По-русски

​Outline of the Market Square

Developed by “Blank Architects”, the renovation project of the “Fifth Avenue” shopping center includes rebranding, broadening of the set of functions and services, as well as giving the building a new façade that will reflect the presence of a farmers market inside on the mall’s top floor.

28 December 2017
Object
mainImg

The land site between the Marshala Biryuzova and Marshala Rybalko streets has always been about retail. At different times there were markets and kiosks here, and during the soviet years the place was occupied by a shopping center built of prefabricated panels and taken down in the early 2000’s. In its stead, in 2003-2004, ABD architects designed and built the “Fifth Avenue” shopping center – with rounded corners, black-and-red interior, and an atrium, whose boldly crossing escalators allow the center’s guests to quickly make it across the shopping gallery.

After the years of operation, the interior, and particularly the façade, mostly covered by multicolored advertising banners, began to look as if they had seen much service and required renovation – it should be mentioned that this is quite normal; the market experts recommend renovating shopping centers almost every five years. The client turned to Blank Architects with a request not only to change the outward appearance of the building but also to come up with ideas for rebranding: come up with a new name and logo, and make a complete makeover of the image. This is how the “Fifth Avenue” turned into “Novamall”.

Renovation of the "Fifth Avenue" shopping center © Blank Architects
Renovation of the "Fifth Avenue" shopping center © Blank Architects


The surroundings of the shopping center, as was already said, are rather mottled, but pleasant at the same time. A couple of parks (one larger, one smaller), a couple of residential high-rises, a few five-story houses... The main pedestrian route runs along the Marshala Biryuzova street and leads to the “Oktyabrskoe Pole” metro station. However, the needs of the local people grow – they have long since needed new forms of public spaces, so, renovating the shopping center, Blank Architects decided to turn it into something more than what it used to be: what became the main idea of the project was a wide range of functions, diversity of services, and attention to the interests of different consumer groups, thanks to which, from a mere shopping mall it must grow into a sort of community center.

As for the concrete framework of the existing building, the architects decided to keep it intact. “We tried to bring out the best in this building by creating an eye-pleasing image, free of obtrusive advertising, and terminally open – shares a partner of Blank Architects Lukasz Kaczmarczyk – The original compact shape with rounded corners looks great in the visual span of the street, softening the perception of this volume both from a pedestrian’s and a driver’s viewpoint”. It was also decided to keep the atrium with a “spider web” of escalators that cuts through all the three floors.

Renovation of the "Fifth Avenue" shopping center © Blank Architects


The architects decided that on the first floor they would keep most of the operating retail stores, including a large supermarket, a children’s cafe, and a public zone in the atrium. However, the project also got a lot of extra services: an atelier, a dry cleaner’s, a bank, and even a post office. On the street side, there will be a coffee shop with an independent entrance – in the morning, it will open earlier than the rest of the complex, allowing the people going to the metro station have a quick breakfast on their way to work or just get a coffee to go.

On the second floor, a lot of attention was paid to the children’s zone which includes specialized stores, theme playgrounds, and an education center.

Renovation of the "Fifth Avenue" shopping center. Lighting design © Blank Architects


One of the main novelties is a food market on the topmost third floor, the hot trend of today. According to the authors’ plan, one will not only be able to buy food there but also ask to cook it and then have it on the spot – this way, the market, located next to the movie theater, will essentially become a substitute for the standard food court but with an accent on individual and healthy food.

Renovation of the "Fifth Avenue" shopping center. Interior of the atrium © Blank Architects


From the outside, practically the whole third floor is covered in glass, which allowed the architects to fill it with ambient light creating a feeling of a traditional open-air market square. The same association is carried over to the façade, where hanging panels on the third floor level play back the silhouette of pitched roofs and awnings above the shopping arcade.

“We wanted to depict the silhouette of the market square directly on the façade – says Lukasz Kaczmarczyk – So that the building would arouse interest and would at once give a hint that there is a market up there”. The panels pass through the plane of glazing, forming a zigzag-shaped awning of imaginary pitched roofs not only on the outside but also on the inside. Earlier versions of the project provided for an open-air terrace under the awning which could be used as a cafeteria in the warm seasons. Ultimately, however, it was decided that the awning would be a purely decorative one.

