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​Big Little Victory

In a small-sized school located in Domodedovo in Moscow metropolitan area, ASADOV_ architects did a skillful job of tackling the constraints presented by the modest budget and strict spatial limitations – they designed sunlit classrooms, comfortable lounges, and even a multi-height atrium with an amphitheater, which became the center of school life.

13 March 2020
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For several years already, the Moscow metropolitan area has been realizing the state-sponsored program of school construction – according to the region’s authorities, the nation’s biggest project of such kind. Annually, regional publications report about tens of school buildings being put into operation, which is, of course, good news because we see the late shift in schools gradually becoming history. Domodedovo became no exception – the town’s oldest educational institution, Lyceum #3, named after the Hero of the Soviet Union Yuri Maksimov, got a new building last year, thanks to which its students will no longer have to study in the late shift. At the same time, however, the Domodedovo school is not “just another school” in the state-sponsored program. It has been built not by some obscure architectural office, but by a project developed by an architectural company with a name: the task of designing a relatively small school for 275 students, at the invitation of the general contractor, Academproject, was commissioned to the ASADOV_ architects (the architectural company and the contractor has long since been engaged in partnership and friendly relationship). When they already got down to work, the architects found out that it was about designing a school building that could be duplicated in other towns of Moscow metropolitan area – essentially, they were required to design a “model” school. According to the company leader, Andrey Asadov, the client at the same time posed a task of designing all of the school spaces as efficiently as possible, i.e. make their area minimal – “not a single extra square meter”. It was a government contract, and this means that for the construction of the school, including the equipment, utility lines, and the landscaping, a fixed sum is allotted from the budget – 1.2 million per student, which is sometimes augmented by the donations for the municipal budget (totally, the new school building cost 524.6 million rubles, 364.6 million rubles coming from the regional budget). Not too much, by any standards.

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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov


The design work was done in close cooperation with the Main Department for Architecture of the Moscow Region and the Ministry of Construction, who closely monitored the process, meaning – did a thorough job of making sure that the architects did not break away from the “minimizing the area” strategy. The small 1.47-hectare land site of a square shape hosted not only the three-story school building but also the athletic ground and some walking space – one can judge how compact the project is by the sole fact that the fire truck lanes partially coincide with the tracks of the stadium. The project was “streamlined” and “optimized” at every stage, but, thanks to the creative will of the architects, they were ultimately able to realize an unconventional architectural idea even without the necessity to get the approval for the project-specific technical conditions, which is usually required when the project spills over the traditional limits.

Three petals and the atrium

The building with an area of more than 7500 square meters got quite an unusual plan – three units run away from the nucleus like three petals. From the side of the Sovietskaya Street, along the bent part of the building, next to the main entrance, there is a cozy and compact plaza where the school assemblies take place, the backyard containing the sports zones. Such a volumetric composition is conditioned, first of all, by the insolation requirements. The classrooms are oriented southeast, and what classrooms are oriented west, do not have mandatory insolation requirements. There is a total of 28 classrooms in the building. With the design capacity of 275 students, in actuality, 624 students are studying here – thus, all of the classrooms are engaged, and none of them stands idle.

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    The masterplan. General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    Plan of the 1st floor. General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    Plan of the basement and the maintenance floors. General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    Plan of the 2nd floor. General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    Plan of the 3rd floor. General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    Section view 1-1. General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    Section view 4-4. General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    Section view 2-2. General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt


The main feature of the project, which the architects were able to implement in spite of all the optimizations, is the 96-square-meter atrium, three stories high and with an amphitheater, hosted in the entrance zone. Quite predictably, it became the most popular and the busiest place in the whole school; this is a favorite hangout of the high-school students. The atrium also performs the function of a symbolic space, quite important for the Lyceum as an educational institution: on a wall about 9 meters high, the school administration placed a panel picture displaying words that express the values of the Lyceum – in the course of the school project they were chosen by the teachers and the students. According to the principal of the school, Natalia Kiseleva, traditional group photo sets take place on the stairs of the amphitheater. Andrey Asadov takes great pride in the fact that in addition to the standard set of school premises, the architects “were able to organize a small element of public space that obviously works great.”

