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The Chinese Symphony

The construction of the Chinese center “Huaming Park” has been a long story that came to fruition relatively recently. The building is adjacent to a traditional Chinese garden, but it is very modern, laconic and technological, and the simple-in-form, yet spectacular, white lamellae promise to someday be incorporated as a media facade. This complex is also truly multifunctional: it contains different types of living spaces, offices, a large fitness center, conference halls and restaurants – all wrapped in one volume. You can comfortably hold international forums in it, having everything you may possibly need at your fingertips, and going outside only to take a walk. In this article, we are examining this complex in detail.

12 September 2023
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The Chinese business center Huaming Park is a very serious instrument of Russian-Chinese friendship; in the spring, Chinese leader Xi Jinping stayed there when he was visiting Moscow. The idea of such a center was voiced at the highest level back in 2001. The design process started later on, but the implemented project is still pretty old – the key solutions were proposed by the architects of Reserve Union 10 years ago, in 2013, and finalized in 2017. However, the construction has been completed only recently: the center was actually opened part by part, several times – first in spring 2021, then in October 2022, but the last lamellas on the facades were installed only in the spring of 2023.
 
Now, 10 years after the start of the planning process, the building can be considered completely finished.

“Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
  • zooming
    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


While the complex was being built, the area around it changed radically. In the 2000s, the area was rather empty: a lone “hockey puck” of a subway pavilion, vegetation of varying degrees of untidiness, a railroad, and Soviet residential buildings looming in the distance.

Project, 3D render, view from the metro station. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright © Reserve Union

 
Now there is a large transport hub here and many new residential blocks, 20 stories high; the color in the surrounding buildings is predominantly beige, and the windows are united vertically so that they resemble thickets of very large reeds. The old subway pavilion is built up by a shopping center with an office tower, and the Moscow Northern Diameter overpass has passed behind the railroad.

In the bustling “thicket” of new development, the Huaming Park building looks like a foreign body: light, glassy, thinly striped, like a New York – but then again, why not a Beijing? – skyscraper. However, the building is a little short of a real skyscraper: the height of the office part is a little less than a hundred meters, which is not exactly a high-rise by the modern Moscow standards. On the other hand, the building stands on an elevation, it is visible from afar, and it is noticeably different from everything that’s around it – first of all, as a capacious stereometric statement. We see large roundings and planes from different angles – the building looks a bit like a giant netsuke, vigorously dissected, but nonetheless stable. Vertical lamellas delineate the volume in a laconic and contrasting manner – they catch the sunlight and intensify the contrast of light and shade, especially on the curves. In the perspective, they grow thicker, opening the glass to the direct view, mitigating the excessive sculpture-like effect and visually pulling the building together.

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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
  • zooming
    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


From the very beginning, i.e. since 2001, Huaming Park was conceived, at the highest level, as an instrument for the development of international relations – a fragment of China in Moscow, and it was almost the main task to make it figuratively consonant with the Far Eastern culture.

We immersed ourselves in the context of Chinese tradition and studied its modern interpretation, which allows for a fairly flexible interpretation of meanings. We oriented the building to the east – I consider this decision one of the most successful, as the sunrise holds immense significance in Chinese culture. Research into traditional color schemes led to three primary colors: white, red, and gold. In our case, “gold” is represented by natural copper, while the majority of the lamellae are white, and red is the color of the granite used to clad the stylobate. It took us a long time to select the quarry and the stone’s color.

Other adjustments related to the Chinese mentality were made by the client, Huaming Company: we were asked to soften the sharp angles since they are negatively perceived in traditional culture. As a result, the building’s contour became more streamlined. On the other hand, the client wanted the facades to be very modern but still strict and dignified, so we abandoned dynamic options that were initially considered.

However, one of the main features of the center is its true versatility. It combines offices, apartments, a hotel, two large conference halls, a sports block, shops, cafes, and restaurants serving national cuisine, all in one place. It’s practically a mini-city.

 
In the complex, indeed, if you wish, you can live and work comfortably without ever leaving it. Five key functions – an office tower, a hotel, apartments, a sports center with a swimming pool, and a large conference hall – are elegantly distributed within a triangular plan that is strict and almost centrally symmetrical.

