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UNK Project: “Our school is compared to the Apple Headquarters”

In this issue, we are publishing the competition project of the MGIMO School in Garden Quarters, designed by the consortium UNK Project (Moscow) + Storaket (Erevan) + Umnaya Shkola (Moscow) with the architects’ comments.

10 July 2020
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The design project began with philosophy. The consortium idea “Strong Knowledge – Soft Power” was proposed by Umnaya Shkola (which literally translates as “Smart School”). The team developed a concept of educational environment, in which most of the educational processes take place not in traditional classrooms but in co-working areas in the space between these classrooms. In terms of architecture, this idea crystallized into a central transparent cantilevered volume that connects the block of the junior, junior high, and senior high schools – the architects call it the “hub”. The “hub” can be differently programmed; there are open and semi-closed spaces here, with limited visitor access; totally, there are up to thirty scenarios for its reconfiguration.

The school in Garden Quarters
Copyright: © UNK project


Making a full-fledged community center inside the cantilever was necessary, among other things, because of the sheer absence of a school yard – there is no room for it on the plot. To some extent, the role of the schoolyard is played by the green hill between the two buildings, descending into the slope of the pond. Essentially, this is the same staircase, upon which young people love to hang out, and which inevitably turns into a popular place of informal communication, be that the Strelka amphitheater, the Khokhlovskaya city square or any school campus.

The school in Garden Quarters
Copyright: © UNK project


The green staircase became an important element of the school’s eco system – the project was supposed to be not just agile and flexible education-wise, but also to foster the students’ interest in nature, at the same time adding to the nation’s capital green area. For example, the school provides a possibility of growing plants on the roof, whilst the “drapery” of some of the facades on the south side with tubs with flowers lifts off the insolation load. Due to the greenery, included in the project, the school could add as much as 1,000 extra square meters to the vegetation of Garden Quarters.

Architecture- and composition-wise, the school building designed by UNK Project follows the principles of the design code written by Sergey Skuratov. Its main ideas, such as transparency as the main distinctive feature of the new school building, the sharpness of contrast, highlighting the central role of the project in the town-planning ensemble, and the cantilevered structure, showing the closeness to the imagery language of Garden Quarters, are all easily read.

As for the facade decoration, just the way it should be with the “gem” of the city block, the school could not be made of the same materials as the “frame”. Therefore, surrounded by “heavy” textures of natural stone and patinated copper, the school presents a totally lightweight volume, essentially consisting of glass in the frame of dynamic horizontals. The filling of the cantilevers and the spans also uses glazed ceramics with a mirror effect. The “hi-tech” hub is somewhat softened by landscape design that grows into the surrounding landscape.

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    The school in Garden Quarters
    Copyright: © UNK project
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    The school in Garden Quarters
    Copyright: © UNK project
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    The school in Garden Quarters
    Copyright: © UNK project
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    The school in Garden Quarters
    Copyright: © UNK project
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    The school in Garden Quarters
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    The school in Garden Quarters
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    The school in Garden Quarters
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    The school in Garden Quarters
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    The school in Garden Quarters
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    The school in Garden Quarters
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    The school in Garden Quarters
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    The school in Garden Quarters. A simplified master plan
    Copyright: © UNK project


Julius Borisov, the leader of UNK Project, about the competition: 

Why did you decide to take part in this competition, and are you happy with how it all went down?

We do not take part in royalty-free competitions on general principle but in this particular case we made an exception for a number of reasons. First, UNK Project has rather serious expertise in the area of designing educational facilities – we have designed and built quite a few. The second reason has to do with the fact that I live next to Garden Quarters, and I seriously believe that this is one of the best integrated solutions in the Russian architecture, and it is a great honor for me to be on this unique case. Third is my personal motivation because I am a parent, and I am not satisfied with the schools that are there in our neighborhood – these are not the ones that my children go to.

We love competitions, and we think that this is a beautiful concept. Granted, it’s not perfect but we seriously made the most of it. And it doesn’t matter that we didn’t win – I really dug the process.

What can you say about the winning project? 

