of 820 meters above the sea level, at a point where the two ropeways – a cablecar and a chairlift – meet, one serving the south slope, the other the north one. On a cloudless day, this place commands panoramic views of Kirovsk, the Bolshoi Vudyavr Lake, and the mountaintops. Brace yourself for the names: Vudyavrchorr, Rasvumchorr, Kukisvumchorr, Lovchorr, and the Poachvumchorr ridge. If there are clouds hanging above the valley, the view is just as striking, and in winter, they say, you can even see aurora borealis here. The restaurant itself can be seen from any point of Kirovsk because the mountain, on which it stands, overhangs above the city.

Despite the fact that the architectural context is nonexistent here, inscribing the building in the surroundings was just as difficult as in a city: you can easily get lost against the background of magnificent mountains, and your character shows clearly in this environment. The recognizable “hockey puck” shape, concrete as the main material, and the band of glazing makes one look for the prototypes in the Soviet architecture, which has a lot of connotations with athletic achievements and skis, albeit of the cross-country variety. And such prototypes are easily found: the “palaces of culture” or “river stations” or stadiums of the Soviet times come to mind.

It turned out, however, that the architects drew inspiration from quite different sources: it was magnetic levitation that became the starting point for the shape making process. This phenomenon presents a sight that is quite magical: at extremely low temperatures, the metal becomes superconductive and makes the magnet float in the air. This is exactly the likeness that the architects were trying to achieve: the powerful base of the “superconductor”, the floating “magnetic disk” and the air cushion between them.

The restaurant in the mountains
Copyright: © Kleinewelt Architekten


The scale of the building is quite significant for its location – the restaurant is designed for 300 guests. Two out of the five floors are technical – they are situated at the topmost and bottommost levels. The middle lobby floor is accessed by a rather high staircase, covered by snow in the wintertime with only two or three stairs peeping out. The same level includes a bar and a viewing platform. The stylobate contains a kitchen, while the climax cantilever drum is the bistro cafe and a restaurant, where each and every table commands a beautiful view.

The restaurant in the mountains
Copyright: © Kleinewelt Architekten


The greatest technical challenge was to ensure “levitation” of the restaurant disk, that is, to find an alternative to columns. The foundation of the building is a reinforced concrete slab, which lies on rocky ground – in order to prepare the pit, it was necessary to perform drilling and blasting operations. The main volumes of the restaurant are strung on a “rod” in which public areas, elevators and stairs are grouped together. The “rod” holds the upper support structure – an inverted cone of the roof, which expands towards the facade. Together with a flat sectional intermediate floor, the structure forms a triangle that provides the required stiffness. The lower floor slab – the floor of the restaurant – is suspended from the wide part of the cone with the help of thin metal strands. To reduce the weight of floor slabs without loss of strength, they were poured using a special technology with the introduction of hollow elements. Thanks to the solutions found by the architects, the restaurant floor protrudes from the supporting structures of the bar by 8 meters.

A section view. The restaurant in the mountains
Copyright: © Kleinewelt Architekten


The engineering findings also affected the interior design of the restaurant. Due to the fact that the “stiffness cone” had enough room for all the ventilation shafts, electrical and other utility lines, the architects were able to keep the “honest” exposed texture of the sloping ceilings of the main hall. The absence of any supports, as well as the floor-to-ceiling panoramic windows whopping five meters high erase the barrier between the humans and the sweeping mountain panorama outside. The highlights of the interior design are anodized aluminum and inclusions from the local rock formation – khibinite. The only thing that somehow threw me off balance was the fact that it was easier for me to visualize James Bond’s girlfriend in such a place than a family in tousled skiwear after a day of skiing.

The restaurant in the mountains
Copyright: © Kleinewelt Architekten


A mountain restaurant is a facility that is challenging not just in terms of design and construction but also in terms of operation. Delivering the building materials to the site, just as pouring concrete, was only possible in some certain time of the year, and then only during a brief period. Yet another challenge was to find suitable stained glass panels – big enough, yet at the same time with heat retaining capabilities. A lot of materials and design solutions did not stand the test of wind, snow, and cold. Nevertheless, the most difficult part has already been done – the monolith construction and the panoramic glazing are already complete.

It is expected that the restaurant will be open all year round: in summer, it will be accessed by ropeway and hiking routes, and in winter it will also be accessed by a passenger snowcat, which will also deliver food to the restaurant. The communications are being built concurrently with the restaurant building; there is a separate project of a pump station at the foot of the slope. The restaurant will be heated by electricity.

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It seems like Kleinewelt Architekten have designed a new highlight not only for Kirovsk but also for the whole Russia – and it’s not just about the photogenic angles, but also the building itself, the benefits, strength and beauty of which are undeniable. According to the owners, “in terms of the conditions and labor intensity of construction, the project is comparable to facilities in Europe at altitudes of 2000-3000 meters”, and the project is unique for the country, since similar solutions have not yet been applied in such locations.
The unity of engineering and aesthetic solutions nevertheless makes it related to the outstanding examples of Soviet architecture, and modern and high-quality materials surely add some extra gloss. The opening of the restaurant is scheduled for the second half of 2021.

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    The restaurant in the mountains
    Copyright: © Kleinewelt Architekten
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    Copyright: © Kleinewelt Architekten
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08 June 2021

Headlines now
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.