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Health Constructor

In this issue, we are publishing the concept of a standard clinic designed by UNK Project, which took second place in the competition organized by the Union of Architects of Russia in collaboration with the Healthcare Ministry.

02 September 2020
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The typical and standardized projects, by and large, have been firmly standing their ground for the last seven decades, yet recently their agenda got a new development impulse. KB “Strelka” has conducted a competition of standardized housing projects; similar tasks were posed by the integrated home-building factories modernization program. A year ago, a competition was held for projects of nursing homes. Now new proposals have appeared about setting similar goals for hospital buildings. The concept by UNK Project is one of such proposals; it scored second place in this competition in the nomination “the largest hospital buildings for 400+ beds”.

Health Constructor
Copyright: © UNK project


Health Constructor
Copyright: © UNK project


The very name of the concept – “Health Constructor” – explains its two main goals and characteristics. “Constructor” implies that this project is flexible and can be scaled up to fit various conditions, while its structure can also be varied. “Health” implies the ideological basis of the image solution of the building, which is regarded not so much as a place for sick people as a place where people get well.

Julius Borisov, UKN Project

“People’s health is the cornerstone of our concept. For this, we developed special functional zoning, and the very architecture of the building, which is no longer of the “hospital” kind but rather looks like a health center. And, since this is still a project to be duplicated, we came up with a clear and simple solution, which can be scaled up and varied in order to avoid a situation when all of our cities will get look-alike hospitals”.


Scheme and function constructor

Let us start with the land site. Oftentimes, when a stock solution is “landed” on some specific territory, various difficulties pop up having to do with “tying it” to the specific location, entailing additional expenses. In order to avoid that, UNK Project scales up the “construction set” principle on the “game field” itself, i.e. proposes to functionally divide the land site in accordance with some certain logic. The territory of the clinic is divided into four zones – a private one for the hospital patients, a public space with guest parking spaces, isolated blocks (for example, the infection department), and the transport/maintenance zone. All of this is also tied in with the transport scheme: there are five independent drive entrances to the territory, which divide the flows of the visitors and the personnel, the ambulance stations, and the isolated departments.

Health Constructor. The planting diagram
Copyright: © UNK project


Health Constructor. The transport diagram
Copyright: © UNK project


The same kind of logic is used to present a “ready-made” or “pre-packed” landscaping concept: more abundant vegetation for smaller hospital yards, green “wing flats” for the anatomical/pathological unit, lawns in the area of the main pedestrian routes, convenient personnel parking places, loading bays, and the ambulance helicopter landing. 

Health Constructor. The functional zones
Copyright: © UNK project


Now about the construction set of the building itself: in order to have an opportunity to comparatively quickly fine-tune the project to different settings and surroundings – for example, to build a clinic in Yakutia or make its ward units larger in accordance with the current requirements – the structure of the volume is divided into 11 functional units that can be assembled pretty much like building blocks. At the same time, these blocks are independent enough; they can be taken out, or, on the other hand, added up, as well as divided in accordance with the construction priorities depending on the current task.

Health Constructor. Adaptation during design and operation
Copyright: © UNK project


Health Constructor. Adaptation during design and operation
Copyright: © UNK project


The nucleus of such a construction set is the central group of public spaces with a lobby and a management office, around which the other units are built up, both vertically and horizontally. These are groups of outpatient clinics – one for adults, and one for children – ward units, a maternity hospital, and another three isolated blocks, which technologically must stand at a certain distance from the others – the infection and pathological units, and the ambulance station.

Health Constructor
Copyright: © UNK project


The central group is not just an entrance with a reception desk, but a full-fledged public space where one can take a rest, visit with the patients, buy flowers, check into a drugstore, or have a bite to eat. By turning this rather spacious zone into the conceptual center of the clinic, UNK Project emphasizes a humanistic character of modern interpretation of the very hospital function – people get into clinics not to be sick and to suffer but to recover and get healthy. This is why on 3D renders the entrance group looks rather like the lobby of a health resort, or a fitness club, or a community center.

Health Constructor. The main entrance in an individual block
Copyright: © UNK project


Further on, the concept establishes some certain rules of unit arrangement – what to place where in order to facilitate navigation for doctors and patients, as well as reduce the time of them moving along the clinic’s corridors. The function provides for necessary division of flows of the patients and personnel.

Health Constructor. Construction set principle: 11 blocks
Copyright: © UNK project


On the first floor, next to the entrance block, the outpatient clinics and the first-aid station are placed, as well as an emergency room, admission departments of hospitals, and a department of palliative and outpatient oncological care. The second floor contains an auditorium, laboratories, situated at an equal distance from the other departments, functional diagnostics, and X-ray rooms. The third floor provides the connection between the hospitals and the operating theater and the intensive care wards. The fourth floor is occupied by the maternity center and the outpatient clinic for adults. The fifth floor is neurological; the sixth is cardiology. The underground level comprises the personnel premises such as cloakrooms, a canteen, a management office, and a gym.