I can say that I am not in the least impressed by it, and I don’t think it is appropriate in this place. By all laws of design, the outer shell of the building must reflect its essence, and, if this is a new school focused on the future, it must show through it its appearance, which it doesn’t. That is not to say, though, that this is necessarily going to be a “bad” school. I saw great schools in Russia that were hosted in simple village cottages. And they have great educational technologies there, and their graduates enter the best international universities. That is, high-class expensive architecture is not a must-have for the quality of education. Furthermore, I believe that architecture should not dominate its users by setting any constraints – quite the opposite, it must help.

I know that the results of the competition are widely discussed but what I don’t like about this whole thing is that people seem to be evaluating the project based solely on the outward picture. And if there are budget constraints in place – and they definitely are, because it’s not like when Garden Quarters were built and funds were in abundance – the architect must be able to juggle with the building’s functions and with his labor resources. And you cannot see these aspects from a picture. Me, for example, I can only evaluate the solution after I have really delved deep into it.

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Mark Sartan, “Umnaya Shkola” – about the philosophy of the project: 

What was the role of your company in this consortium?

In the consortium, we played the role of the functional client. We proposed educational scenarios and tested them against the architectural and spatial solutions.

How did you understand the competition technical requirements?

We proposed the “Strong Knowledge – Soft Power” idea. This idea is all about the quality and even traditions of school education (strong knowledge), as well as has a reference to the MGIMO context of modern diplomacy (soft power), as well as a reminder about modern architectural models that are based on the so-called soft skills. We saw this “laboratory” school as a “living school” where education is given through action.

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    The school in Garden Quarters. A simplified plan of the first floor
    Copyright: © UNK project
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    The school in Garden Quarters. A simplified plan of the second floor
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    The school in Garden Quarters. A simplified plan of the third floor
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    The school in Garden Quarters. A simplified plan of the 3, 5 floors.
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    The school in Garden Quarters. A simplified plan of the fourth floor
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    The school in Garden Quarters. A simplified section view 1-1
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    The school in Garden Quarters. A simplified section view 2-2
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    The school in Garden Quarters. Simplified development drawings of the facades
    Copyright: © UNK project


Marianna Sarkisyan, Storaket architectural studio, about the “laboratory” school:

What part of the project was your company responsible for?

At the invitation from our colleagues, UNK Project, we agreed to take part in the competition for the preliminary concept of the MGIMO School as the designers of volumetric and planning solutions. 

What does the modern “laboratory” school look like?

In all of our projects, we try to break away from the stereotype that a school is something like a black box – the young student enters it one day, and the graduates another – and the stereotype that the plan must necessarily consist of a row of classrooms connected by a corridor. A school is, first of all, a living organism, capable of changing and adjusting to new users and new circumstances. In addition to the standard educational zones, we wanted to create a single multifunctional public space of the hub that would unite all of the main functions of the school.

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Pavel Kultyshev, architect, UNK Project – about the peculiarities of the project: 

How much importance did you attach to the “shell” architecture?

The shell is just as important as the functional content. In our case, all of the main academic blocks were enshrouded in a distinctive horizontal facade system, which focuses one’s attention on the educational process.

We included all the social and visual communications between the students into the hovering volume of the complex, and, by contrast with the other blocks, created a completely transparent block – the theater of knowledge. It contains all the main public spaces of the school; the atrium provides a lot different possibilities for all of the students who may have different interests: there are private zones for the meetings of parents and teachers, co-working and brainstorming zones, a library, a media studio, and a large forum for all-school events, lectures, and performances.

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The school in Garden Quarters
Copyright: © UNK project


What do you think about the town planning significance of the school building in the context of Garden Quarters?

We realized from the very start that, in accordance with the design code, the school had to become the conceptual nucleus of this city block, something like the educational temple on the city’s main square. We came up with this soft transition from architecture to nature; our complex was the greenest one out of all the proposed concepts. Not only are our roofs green – that’s expected – but we also have a large multifunctional “agora” stairway for the students. Furthermore, we even made the facade of the building green: we covered the glass with a horizontal system of mirror elements placed at a 45-degree angle to the facade and reflecting the green meadows before the school. Plus, as a bonus, we included the possibility of using the vertical greenery of a flower mix; this way, our school building would have looked totally unique every new season.
The school in Garden Quarters
Copyright: © UNK project


10 July 2020

Headlines now
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.