Location plan. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright © Reserve Union


The northern apex of the triangle is occupied by a semicircular office tower, while the southern part is a trapezoid framed by two wings: a hotel on the left and apartments on the right. Between the wings, there is a four-height atrium, in the middle of which the main conference hall, a kind of the core of the complex, is suspended on a grid of supports. It “hovers” over a spacious lobby of 9-meter height, well-lit through the southern facade; from the north side, the lobby is flanked by two tiers of balconies, and from the second tier the visitors get into the conference hall. The ceiling height of the second tier is also 9 meters, and it is additionally illuminated by two large skylights with a tilt to the north. In other words, the lobby catches both northern and southern sun; it is spacious and high.

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    Plan of the 3rd floor. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright © Reserve Union
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    Section view 2-2. “Park Huaming” business center on Wilhelm Pieck Street in Moscow. Project, 2013-2017
    Copyright © Reserve Union


The other conference hall is located on the third and fourth floors underneath the apartments, in the right-hand wing. In the 3rd floor level, in the northern lintel of the stylobate and in the hotel wing, there is a large fitness center with a 25-meter-long swimming pool, under a 6-meter ceiling and another skylight. The roof of the stylobate is landscaped, as envisioned in the project, and serves as a “fifth facade” for beautiful views from the windows.

The first and second floors include several restaurants, a bank, boutiques, and a business center situated in the apartment wing. There is also a restaurant on the 2nd floor of the office tower, which can be accessed either by going through the lobby or through the passage on the right. The two underground levels are occupied by a parking garage, including an automated one.

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    Plan of the 1st floor. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright © Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright © Reserve Union
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    Plan of the 4th floor. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright © Reserve Union
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    Plan of the 5th floor. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright © Reserve Union
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    Plan of the 6th floor. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright © Reserve Union
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    Plan of the -1st floor. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright © Reserve Union
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    Plan of the -2nd floor. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright © Reserve Union
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    Section view 1-1. “Park Huaming” business center on Wilhelm Pieck Street in Moscow. Project, 2013-2017
    Copyright © Reserve Union
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    Section view 4-4. “Park Huaming” business center on Wilhelm Pieck Street in Moscow. Project, 2013-2017
    Copyright © Reserve Union
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    Section view 3-3. “Park Huaming” business center on Wilhelm Pieck Street in Moscow. Project, 2013-2017
    Copyright © Reserve Union

 
This whole set is composed in a dialectical way, based on two opposing principles: separation and unification, symmetry and asymmetry.

The three main buildings differ in height: the office tower is 95 m high, the hotel building is 80 m high, and the apartments are 51 m high – the narrowest and the highest volume is located near the railroad, along the city street the height is noticeably lower, as the complex seems to descend with large steps. Moreover, the reduction of the height is dictated not only by the proximity to the city street, but it also makes it possible to open the facades of the hotel to the eastern and south-eastern sun – according to Vladimir Plotkin, the eastern light is available for 70% of the complex.

“Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright © Reserve Union


One of the most curious techniques of the volumetric composition – it contains a kind of urban planning puzzle – is the cut of the inner boulevard separating the office tower from the rest of the complex. Whether it is a boulevard or not will be decided by the management company of the complex in the sense that it will be landscaped and beautified or not, but the northern tower with a semicircular lenticular plan has been moved away from the stylobate of the southern part by 12 meters, only one “string”remaining: the lintel of the overhead passage from Wilhelm Pieck Street.

The impression of a “slice” forming a Manhattan-type gorge arises primarily because of the smooth surface of the structural glazing, contrasting with the lamella-covered walls, both interior and exterior. It also looks that way because the glass planes on the office tower and the sidewall of the hotel, 95 and 80 meters high respectively, are perfectly straight, even though the 22-meter height of the stylobate would have been quite sufficient. It is here that the “city effect” is particularly strong, as well as the ricochet of reflections.

