По-русски

​Just a Mirror for the Sun

The house that Sergey Skuratov designed in Nikolovorobinsky Alley is thought out down to the last detail. It adapts three historical facades, interprets a feeling of a complex city, is composed of many layers, and catches plenty of sunlight, from sunrises to sunsets. The architect himself believes that the main role of this house is creating a background for another nearby project of his, Art House in the Tessinsky Alley.

Julia Tarabarina

Written by:
Julia Tarabarina
Translated by:
Anton Mizonov

16 June 2020
Object
mainImg
This project by Sergey Skuratov – the second stage of the high-end residential complex NV/9, located at the crossing of the Nikolovorobinsky and Tessinsky Alleys, considered and approved by Moscow Architectural Council – is situated amidst a dynamically developing context. This old-town district boasts a very central location, yet it is by no means a “quiet” place, like the Old Arbat, for example. Everywhere you look you will see construction work going on, or some new little detail, sometimes barely noticeable at first. If one is to go down the Yauza River eastwards, nearing the Garden Ring, he will see the orange-and-glass business center Silver City; to the west, from the side of the Yauza Gate, the housing complex TITUL is being built. However, the real “star” is situated right in the middle between them, and this is Art House, also designed by Sergey Skuratov. A house that ten years ago introduced in Moscow the fashion for hand-molded brick. Two laconic dark buildings are covered with bricks like they would be covered with skin, from top to bottom, from the roof to the pavement; this house is definitely the first thing that meets the eye like a work of art amidst the city bustle. Thus, the name of Art House is more than justified.

Art House residential complex
Copyright: © Sergey Skuratov ARCHITECTS


Speaking of art, it appeared here presented by Gary Tatintsian Gallery, designed in 2013 by Sergey Tchoban; the entrance is from the river side, down the stairs, into the space separated by the “archaeological” slope, which Sergey Skuratov deliberately set up here, interpreting his newly-designed project as an “ancient monument”. Then the Art House became the springboard for a massive urbanist project named “Artkvartal” (“Art Quarter”): in order to promote the idea, in 2014 they opened on the top floor of Art House – temporarily, twice in two months – the club called Door 19. In 2015, on the neighboring land site, further to the north and higher up the Nikolovorobinsky Alley – again, temporarily – opened yet another club, EMA, which got its name from the former Soviet factory of “electric medical apparatuses”. After the club was closed, in the northern part of EMA started the construction of the first stage of the housing complex NV/9, which basically stands for “Nikolovorobinsky, 9”, which was developed by State Development in collaboration with another development company, INSIGMA. Today, the construction is all but completed, and the scaffolding has been removed. The authors of the project are Irene Rimashevskaya and the architectural company “Arkhkvartal”. The buildings stand on a slope with a height drop of about 8 meters; on the alley side, the building tactfully hangs over the two-story brick façade – a fantasy inspired by the “quilling mill” built here in 1877.

High-end housing complex NV/9 ARTKVARTAL. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


The Nikolovorobinsky project by Sergey Skuratov is the second stage of NV/9, built by INSIGMA. Its land site is the part of that same factory – it stretches along the Tessinsky Alley and stops at a crossroads that essentially is the center of the neighborhood that borders on the Serebryanicheskaya Embankment. It is also situated the closest to Art House, a building with a reputation, as well as an integral and meaningful image. Therefore, Sergey Skuratov, according to his own words, interpreted his new project designed for the Tessinsky Alley rather as a background for Art House.

Yet another difficulty is that the land site is full of buildings constructed at different times. In the second half of the XIX century, still before the EMA factory was built, this territory included the quilling mill. The project provides for preserving the street facades of two of the mill’s buildings, even though they do not have a protected status: the facade of the 2nd office building on the Nikolovorobinsky Alley (1883, architect Vasily Barkov), and three bottom floors of the most conspicuous building standing at the crossroads (1895, architect Sergey Kalugin, later on the coauthor of Boris Freidenberg in the building of the Petrovsky Passage). Its corners were originally built as romantic towers, whose battlements, however, avoided the fate of being lost in later buildups.

Facade of the building on the Tessinsky Alley, 1890
Copyright: the Central Archive of Scientific and Technical Documentation of Moscow, the Yauza Part


The eastern unit on the Tessinsky Alley chiefly refers to the 1960’s, just like the constructions in the yard do. Last time around, they were reconstructed in 2008-2012 for the recent owner, one of the divisions of the Rosset state corporation; all of the later-built constructions will be torn down.

The two buildings on the Tessinsky alley will give way to a single volume of about the same scale, while the deconstruction of the inner structures will help clear the yard space. Its gently sloping surface will be leveled up to the elevation of the sidewalk of the Tessinsky Alley, providing a barrier-free access to the yard at the joint of the new and old facades through a “lobby” arch.



In the yard, we are welcomed by a small manmade water reservoir – a memory of the Serebryanichesky Ponds. Right of the “pond”, there is a large wide-branching tree, one of the signature techniques of Sergey Skuratov’s. There is also a lawn on the left. The pedestrian trail running between the residential buildings connects entrances and sections.

Due to the fact that the height difference between the land sites of the first and second stages is about 5 meters, the south border of the yard is preserved by a retainer wall with staircases and ramps. Such prominent and conspicuous terraces, generally a common feature for the Vorontsovo Pole, are not devoid of a spatial intrigue: the yard ends up being totally isolated and completely private.