Health Constructor. Assembling blocks and adapting solutions
Copyright: © UNK project


Health Constructor. Connections of the functional content of the blocks
Copyright: © UNK project


The benefits of standardization 

The complex and rigid technology of hospital construction requires special knowledge from the designers, and this is why hospitals lend themselves to standardized construction. But then again, according to the UNK idea, this does not keep the project from being flexible – its inherent modular character is ensured by a single construction pitch and a standardized width of the premises within the block. This, in turn, helps to adapt it to the current needs both at the design and operation stages. For example a 5400x4800 mm grid cell may contain two rooms 12 square meters each, or one 24-square-meter room, which means that you can easily reduce or increase the number of treatment rooms or hospital beds, if such need arises. The “construction set” also makes it possible to add extra ward departments, should this be necessary, or fine-tune the structure of the building to the specifics of the land site. 

Health Constructor. Adapting to various combinations of the land site
Copyright: © UNK project


Health Constructor. Simplified masterplan
Copyright: © UNK project


Identity and Standardization 

As for the architectural image of the building, it will not be compromised because of such a “standardized” approach either. The architects proposed not to leave the hospital buildings devoid of their regional identity by introducing a possibility of experimenting with the form making of the entrance group. Its architecture can also reflect both special functional requirements and the region-specific identity. The central group of the premises can be designed in the form of a nomads tent, an igloo, or a flock of houses with pitched roofs. Thus, the central “non-standardized” element of the building, the one that meets the visitors’ eyes more often than the others, solves the problem of the hideously look-alike standardized clinics.

Health Constructor. The entrance block reflects the specifics of the Russian regions
Copyright: © UNK project


This technique “lives” in the same ballpark with the industrial construction principle – the quick-mount technology is achieved by using a system of facade modules. They will be supplied to the construction site ready-made, which will fully ensure the required construction rate and efficiency. The absence of the scaffolding – and the modules are mounted from inside the building, which provides a possibility for mounting them parallel to building up the main bulk – can reduce the time required for the facade work down to 1.5-2 months.

Health Constructor. The facade modules
Copyright: © UNK project


The background pattern of the facades of the clinic is composed on the basis of an identical approach, from modules of three sizes: the width of the ward for the hospitals (3.6 m), 1.35 meters for outpatient clinics, which fits all types of rooms there, and an all-purpose 1.8 unit for all the other blocks. The height is the same everywhere (3.2 meters), and equals the height of the standard floor.

Health Constructor. The facade modules
Copyright: © UNK project


In addition, the facade pattern can be executed in different colors, and can have accentuated surfaces, upon which, according to Julius Borisov, “you can apply different types of ornaments, getting different meanings, taking into account the specifics of the geographic context, or the local mentality, or the local climate.” The modules also allow for changing the thickness of the heat-retention layer, changing the percentage of glazing, making balconies in the hospitals, and using different decoration materials – essentially, for constructing different buildings.

Health Constructor. The facade modules
Copyright: © UNK project


Thus, “Health Constructor” solves two main problems of standardized construction that have to do with finding the individual in the standard. First, due to its being flexible and adaptive, it makes it possible to avoid excessive (and expensive) fine-tuning, which oftentimes pops up when stock solutions are used. And, second, it helps prevent the monotony of hospitals where function often prevails over architecture. The modern interpretation of the reusable project from the UNK Project combines technology and architecture in a graceful integrated manner, based on the scheme of mutual arrangement of blocks, which is so convenient that it takes on universal features, endowing it, within the framework of this concept, with as much flexibility as possible, both on the macro and micro level. Which, as a consequence, possesses all of the necessary prerequisites for achieving the main goal stated by the authors – namely, that of turning the hospital into a human-friendly and efficient space: a place where people get healed.
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    Health Constructor. Plan of the underground floor
    Copyright: © UNK project
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    Health Constructor. Plan of the first floor
    Copyright: © UNK project
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    Health Constructor. Plan of the second floor
    Copyright: © UNK project
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    Health Constructor. Plan of the third floor
    Copyright: © UNK project
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    Health Constructor. Plan of the fourth floor
    Copyright: © UNK project
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    Health Constructor. Plan of the fifth floor
    Copyright: © UNK project
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    Health Constructor. Plan of the sixth floor
    Copyright: © UNK project
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    Health Constructor. Plan of the first floor of the ambulance station
    Copyright: © UNK project
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    Health Constructor. Plan of the second floor of the ambulance station
    Copyright: © UNK project


02 September 2020

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.