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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Asya Belousova


The fire safety requirements, namely those of isolating parts of the building in case of fire, were observed thanks to using fireproof curtains hidden in boxes installed along the perimeter of the atrium. When the fire alarm goes off, these metallic curtains, like roller blinds, automatically fall down, turning the atrium into a separate zone, which prevents the fire and smoke from spreading.

The corridors that connect the classrooms are compact and L-shaped, “bending” from the central unit. Thanks to the human-proportional scale of the building and the natural light either along the entire length of the corridor, or coming from both ends, the lounges looks like spacious, yet still human-friendly spaces. You will not lose yourself here, the way you would in the endless “gut” corridors of a typical Soviet school. The walls that separate lounges from classrooms have small window apertures in them that create an impression that the wall is transparent – sadly, they are fewer than the architects initially designed: the water risers hidden in the walls got in the way.

The largest “petal” contains a 540-square-meter universal gym with a ceiling two stories high. The same unit contains audiences, separated from the gym by a corridor, which could have been dull and dark, had it not been for a curious hack that the architects used. Near the far wall of the gym, there is a skylight in the coffered ceiling, with more windows in the corridor wall. Thus, the lounge becomes a light and interesting place to be: one can peek inside and watch the students do sports. “Our project totally meets all the construction rules and regulations, yet the feeling of space is quite different here” – Andrey Asadov proudly shares. There is yet another gym, with an area of 200 square meters, situated in another wing.

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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: © ASADOV_ architects, Akademproekt
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov


The list of other interesting spaces includes the hybrid library – a sunlit spacious room with liberal gazing and an exit to the terrace (truth be told, we visited the place in November, and the exit to the terrace was closed. Hopefully, it will be opened in warmer seasons).

A new sprout 

The school is situated in a mixed-construction neighborhood, which is pretty far from the town center – nearby, there are small private houses, then there are public buildings, and 14-stories residential projects. Against the background of the other public buildings of Domodedovo, the school sports an advantageously modern and laconic look. The building looks surprisingly sturdy, and this is something that meets the eye. Calm, dignified, and positive – these three words can best describe the visual appearance of the new school building. Here, for obvious reasons (the budget, not to put too fine a point on it), the architects could not use any expensive building materials. The facade decoration was also prompted by the construction regulations – in the Moscow region, for facade decoration, low combustible materials are allowed (unlike in Moscow itself, where the facade decoration materials must be totally fireproof, period). Eventually, the architects settled for aluminum cassettes – aluminum is in fact classified as low combustible – and it is really a great thing that the wall are not garish (ostensibly “children’s”) colors, but moderate tones: salad green, cerulean, yellow, gray, and white.

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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
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    General education school for 275 students
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov
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    General education school for 275 students
    Copyright: Photograph © Andrey Asadov


The curtailed budget did not allow the architects either to do detailed design interiors, or to conduct full-fledged designer supervision. They only came up with general guidelines on colors and decoration materials. The interior design of the school building, which, it must be said, was executed on a totally decent level, could have still been a little more refined, had the architects supervised the project to the very end. To name but one example: the staircase railings in the atrium, made from stainless steel, look pretty straightforward, which came as an unpleasant surprise to Andrey Asadov. “Circular and glittering are the two parameters that make all of the designer’s efforts null and void” – he laments.

The case of Domodedovo school again goes to show that our state is not ready to go that extra mile and spend extra money on school construction and reconstruction, and, quoting the architect Sergey Skuratov, who once made a statement on the topic of schools, “buildings with interesting thought-out architecture grow like sprouts through cracks in the concrete, and each such building has a heroic history behind it.” The heroic nature of the Domodedovo school, which is no exaggeration, was highly appreciated by the professional community. At the international competition of architectural projects in the sphere of education BuildSchool 2019, the school, designed by ASADOV_, took the bronze award in the category “Best new construction project”. In January this year, it was announced that this project, as was originally intended, will be used again at least once – it was approved for implementation in the settlement of Troparevo near Mozhaisk. This sure is good news: one more flower blasting the concrete.


13 March 2020

Headlines now
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.