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    The “slice” gorge (the inner boulevard) between the hotel and the office tower. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
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    Space between the stylobate and the office tower. Top right hotel building, left office tower, center right stylobate with fitness center, bottom transition from the stylobate to the office tower. “Park Huaming” business center on Wilhelm Pieck
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union

 
The sharp corners have been preserved here, but that is not the most interesting thing. The “slice” continues the axes of the city streets: 1st Leonov Street from the east and Berezovaya Alley from the west, visually connecting the territories of two former Moscow suburban villages. Both the cut and the “sliced” semicircle are clearly visible from both sides – for example, from the Tricolor housing complex (also designed by Vladimir Plotkin) – two large-scale projects designed by the same architect salute each other, separated by a two-kilometer distance.

The inner boulevard is not included in the life of the city, as Huaming Park’s territory is enclosed by a fence, and it does not restore the lines of historical roads either – its role is visual: it connects the axes that exist in the city now, and allows us to look a little further into the distant perspective through ourselves. And this, of course, is not a coincidence, but the result of the architects’ research into the urban context.

View from the east. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


View from the west. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


Here we can remember about the land of the rising sun. If you look at the building now on the Yandex aerial photo with a great approximation, it is taken at the moment when the sun shines through the boulevard, in a straight line, from the east with a slight tilt to the south. A very distinct and monumental shadow lies at the western end of the park, and the building appears to be something akin to a prehistoric dolmen, which, according to one theory, was oriented to catch the sun rays at a particular moment. The difference is that this is a very large “dolmen”, built on a modern scale.

In addition to large-scale gestures, the building features many “fine-tuning” elements. For example, the elevation changes of the buildings are projected onto the facades by subtle horizontal breaks in the “shading” of the lamellae, and the stylobate is shown as a separate element, on which the volumes of the hotel and apartments are set. The northern end of the apartments is beveled and slightly pushed back, opening a doorway for the rays of the eastern sun to the hotel and, at the same time, a view from Leonov Street side.

“Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


The wings also look as though they salute each other – two rectangles on the facades of the hotel are moved slightly forward: one repeats the dimensions of the opposite facade of the apartments, the other echoes its end. It is as if the wings were once identical, but then the western one was added on, “drowning” the former volume in it. In addition, the planes saluting each other are delineated not with white, but with copper lamellae, which creates another duplicate perspective when looking at the main facade, reinforced by the fact that the buildings are placed at an angle to each other, and, as a consequence, look quite energetic – the complex opens towards the park like a book.

“Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


“Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


This may remind you of other Reserve Union projects – for example, the two wings of Aeroflot’s office, placed parallel to each other, echo each other with reflections and white stripes drawn by the vis-a-vis. But then again, in Huaming Park, reflections also play a significant role – they play their own game, and if you look closely, there are more planes in this triangular composition than you see at first.

However, the highlight of the representative southern facade is the conference hall. It is “suspended” in the space of the atrium, tracing the trapezoidal shape of its plan, while the southern wall of the hall is extended from the stained-glass window by a block on columns. It is lined with natural copper, and it shines with a kind of black light, “ignited” by the sun, which shines on it from different sides almost all day long, from sunrise to sunset. It is virtually a full-fledged art object that explores the theme of the sun. It is supported by the copper plate of the canopy strung on the columns below; the canopy not only rhythmically balances the entrance part, but also, if you think about it, signifies the position of the hall within the atrium.

“Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


The staggered copper strips help to catch the sun rays – they can be compared to lamellas cut into pieces and arranged in a strict pattern logic. They practically “absorb” light and then amplify it noticeably better than a cool, flat surface of the same material – it is the copper lamellae that create the shining effect.
 
And here too, when approaching from the city, the angle of turn looks very energetic.

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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


The copper facade is encircled by an asymmetrical frame of light-colored limestone: on the right, on the street side, it is open to the flow of incoming traffic, while on the left it “stops” it; at the level of the lower floors, the building is more actively transformed, interacting with the city and its people.

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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union

 
While the upper volumes are like a rock, facing the “city and the world”, down here, asymmetrical displacements, zigzag facades, balconies, and transitions form something that you may call “the ups and downs of life”; the analogy is further supported by the curved contour of the lower edge of the lamellae, as if the imprint of waves.