Renovation of the "Fifth Avenue" shopping center. Interior © Blank Architects


Renovation of the "Fifth Avenue" shopping center. Interior © Blank Architects


It is planned that the main part of the façade will be covered with white expanded metal mesh with a corrugated surface, a material that is up-to-date, flashy-looking and adaptive to weather changes; somehow, it is rarely used in Russia yet. The mesh is meant to protect the interior from the direct sunlight, at the same time letting the ambient light in; it must be light and ethereal, at the same time enshrouding the building and making its image complete and coherent. The authors of the project believe that this mesh is a great background, and they create a multilayered pattern of the walls playing with transparent and non-transparent surfaces.

The reserved image of the building is diluted by inclusions of natural wood that the architects are planning to use in the decoration of the second floor. The wooden elements frame the showcases and the entrances to the shopping center, from where they smoothly flow into the interior decoration.

The main heroes of the project are people, the future visitors of the center – the architects say. Particular stress is laid on comfort, functionality, and accessibility. The project provides for a baby care room where mothers will have an opportunity to cook some food and take a rest, the center will also have places where people can just sit down and talk, waiting lounges coming with fresh newspapers and magazines, and children’s playgrounds, safe and at the same time interesting for different age brackets.

Renovation of the "Fifth Avenue" shopping center © Blank Architects


Renovation of the "Fifth Avenue" shopping center. Interior of the children's zone © Blank Architects


On the inside, light colors and natural materials prevail: wood and stone, livened up by greenery and light-colored furniture. The atrium, which used to be black and red, now becomes white, reflecting and amplifying the light coming from the skylight. The black escalators will also become white. The children’s playgrounds will be executed in the Angry Birds style, with the use of sustainable and recyclable materials designed to be often replaced as the new game figures come along.

An important part of the project is the lighting design. This part of the project Blank Architects did in collaboration with a Copenhagen firm. In addition to utilizing the ambient light, the architects thought out the artificial lighting system with soft backlights for the rest zones and cafe tables and bright backlights for the shop windows. The visitors must not get tired of bright lights so often found in shopping malls.

Renovation of the "Fifth Avenue" shopping center © Blank Architects


The architects also had a task of livening up the territory around the shopping mall – and, first of all, accentuating the entrances. “Novamall” stands higher than the level of the traffic way and the sidewalk due to a considerable height difference – around 2 meters – and the project makes the most out of this peculiarity as well. The entrances are accentuated by the floor to ceiling glazing; they are accessed by broad staircases and ramps. In front of the main façade, two levels of pedestrian flows appear: the first one running along the traffic way, and the second one, more comfortable, running closer to the mall itself, under a broad awning that gives protection from the rain. The first floor of the complex must be active and open to the street with entrances to some of the stores; in the summertime, cafe tables can be placed here.

The strip of land that slopes down towards the road will get flowerbeds, and a lawn, while street lights and furniture will form some rest zones on the way to the metro station.



The mixture of functions and special attention paid to creating public spaces both indoors and outdoors is a positive trend of recent years which gradually spills over the Garden Ring and slowly but surely reaches the city’s outskirts. While in the early 2000’s a shopping mall was pretty much a thing in itself, now it is making an unprecedented attempt to open up to the city, enriching its environment and trying to revive, as in this particular instance, the all-but-lost-in-a-megalopolis tradition of buying food at a farmers market chatting with the salesman.

Over the last summer, Blank Architects did more than one project of modernizing Moscow’s shopping malls – besides the one described above, three more malls – two “Golden Babylons” (in the districts of “Otradnoe” and “Yasenevo”) and the “Hudson” on the Kashirskoe Highway will be renovated in accordance with their projects. Possibly, they will all set the new trends for developing the typology of the city’s shopping malls – because, admit it or not, currently they seem to be the obvious gravity centers for the city’s public life.

28 December 2017

Headlines now
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.