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​Part of the Whole

On June 5, the winners of Moscow Architectural Award were announced. The winners list includes the project of a school in Troitsk for 2,100 students, with its own astronomy dome, IT testing ground, museum, and a greenhouse on the roof.

15 June 2020
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According to Moscow Architectural Award, the Troitsk school became the best project of an educational complex 2019. The building features all the main innovative trends of the recent years – architectural, technological, and, of course, educational. For the authors of the project, this became a unique opportunity to create an environment that brings up and forms a new generation of people.

The project of one of the nation’s largest schools was developed by ASADOV Architects in collaboration with Akademproekt that performed the function of the general designer.

The school for 2,100 students in Troitsk.
Copyright: © ASADOV Architects


The Asadov team did not design the school building from the very start in this case. The project had a long and complicated history. Building a new school in Troitsk was long overdue. The town has a population of 60 thousand people with only eight schools in it. Already in the 2000’s all the schools were filled to capacity. The situation grew even worse after Troitsk officially became a part of Moscow in 2012. Many times a question of introducing a second shift was raised. The municipality tried to solve the problem by expanding the existing educational facilities and building new annexes on their grounds – which, however, did not remedy the situation. It is obvious that, with constant growth of the population and active new housing construction, the deficit of student places in this city is only bound to grow.

This was the background that in 2017 gave rise to a proposal to build one more school, yet really capacious. The idea looked like a cure-all, if it was not for the location of the land site that the city allotted for the construction – in the Troitsk forest that occupied the whole east side of the town. According to the master plan, part of the forest, about 15 hectares, will be used for road construction, a school with a stadium, and a kindergarten. The conflict was predictable: the local residents rose to defend the green area.

The new school was scheduled to have opened already this year. However, the process got bogged down. The public hearings, protests by environmental activists, and the search for alternative locations proved ineffective. Ultimately, it turned out that the city did not have any extra land resources to spare, but the school still had to be built. It was at that stage that Akademproekt invited ASADOV Architects to take part in the project, offering them to solve the puzzle: a green area, the local residents’ concern, colossal capacity of the intended school building, and rigorous restrictions of the legal character, because the school was going to be a publicly owned one, and special technical conditions were improbable. 

The Troitsk forest occupies the entire piece of land between the Oktyabrsky Avenue, Botakovsky Field, and the village of Puchkovo. The land site allotted for the construction of the school building, about 5 hectares, is situated in the forest land at the end of the Oktyabrsky Avenue. This is virtually the center of the city with dense housing construction. This part of the park has neither spruce nor century-old trees, which also played in favor of choosing this place. On one side, the land site is delineated by a paved pedestrian trail and a ravine; on the other – by garages that are supposed to give way to the access driveway leading to the complex from the Oktyabrsky Avenue.

The school for 2,100 students in Troitsk. The master plan
Copyright: © ASADOV Architects


The floor plan of the building is the result of painstaking work with a whole number of restrictions that are generally imposed on educational facilities. The “star” shape, as the authors of the project describe it, one with the public nucleus and the academic blocks running away from it, allowed them not only to meet all the restrictions but also conveniently arrange all of the functions inside.

The school for 2,100 students in Troitsk. Top view from the side of the Oktyabrsky Avenue
Copyright: © ASADOV Architects


“In spite of the tremendous size – the overall area is more than 30 thousand square meters – we tried to create spaces that would still be children-friendly – Andrey Asadov shared – In order to achieve that, we divided the school volume into several individual blocks, at the same time forming semi-closed little yards overlooking the park.”

What the architects ultimately ended up getting was a sprawling and dispersed composition: four wings of the academic facilities with five little green yards between them. Each one is looking in its own direction and is visually isolated from the rest of the school. The height of the building is three floors. The fourth only appears because of the height difference. Breaking the building down into several parts, the architects achieved fractured perception: from any vantage point, we will only be able to see a part of the whole.

The school for 2,100 students in Troitsk. The academic blocks form small semi-closed yards
Copyright: © ASADOV Architects


The central entrance to the building is situated at the joint or the junior and the senior high schools. At the same time, due to one-floor height difference, their entrance groups with a lobbies and locker rooms are situated at different levels: lower for the junior high school, and higher for the senior high. 

The wings of the academic units are of different length, but the authors applied as much effort as they could to make sure that the environment does not produce the rank-and-file “corridor-and-classroom” impression. First of all, this is achieved due to stained glass windows that provide both natural light and connection between the interior and the world outside. In some cases, the stained glass windows occupy most of the walls; they also appear at the side ends of the beams. This way, the forest becomes part of the school, penetrating into the building image- and emotion-wise.

The school for 2,100 students in Troitsk. The entrance groups to the senior high school and the junior high school are situated at different levels
Copyright: © ASADOV Architects


The idea of being at one with the surroundings reaches its climax in the multi-height atrium where the school buildings intersect. In order to comply with the fire safety regulations, the architects also surrounded the atrium with stained glass windows. The floors are joined by a broad staircase that is turned into an amphitheater. The natural light penetrates here through the glass wall opposite the amphitheater. Sitting on its stairs, the students will watch, like on a giant screen, the ever-changing picture of the forest.

