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​Exquisite and Simple

A curious mix of oriental architecture and Leningrad town planning principles: Evgeny Gerasimov and Partners again raised the bar for the mass housing construction.

28 November 2019
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The housing complex “LEGENDA Dalnevostochnogo” completes one of the newly-built blocks between the Neva and the Prospect Bolshevikov metro station. Over the recent decade, this area has been rapidly developing: the former industrial parks are being renovated and turned into housing projects, and the infrastructure keeps on growing – in addition to various shopping malls, this place boasts the Ice Palace and the base of SKA ice hockey club, the towers of the business complex “Morskaya Stolitsa” (“The Sea Capital”) are in construction, and there are plans for building the Soyuzny Prospect here, as well as a new section of the East High-Speed Diameter here.

The circle that is the closest to the metro station consists of standard prefab houses of the 1990’s, followed by the colossal housing complexes of the 2000’s, and the more human-friendly buildings, if not in height, then at least in the diversity of the facades. The city block, where LEGENDA was built upon the project of Evgeny Gerasimov and Partners is essentially a mix of the two recent phenomena: the housing complex RIO with its multicolored balconies echoes the housing complex “Skladskaya 28”, with unassuming slabs of houses between them. On the other hand, the city block has a clear-cut perimeter structure, and LEGENDA in this respect is the last missing link that completes it and marks the corner of the Dalnevostochny and the future Soyuzny avenues.

Residential complex “LEGENDA Dalnevostochnogo”
Copyright © Evgeny Gerasimov and Partners


Evgeny Gerasimov shares that the architectural solution is based on the Leningrad town planning tradition with its “clarity, order, and logic, all existing in some certain economic and aesthetic conditions”, as well as has a certain oriental twist to it, as a tribute to the local toponymy, which also matches the overall minimalist concept.

The architects considered several composition options; at the same time, in all of them the volumes supported the street front: with a closed city block and towers, slabs of different height, various twists and turns of the sections. Eventually, however, they settled on a solution that was deliberately laconic: seven towers with a rectangular plan are placed alongside the borders of the land site, joined together with a two-story gallery. Three corner buildings are oriented on the street lines; four “intermediate” ones go deeper inside the yard. What the architects ultimately ended up getting is an open city block with plenty of space and light: the spaces between the buildings are large, which helps the complex to maintain its silhouette, because the sections are clearly viewable in the “gaps”, and various interesting views are seen from various vantage points.

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    Residential complex “LEGENDA Dalnevostochnogo”
    Copyright: Evgeny Gerasimov and Partners © Tatiana Kovalenko
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    Copyright: Evgeny Gerasimov and Partners © Tatiana Kovalenko
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    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin
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    Residential complex “LEGENDA Dalnevostochnogo”
    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin


As an offset to the pristine and laconic surface of the complex, its facades are deliberately asymmetric: the windows and the balconies follow a set rhythm, yet its color accents – strokes, dots, and intertwining ornaments – arrest one’s gaze and make one look for repeating patterns. The side ends of the towers are flat; they are coated with light-colored ceramic granite. The broad wall is more tactile and has more plastique about it thanks to the wood-imitating panels, color contrasts, and balconies. Getting back to the oriental allusions – the light-colored side of the buildings looks like neat bento boxes, while the dark side like makisu bamboo mats with an array of stanza “rolls”. 

The air pillow of the gallery – an element quite unusual for complexes of such class, with columns, pilasters, and transparent glass – vividly reminds us about other samples of local architecture: the House on Pillars on the Novosmolenskaya Waterfront or the Ivan Fomin and Evgeny Levinson House on the Karpovka Embankment.

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    Residential complex “LEGENDA Dalnevostochnogo”
    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin
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    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin
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    Residential complex “LEGENDA Dalnevostochnogo”
    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin
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    Residential complex “LEGENDA Dalnevostochnogo”
    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin
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    Residential complex “LEGENDA Dalnevostochnogo”
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    Residential complex “LEGENDA Dalnevostochnogo”
    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin


The yard is also unusual – Evgeny Gerasimov claims that in this case he took the landscaping work to a whole new level. First of all, there are many different spaces with different scenarios here. In the middle, there is a universal sports field; in the cozy corners, fenced off by the buildings, there are three recreation areas for different age brackets: the architects thought not only about the little ones but also about the teenagers (which quite a rare case), and about the grownups. All the areas are connected with trails and small spots for quiet recreation. A special mention should be given to the galleries of the entrance groups: these create a smooth transition from the street outside to the house, a place protected from the wind and the rain, where one van wait to meet somebody, and the kids can play longer. Another thing that invites people to spend more time outside is the outdoor armchairs: one can enjoy here a cup of tea while reading a book or just sit here working with a laptop. This seemingly unassuming element at once takes the yard to a higher level of modern standards for public areas.

Second, the zones of the yard are organized so beautifully that the yard, without any exaggeration, can be called the fifth facade; it makes one feel good just to look out the windows here. Each of the venues has a paving pattern of its own, while the landscaping spots merge together into a single, seemingly chaotic, yet well-thought-out, like in a stone garden, composition, which offsets the geometric rigidity of the architecture. Due to the fact that the underground parking garage runs underneath the perimeter of the building, the yard will get more “oases” of trees and shrubs – promises the developer.

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    Residential complex “LEGENDA Dalnevostochnogo”
    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin
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    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin
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    Residential complex “LEGENDA Dalnevostochnogo”
    Copyright: Evgeny Gerasimov and Partners © Photograph: Andrey Bekimov-Gushchin


The apartment layouts in this complex are of the “smart” category: they were developed with consideration for various lifestyles of the future residents – from a single young man to a family with two kids and grandparents, so that in small apartments every square inch was useful, and the larger ones would get the “luxury of spaciousness”. From the housing of a higher class, the architects also “borrowed” the bedrooms with walk-in closets, children’s rooms with bathrooms, and bathrooms with windows. The total catalogue contains 250 basic planning solutions, all of which are patented.

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    Residential complex “LEGENDA Dalnevostochnogo”
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    Residential complex “LEGENDA Dalnevostochnogo”
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Evgeny Gerasimov emphasizes that the entire complex is bound together by repeating details. For example, the natural materials are first seen on the facades and are later on continued in the landscaping concept; the gallery is there both on the inside and outside, and the “Japanese” and “Leningrad” traditions also coexist on more than one level.

“LEGENDA Dalnevostochnogo” is the developer’s fifth joint project with Evgeny Gerasimov and Partners, and the second realization. Yet another housing complex of the same “smart” category, “LEGENDA na Komendantskom”, is being built on the other end of the city, and demonstrated quite a different approach, conditioned by the context: an urge to stand out with bright multicolored squares. Also, in the Petergofskoe Highway, “LEGENDA Geroev” is in construction, which includes all of the techniques seen in the two previous projects, and vividly demonstrates that mass housing can be indeed diverse, comfortable, and beautiful.
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    Residential complex “LEGENDA Dalnevostochnogo”
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28 November 2019

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.