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Needles of Horizon Contemplation

The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.

19 February 2026
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The building, bearing the romantically real-estate-friendly name “House of Horizons”, is actively under construction in Krylatskoye, a location remarkable in many ways. Aside from a single 1980s “microdistrict”, almost nothing was built in this area for decades; only in the past couple of years have a few new residential projects appeared. Krylatskaya Street runs along the crest of a high slope above the Moscow River; to the north, across the water, lies Serebryany Bor; to the west, the Rublyovsky Forest; to the south, Krylatskiye Kholmy Park. In short, the location is superb. It is no surprise that the building received such a name: here, especially when looking toward the northern, river-facing half of the panorama, one experiences a sweeping horizontal expanse – from the Zhivopisny (“Picturesque”) Bridge to the Rublyovskoye Highway interchange.

Kleinewelt Architekten have fully capitalized on the advantages of the site. Although the plot itself is a rectangle lying parallel to the river, the building is stretched across it transversely – that is, along a north-south axis. Such an orientation relative to the cardinal directions is, as is well known, the most advantageous in terms of sunlight exposure and overall natural lighting of the apartments.

The street line is defined by a transverse “beam” housing a sports and recreation complex with a swimming pool.

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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
  • zooming
    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten


This two-level base, open to the general public, extends along the street, shaping and activating it, morphologically reminiscent of the glass-fronted pavilions of late modernism. The differences lie in the quality of the glazing, the deep cantilevers of the cornice slabs, and the presence of a balcony accessible from the sports complex, opening toward the river panorama – in all those details that were nonexistent in the 1980s. The idea back then was good; it was the details that were missing. Now, perhaps, is precisely the right moment to revisit those productive ideas – without neglecting the details.

The composition of the building is unmistakably modernist. At the southern end of the residential volume, the circulation core with three elevators is grouped together, connected to the corridor by a transparent lobby “layer” with glass walls.

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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
  • zooming
    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten


In its lower section, to a height of four stories, the residential building’s outline is articulated by rectangular support pylons. It is like a “house on stilts”, only here the “legs” first contain the public functions and, deeper into the site, a lobby with seven-meter-high glass walls.

From the east, another volume adjoins the sports complex along the street line, connected to it by a passageway. This is where the entrance to the parking garage is located. Not a typical one, but with a straight entry-exit ramp, so residents do not have to navigate a spiral turn.

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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten


The underground parking is arranged on two levels. The stylobate level – along the street accommodating the parking and the sports complex, and within the courtyard the lobby with its “inhabited roof” – consists of two tiers with a combined height of just over 11 meters. Thus, the three lower floors of the 27-story building – roughly one-ninth of its total height – are given over to public spaces of varying degrees of privacy.

As mentioned, the lobby volume with its glass facades stretches transversely to the street at the base of the residential tower. On its roof, an open communal space for residents is planned – a ventilated gap, an “upper courtyard” positioned between the residential volume proper and the glass-walled lobby.

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    The facades: east and west. The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
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    View from Northeast. The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten


The building therefore presents itself as a structure logically composed of several interrelated volumes.

The façades of the residential section respond directly to the panorama, which here is presented – rightly so – as the principal value.

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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
  • zooming
    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten


The three main façades are designed as a kind of volumetric “saw” and are perceived as identical or at least similar, though this is not entirely accurate. All are clad with triangular balconies, arranged in a checkerboard pattern, alternating from floor to floor. However, on the principal façade – here the northern, and the one commanding the views – the balconies are equilateral triangles in plan. The side façades form a serrated line; one could say they are composed of triangular bay windows. Here the triangles are no longer equilateral but right-angled: the hypotenuse adjoins the apartment space and dissolves into it; the shorter leg forms a solid wall facing south; and the longer, glazed leg looks northwest or northeast, toward the forested and river panoramas of Serebryany Bor. It is a concise logic, built on simple geometry and justified from the standpoint of market value, based on the apartments’ view characteristics.

The balconies that are placed along the elongated side facades are set within triangular recesses, forming a kind of counterpoint to the forward-projecting triangles of the end façade. The fact that all of the balconies “reach” toward the river is emphasized by the outline of those balconies that – quite deliberately – align with the chamfered corner walls: they are “deprived” of a front northern wall, and their outer point is slightly extended forward, sharpening the triangle and turning these balconies into something like “captain’s bridges” for contemplating the river.

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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
  • zooming
    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten


At the same time, this design solution further enhances the slightly “bristling” look of the facades.

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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten


The building also has a “head”, an attic crown. It consists of penthouses of “one-and-a-half” height – four meters – allowing for loft-style internal mezzanine levels with double-height living rooms, glass façades, and tall recessed niches that rhythmically articulate the glazed surface of the upper volume with vertical divisions.

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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
  • zooming
    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten


Three penthouses with elevated ceilings occupy the top, 27th floor. On the 26th floor beneath them, there are four apartments, surrounded along the perimeter by open terraces – reportedly “ranging from a cozy 12 to an impressive 91 square meters”. Accordingly, the outer walls of the 26th-floor apartments are set back, creating in the building’s outline not only a “head”, but also a “neck”, which works well for the expressiveness of the silhouette.

One senses a certain echo of the well-known building of the Russian Academy of Sciences, located in another, southwestern part of the city – also on the river. Yet within the oeuvre of Kleinewelt Architekten, such “heads” are not unprecedented: one might recall, for example, the MOD
residential complex with its glowing crowns.

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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten
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    The high-end residential development on Krylatskaya Street
    Copyright: © Kleinewelt Architekten


Construction is progressing at full speed, with completion planned for 2027.



19 February 2026

Headlines now
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
Woven Into Sokolniki
Over the past few years, high-rise residential construction in former industrial zones has become the main theme of Moscow architecture. Towers are springing up here and there – but the question is what kind of towers they are. The residential complex CODE Sokolniki, designed by Ostozhenka Architects, is a project where every detail has been taken care of. The authors are attentive to the history of the site, the continuity of the urban fabric, the skyline, and visual corridors. They also proposed a motif with the lyrical name “scarf”. We take a closer look at the volumetric composition and the large-scale décor “woven”, in this case, out of terraces and balconies.
The Copper Mirror
The varied-toned sheen of “unsealed” copper, painterly streaks and fingerprints, exposed concrete, and the unusual proportions – when you study the ZILART Museum building by Sergei Tchoban and SPEECH architects, there is plenty to talk about. However, it seems to us that the most interesting thing is how the museum’s composition responds to the realities of the district itself. The residential district has been realized as an open-air exhibition of façade statements by contemporary architects – but without public access to the inner courtyards of the blocks. This building – that is, the museum – is exactly the opposite: on the outside, it is deliberately restrained, while inside it shines spectacularly, creating its own sunbeams in any weather.
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.