In the school on the Sovetskaya Street in the town of Domodedovo, which was also designed by ASADOV Architects in collaboration with Akademproekt, and opened last fall, in September 2019, the architects were already able to realize the idea of an atrium combined with an amphitheater, despite the rigorous square footage restrictions. The Domodedovo school is quite small, for just 275 students, and the amphitheater turned out to be the most popular place in it. Therefore, in the new project, which, unlike the Domodedovo school, boasts a tremendous size, the architects paid special attention to the atrium – it became the main communication nucleus of the complex.

The school for 2,100 students in Troitsk. The amphitheater in the atrium
Copyright: © ASADOV Architects


The school for 2,100 students in Troitsk. The multi-height atrium
Copyright: © ASADOV Architects


The junior school unit will include 32 classrooms for 25 students each. The main block is designed for 1300 students. All the classrooms, both in junior and senior high schools, are situated along the eastern and southern facades in order to provide as much natural light as possible. The north side is occupied by the public block. It includes two gyms and two auditoriums (for 475 and 775 spectators) – one for the little ones and one for the senior high school students – as well as a cafeteria, a library, and a 25-meter swimming pool. Out of class, it will be open not only to students, but to everyone. For this, from the Oktyabrsky Avenue, an independent entrance is provided.

The school for 2,100 students in Troitsk. The functional layout
Copyright: © ASADOV Architects


The space between the school and the sports nucleus is occupied by a glass overpass – this solution will allow the little ones to significantly shortcut their way to the public part of the building. In order to make sure that the first-graders do not have to climb up and down the stairs, all the necessary premises are placed on the first floor – from classrooms and game rooms to the gym and the first aid office.

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    The school for 2,100 students in Troitsk. Plan of the 1st floor
    Copyright: © ASADOV Architects
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    The school for 2,100 students in Troitsk. Plan of the 2nd floor
    Copyright: © ASADOV Architects
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    The school for 2,100 students in Troitsk. Plan of the 3rd floor
    Copyright: © ASADOV Architects
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    The school for 2,100 students in Troitsk. Plan of the 4th floor
    Copyright: © ASADOV Architects


Andrey Asadov shared that, among other things, his team was inspired by the projects of two Moscow schools – one in Letovo, and one in Khoroshevo-Mnevniki (“Khoroshkola” (which literally translates as “Goodschool” – translator’s note)). Both demonstrate innovative approach to forming an example educational environment. Both utilize the idea of a transformable space. In the Troitsk school, the architects also included a possibility for transformation: the grand auditorium and the atrium are built in such a way that they can be easily joined to form a giant public space due to the pull-out walls. So far, however, this proposal only exists on paper because the Troitsk school is a municipal contract with a limited budget.

At the design stage, the architects closely interacted with the teachers and the principal of the future school – such practice, quite common in Europe, is still rare in this country, especially if we are talking about municipal construction. As a result, the school got such unusual options as the IT testing ground for robotic science lessons, a modern museum space, a greenhouse on the roof for growing vegetables, and even its own astronomy done for watching heavenly bodies.

The school for 2,100 students in Troitsk.
Copyright: © ASADOV Architects


The facades are dominated by terra cotta hue that fits in very nicely with the natural surroundings. The glass makes the building’s image visually lighter, making it more transparent; the volume is also livened up by sunny-yellow and white inserts on the facades, and windows of different sizes.

In addition to the yards, formed by the building’s wings, the school compound will get a large stadium with a football field and jogging trails, as well as playgrounds and sports fields classified according the age groups. There will also be a basketball and volleyball fields, and tables for table tennis.

The school for 2,100 students in Troitsk.
Copyright: © ASADOV Architects


In the spring of this year, the project received a positive expert opinion, and now it is entering the active phase. It is planned to bring the school into operation in two years.

The school in Troitsk will become one of the largest in the country. Two schools with a comparable capacity – more than 2,000 students – are to be found one in Nekrasovka, and the other in the Zilart district in Moscow. Schools with more than 1.5 thousand students are open, specifically, in Kommunarka, Vnukovsky and Krasnogorsk. It looks like a new trend, which, on the one hand, saves territorial resources, but, on the other, actually cancels the principle of walking accessibility. After all, the greater the capacity, the fewer schools you need. Therefore, students from remote areas will be forced to go to classes by public transportation. In Troitsk, for example, from the residential complex “Emerald” or the residential district of Solnechny, where there is no school, you will have to travel more than 30-40 minutes on foot to reach the new educational complex. However, this is a matter of decisions preceding the compilation of technical requirements, i.e. the parameters that architects, as a rule, get already in a predetermined form.

As for the architectural part of the project, the authors really did everything they could to create a truly modern educational environment, making up, as much as possible, for the loss of some of the forest. The existing trees in the project are preserved not only in the school yards, but even in the stadium area. The ski track, which is so precious to the townspeople, is left intact. In addition, the architects hope that the school’s powerful infrastructure – the swimming pool, the library, the choreographic and gymnastics halls, the laboratories, and creative workshops – will be available to all of the residents. And the school will not turn into an enclave behind a high fence, but on the contrary, will become the new cultural and educational center of Troitsk.

What comes next is just a question of the quality of implementation of the project. The architects intend to retain the right to designer supervision.

The school for 2,100 students in Troitsk. A section view
Copyright: © ASADOV Architects


The school for 2,100 students in Troitsk. A section view
Copyright: © ASADOV Architects


15 June 2020

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.