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​Walking on Clouds

A restaurant in the Khibiny skiing complex: 820 meters above the sea level, sweeping views, a levitation effect, and ingenious engineering solutions.

08 June 2021
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The closed borders made us all travel within our country and discover that we also have quite a lot of picturesque mountains, terrain routes, gastronomic wonders, and UNESCO heritage sites. We are still missing the tourism infrastructure “like in Europe”, but there have definitely been changes in this direction. The mountain restaurant in Khibiny, designed and built by Kleinewelt Architekten, is a vivid example of that. 

Kirovsk is a popular alternative to Krasnaya Polyana; in the post-COVID season, the influx of skiers here only increased – an opportunity that one could not afford to miss. The city has two ski resorts, situated on the slopes of mountains with Saam names that are really hard to pronounce – Kukisvumchorr and Aikuaivenchorr. In 2002, on the southern slope of the Aikuaivenchorr Mountain, the mountain skiing complex AO “Apatit” opened, which is part of the FosAgro complex – now it is called “Bolshoi Vudyavr” by the name of the nearby lake. Today, this is the highest mountain resort in the Northwest of Russia; the skiing season here spans from November to May. It started from 30K people per season, but today, according to the resort management, this figure hiked up to 250K. Due to the fact that Après ski is a part of a skiing vacation just as important as the slopes and comfortable cable cars, a restaurant with panoramic views, posted massively on social media sites, will definitely become a competitive advantage and an extra all-season tourist attraction.

The restaurant in the mountains
Copyright: © Kleinewelt Architekten


The restaurant is being built at a height of 820 meters above the sea level, at a point where the two ropeways – a cablecar and a chairlift – meet, one serving the south slope, the other the north one. On a cloudless day, this place commands panoramic views of Kirovsk, the Bolshoi Vudyavr Lake, and the mountaintops. Brace yourself for the names: Vudyavrchorr, Rasvumchorr, Kukisvumchorr, Lovchorr, and the Poachvumchorr ridge. If there are clouds hanging above the valley, the view is just as striking, and in winter, they say, you can even see aurora borealis here. The restaurant itself can be seen from any point of Kirovsk because the mountain, on which it stands, overhangs above the city.

Despite the fact that the architectural context is nonexistent here, inscribing the building in the surroundings was just as difficult as in a city: you can easily get lost against the background of magnificent mountains, and your character shows clearly in this environment. The recognizable “hockey puck” shape, concrete as the main material, and the band of glazing makes one look for the prototypes in the Soviet architecture, which has a lot of connotations with athletic achievements and skis, albeit of the cross-country variety. And such prototypes are easily found: the “palaces of culture” or “river stations” or stadiums of the Soviet times come to mind.

It turned out, however, that the architects drew inspiration from quite different sources: it was magnetic levitation that became the starting point for the shape making process. This phenomenon presents a sight that is quite magical: at extremely low temperatures, the metal becomes superconductive and makes the magnet float in the air. This is exactly the likeness that the architects were trying to achieve: the powerful base of the “superconductor”, the floating “magnetic disk” and the air cushion between them.

The restaurant in the mountains
Copyright: © Kleinewelt Architekten


The scale of the building is quite significant for its location – the restaurant is designed for 300 guests. Two out of the five floors are technical – they are situated at the topmost and bottommost levels. The middle lobby floor is accessed by a rather high staircase, covered by snow in the wintertime with only two or three stairs peeping out. The same level includes a bar and a viewing platform. The stylobate contains a kitchen, while the climax cantilever drum is the bistro cafe and a restaurant, where each and every table commands a beautiful view.

The restaurant in the mountains
Copyright: © Kleinewelt Architekten


The greatest technical challenge was to ensure “levitation” of the restaurant disk, that is, to find an alternative to columns. The foundation of the building is a reinforced concrete slab, which lies on rocky ground – in order to prepare the pit, it was necessary to perform drilling and blasting operations. The main volumes of the restaurant are strung on a “rod” in which public areas, elevators and stairs are grouped together. The “rod” holds the upper support structure – an inverted cone of the roof, which expands towards the facade. Together with a flat sectional intermediate floor, the structure forms a triangle that provides the required stiffness. The lower floor slab – the floor of the restaurant – is suspended from the wide part of the cone with the help of thin metal strands. To reduce the weight of floor slabs without loss of strength, they were poured using a special technology with the introduction of hollow elements. Thanks to the solutions found by the architects, the restaurant floor protrudes from the supporting structures of the bar by 8 meters.

A section view. The restaurant in the mountains
Copyright: © Kleinewelt Architekten


The engineering findings also affected the interior design of the restaurant. Due to the fact that the “stiffness cone” had enough room for all the ventilation shafts, electrical and other utility lines, the architects were able to keep the “honest” exposed texture of the sloping ceilings of the main hall. The absence of any supports, as well as the floor-to-ceiling panoramic windows whopping five meters high erase the barrier between the humans and the sweeping mountain panorama outside. The highlights of the interior design are anodized aluminum and inclusions from the local rock formation – khibinite. The only thing that somehow threw me off balance was the fact that it was easier for me to visualize James Bond’s girlfriend in such a place than a family in tousled skiwear after a day of skiing.

The restaurant in the mountains
Copyright: © Kleinewelt Architekten


A mountain restaurant is a facility that is challenging not just in terms of design and construction but also in terms of operation. Delivering the building materials to the site, just as pouring concrete, was only possible in some certain time of the year, and then only during a brief period. Yet another challenge was to find suitable stained glass panels – big enough, yet at the same time with heat retaining capabilities. A lot of materials and design solutions did not stand the test of wind, snow, and cold. Nevertheless, the most difficult part has already been done – the monolith construction and the panoramic glazing are already complete.

It is expected that the restaurant will be open all year round: in summer, it will be accessed by ropeway and hiking routes, and in winter it will also be accessed by a passenger snowcat, which will also deliver food to the restaurant. The communications are being built concurrently with the restaurant building; there is a separate project of a pump station at the foot of the slope. The restaurant will be heated by electricity.

***

It seems like Kleinewelt Architekten have designed a new highlight not only for Kirovsk but also for the whole Russia – and it’s not just about the photogenic angles, but also the building itself, the benefits, strength and beauty of which are undeniable. According to the owners, “in terms of the conditions and labor intensity of construction, the project is comparable to facilities in Europe at altitudes of 2000-3000 meters”, and the project is unique for the country, since similar solutions have not yet been applied in such locations.
The unity of engineering and aesthetic solutions nevertheless makes it related to the outstanding examples of Soviet architecture, and modern and high-quality materials surely add some extra gloss. The opening of the restaurant is scheduled for the second half of 2021.

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    The restaurant in the mountains
    Copyright: © Kleinewelt Architekten
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    The restaurant in the mountains
    Copyright: © Kleinewelt Architekten
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    The restaurant in the mountains
    Copyright: © Kleinewelt Architekten
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    The restaurant in the mountains
    Copyright: © Kleinewelt Architekten


08 June 2021

Headlines now
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of the “Garden Quarters”, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
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Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
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Exposed Concrete
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One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
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A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
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