This edge slightly disguises the horizontal line of the stylobate edge, and if you get closer, you can see that it is implemented spectacularly, on “spider” stretches.

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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
  • zooming
    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


The “respectable” granite cladding of the stylobate, which was created by the client’s request, causes some dislike for me personally. Originally, it was planned to use natural copper for the stylobate, which “works” so well on facades – and I think this would have been the right thing to do because, besides glass, the building would have only two colors in it: white and copper as an organic alloy of red and gold. Granite, even when lightened and “refined” by its frequent proximity to glass, and in some places quite masterfully transformed into round and oval columns, still seems to me to be slightly superfluous in such a modern building.

However, there are many contrasts associated with this building, derived from the peculiarities of contemporary Chinese culture, which apparently sees no contradiction in the simple juxtaposition of the modern international and the completely traditional – and perhaps even sees such stylistic equanimity as a kind of advantage based on the maxim “let all the flowers bloom”. In Beijing’s panoramas, it is actually easy to find landscapes where red lacquer buildings with curved corners of tiled roofs neighbor not only with skyscrapers, but also with actual architecture. No fusion, just simple juxtaposition! This is what happened here: both the Chinese park in front of the southern façade and the interiors of the center were realized by Chinese authors. The park is completely authentic, with hand-painted tiles and sacred stones brought from China, echoed by the shape of the fence. The interior is orientally luxurious.

View from the Chinese garden. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


Let’s, however, get back to the building of the center.

If we compare the actual photos with the 3D renders, we will see that the key angles are also very similar and the main solutions have been implemented almost exactly as intended.

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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow. Project 2013-2017
    Copyright © Reserve Union


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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow. Project 2013-2017
    Copyright © Reserve Union

 
In addition, there are quite a lot of expensive technical solutions (it is interesting that the list of engineers in the architects’ team is actually longer than the list of architects, although it is usually the other way around). Among the notable ones are the large-sized glass – up to 11 meters high – or the media façade, one of the highlights of the project.

The width of the outer white lamellae is 16 cm, and for good reason: their milk glass side ends are fitted with controllable backlighting. The entire facade can be illuminated in its entirety or turned into large-scale pictures – not the way it’s done on ordinary media screens, which are abundant in the city (and there is one here too) – but into discrete striped, large and generalized ones.

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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow. Project 2013-2017
    Copyright © Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow. Project 2013-2017
    Copyright © Reserve Union


I feel like calling this type of media facade architectural because it does not simply turn the building into a large television set, but develops it without suppressing the volumetric solution; Vladimir Plotkin used a similar approach in the building of the shopping center “Vremena Goda” (“The Four Seasons”), where media backlighting is built into points evenly distributed on metal panels. In this case it is not dots, but strips.

The authors even preface the project with a logo showing that the volumes here are seen as paintings or the basis for paintings.

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    The authors pre-logo for the project. “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright © Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow. Project 2013-2017
    Copyright © Reserve Union


It should be quite spectacular in the middle of the night city, especially when seen against the dark forest of the reserve area of the Botanical Garden. It is well visible that the illumination on the ends of the lamellae has indeed been implemented, but I have not managed to catch it in the active state yet. Never mind – maybe they will turn it on someday.
 
However, the shadows from the construction cranes of the neighboring site, when they lie on the lamellae, give a somewhat similar effect in the sunlight during the day.

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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union
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    “Park Huaming” business center on Wilhelm Pieck Street in Moscow
    Copyright: Photo © Aleksey Naroditsky / provided by Reserve Union


Now white vertical lamellae, the heirs of the thin pylons that organized the form in classical modernist buildings, have become quite popular in Moscow. In the 1990s and 2000s, the technique was almost forgotten, and few architects used it. So Huaming Park, designed in 2013 and completed recently – though I’ll call it finally completed when the lights come on – seems to be a kind of “bridge” through the decade. The architecture is modern, but to some extent timeless because of its high level of generalization, international – and taking into account the peculiarities of Chinese thinking, “Chinese” – and at the same time skillfully "stitched" into the Moscow landscape.
 
And how good it is that a Moscow architect is responsible for the modern international part of the ensemble here. You begin to respect your city.

12 September 2023

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.