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​The Gallery Approach

In this article, we are covering the concept of a Central District Clinic for 240 patients, designed by Ginzburg Architects, which won at a competition organized by the Architects Union and the Healthcare Ministry.

02 September 2020
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The project by Ginzburg Architects was considered by the judging panel to be the one that provided the most accurate response to the competition specifications, which, thanks to the input from the Healthcare Ministry, posed challenges that standardized design never faced before.

First of all, the competitors were to design the clinic’s process flow diagram in a fundamentally different key than the mono-block structure type that has become widespread over the recent decades. A modern central district clinic is essentially a small town that includes a whole complex of medical facilities – an outpatient clinic, a hospital, an infectious diseases department, and an ambulance station. It is still a single building, yet it is a system of poly-blocks with a limited number of floors. Such interpretation reflects modern requirements having to do both with the traditional medical and engineering hospital equipment, and with the speedy development of technology, hence, the treatment and diagnosis facilities must not only be expandable but also require new organization of the engineering equipment. Another important factor is the humanistic message of such space, focused on the patients.

Regional hospital for 240 beds
Copyright: © Ginzburg Architects


In the concept developed by Ginzburg Architects, such poly-structure unfolds on the land site, becoming an orthogonal composition of five major blocks – three treatment ones, a management and diagnosis one, and an outpatient’s clinic for children and adults. They develop on both sides of the inner linking gallery with a common lobby for all of the units – it acts like a core that organizes all the volumes on the land site. The lobby entrance is situated on the side end – from the side of the outpatient’s clinics – and is moved closer to the entrance areas, eliminating the conflict of flows of patients and employees of various departments. The first floor of the gallery is designed to ensure the connection between the clinic’s departments; the nuclei of the vertical communications also exit here – the staircase and elevator halls of the ward units, and the one for the visitors, the management, and the students.

Regional hospital for 240 beds
Copyright: © Ginzburg Architects


Regional hospital for 240 beds
Copyright: © Ginzburg Architects


The compact, yet at the same time flexible, structure of the blocks meets the two most important requirements for the modern Central District Clinic – to organize simple and convenient connections between the departments, and provide clear functional zoning, based on the specifics of treatment processes, and, hence, with equipping these or those blocks with specialized equipment. At the same time, the flexibility of the proposed structure makes it possible to change the clinics’ specialization in response to the specific needs of a particular area, and organize them proceeding not from concrete functions of individual departments but from the needs of the medical process in its entirety, where every component of the complex plays a part. 

Regional hospital for 240 beds
Copyright: © Ginzburg Architects


For example, the slab of the management and diagnosis block is stretched along the gallery, which establishes a convenient connection between the receiving and diagnosis departments. The operation, surgical, maternity, and cardiology departments are placed near one another in such a way that, should such a necessity arise, the intensive care wards could be activated for any patients from these departments. The functional diagnosis department and the laboratories are situated closer to the block of the outpatients’ clinics, and are linked by an overpass on the second-floor level, this overpass also accessible to the hospitals.

Regional hospital for 240 beds
Copyright: © Ginzburg Architects


The ward blocks are situated on the opposite side from the entrances to the receiving department, forming semi-closed yards – the windows of the wards exit here. This way, they will be turned in the direction of the park territory and separated from all the noise sources, as well as from the loading bay, and the патологоанатомического корпуса by an elongated building with the receiving department. To provide for the patients’ relatives, as well as the medical students, the architects designed a small hotel on the first floor with an individual entrance.

Regional hospital for 240 beds
Copyright: © Ginzburg Architects


The arrangement of the blocks along the main gallery axis makes it possible to freely change their number, as well as the sizes and the functions of the blocks. In addition, the structure can be efficiently “rearranged” and “mounted” on rather complex land sites in dense urban construction conditions. The presence of the central gallery in any of the options will ensure convenient technological connections between the departments.

As was already noted, the substantial transformation of the modern clinics is driven, in addition to the technological needs, by the general trend towards a more humanistic interpretation of the function. A special role is given to the ergonomics and comfort of the created space, its ability to adapt itself to patients and medical personnel, and mitigating the inevitably stressful situation by design techniques. The very fact that the number of floors of hospital buildings has been growing ever smaller, reaching the human-friendly size that is on a level with, or even lower than the treetops, is proof that an important step is made toward the new image.

Regional hospital for 240 beds
Copyright: © Ginzburg Architects


The merger of architecture and landscape, as well as the extended tree planting program go a long way to create a positive image of hospitals. In the concept developed by Ginzburg Architects, it is represented by the parkland area from the side of the ward units, which ensures the patients’ privacy, by the trees that are planted in the inner semi-closed yards with lawns, and by the green slideways for the separately standing infection and anatomico-pathological departments. It is planned to make the flat roofs of the units green as well – considering the low-rise character and the predominantly horizontal character of the structures, such spaces are rather numerous, and they are quite viewable from the windows of the wards and offices.

Regional hospital for 240 beds
Copyright: © Ginzburg Architects


Another thing that gets revised is the approach towards designing the public spaces of the clinics, such as lobbies. Connected to the lobby, the gallery in this case realizes the typology of an inner street. Furthermore, it gets the typical city services, such as cafe zones, bank offices, phone shops, and stores, whose presence helps both patients and personnel to get rid of the isolation feeling that inevitably develops behind the inevitable hospital fence.

Regional hospital for 240 beds
Copyright: © Ginzburg Architects


The design solution of the facades combines the principle of human-friendly proportions with an industrial construction method. The facade grid itself is universal here – the project provides a ventilation facade with a top layer of slab material. The design solutions provide for maximum possible unification of construction spans, window sizes, stained glass windows, and the facade elements. At the same time, one can vary the rhythm and the accents, observing the layers of the joints, as well as the arrangement of the entrance groups, starting from the ground level. The volume of the gallery, which forms the space of the inner yards, is designed – by contrast with the main facades – as being lighter and more transparent. 

Regional hospital for 240 beds
Copyright: © Ginzburg Architects


The concept by Ginzburg Architects fully reflects the transformations that the Russian clinics are currently going through, following the revolution in designing the medical function that happened in Europe and the USA a few decades earlier. Clinics and hospitals are generally becoming less numerous, yet they are growing considerably bigger in size because large-scale investment into medical technologies naturally leads to what can be called “concentration of procedures'' and integration of functions, including research and development. A typical Central District Clinic combines many subdivisions into complex poly-structures, one of the most important factors for which is flexibility and comprehensiveness of inner links, as well as reliable and continuous functioning of numerous processes. At the same time, the function gets a fundamentally different wrap-up: it’s technological quality is inseparable from the quality of its physical surroundings, whose influence on the patients’ and personnel’s well-being is hard to overestimate.
Regional hospital for 240 beds
Copyright: © Ginzburg Architects


02 September 2020

Headlines now
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.