The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


The construction of the house itself is also quite sophisticated. There are four housing sections standing along the Tessinsky Alley. There is 1.5 meter of technical space between the apartments of the bottom floors and the underground parking garage, which makes it possible to raise the floors above the sidewalk and muffle the car noise coming from the garage. The apartments have from one to four bedrooms, the living rooms look out the sunny south facade on the Tessinsky Alley, the bedrooms – to the northern yard side. The small apartments only look south.

  • zooming
    1 / 5
    The master plan. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    2 / 5
    Location plan. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    3 / 5
    Plan of the 1st floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    4 / 5
    Plan of the 2nd floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    5 / 5
    Section 3-3. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS


The penthouses on the top floors, the seventh and eighth, 7.1 meter tall, are defined by the architects as “apartments with attics” that occupy no more than a third of each of the apartments. These double-level apartments provide for a possibility to install a fireplace and have a patio on the roof of the house: the terraces are surrounded by walls from all sides, which make them akin to the little yards of Italian apartments. The most luxurious apartment of all is situated at the west end of the building – it has four bedrooms and a double patio. The double-level apartments also occupy one and a half of the top floors on the Nikolovorobinsky Alley; its two bottom floors are occupied by a fitness center.

  • zooming
    1 / 13
    The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    2 / 13
    The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    3 / 13
    Plan of the 3rd floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    4 / 13
    Plan of the 4th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    5 / 13
    Plan of the 5th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    6 / 13
    Plan of the 6th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    7 / 13
    Plan of the 7th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    8 / 13
    Plan of the 8th floor. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    9 / 13
    Plan of the 8th-floor attic. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    10 / 13
    Plan of the roof. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    11 / 13
    Section 4-4. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    12 / 13
    Section 5-5. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    13 / 13
    Section 7-7. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS


The plastique of the buildings is based on a combination of three materials: brick, new and old, and bronze.

The preserved historical facades, cleared from the stucco, will yield the dark-red “factory” brick of classic proportions. The plinth-shaped brick forms a pattern of thin stripes of the “palatine” Roman kind, bringing up associations with the Patrician palace (and here we are remembering the “pond” in the yard, which is quite fit to play the role of the impluvium; for a “premium-class” house, the analogy is quite appropriate).

The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


The brick, which varies its shades from brownish gray to almost black, is meant to set up a dialogue with Art House, which will be particularly noticeable when one goes down the Nikolovorobinsky Alley or approaches the house from the Tessinsky Alley, where NV/9 demonstrates its laconic surfaces, completely covered in brick. The same design of dark brick is applied to the retaining walls in the yard.

The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


The south facade on the Tessinsky Alley presents a rather sophisticated picture, full of nuances. In its lower section, the new volume gets a horizontal risalit that continues the line of the preserved house, designed by Sergey Kalugin. In the point where the old and the new facades meet, as well as above the niche of the main entrance, the wall makes a smooth inward bend, forming a “fold” in the vein of the architectural curtains by Giulio Romano, thus accentuating the entrance. Meanwhile, the risalit stays stubbornly and firmly in its place; it is marked with an Indentation pattern of prominent brick strokes. A similar stroking pattern forms graphic shadows of the pilasters in the second (also new) tier of the facade of the western side – not on the whole facade but only where the piers between the windows coincide with the ones that are in the old facade. Due to the fact that the rhythm of the upper floor is slightly broader, they do not always coincide. The curving plastique and the brick strokes look at their absolutely best in the midday light that accentuates any ledges most vividly, particularly on a sunny day.

The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


As we can see, the south facade is telling an interesting story, painting a picture of a city that grows upwards in several layers. Together with the laconic “fortress” wall of Art House, standing across the Alley, the resulting effect is akin to that of Tallinn or even Istanbul – where the newly-made structures meet the old ramparts. And, although this place never in fact had proper fortress walls – it had baths, gardens, and ponds – this does not really matter: first, something new had to appear, and, second, this effect is unobtrusive, this is not a pseudo-gothic castle, which are, sadly, quite abundant in Moscow, and not a stylization – rather, this is a story that can give the place a new aura and taste, developing the theme of imaginary history, proposed by Skuratov in Art House.

The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


  • zooming
    1 / 5
    The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    2 / 5
    The developent drawing of the facades on the Tessinsky Alley. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    3 / 5
    The developent drawing of the facades on the Nikolovorobinsky Alley. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    4 / 5
    The facade plan on grid lines. The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    5 / 5
    The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS


The third material is the copper and zinc alloy, the polished architectural bronze. It gives a shiny golden hue, and, if we compared the plinth-shaped brick with the ruins of the palatine palaces, bronze can remind us about the patrician mirror. This association is a fleeting one, though.

The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


A bronze grille is framing the windows of the buildup of the west facade; bronze is also extensively used in the west facade of the minor building overlooking the yard, as well as in its roof.

The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


The meaning of this golden hue can be understood in a whole number of ways: from echoing the golden domes of the Serebryaniki Trinity Church to the premium “golden” status of the expensive high-end building.

However, probably, the real reason for bronze appearing in the Sergey Skuratov project is because of the sun. Let’s just imagine for one brief moment how the golden facade of the minor building will reflect the rising sun, casting reflections into the yard and filling it with light. And then – how the chamfers of the west facade will catch the reflections of the setting sun in the west. Even now, if we are to look in the evening at the crossroads from the west side, the windows of the Sadko business center, the former building of the Institute of Nitrogen Industry, a 16-story slab, built in 1976, will show us a promo version, a teaser of the effect that the windows and window frames of the new house will produce at sunsets. During that moment, one wants to remember not only about the bronze Roman mirror but also about the bronze window frames of the 1970’s, also echoed by the newly-designed house.

The frames are not identical – they are equipped with chamfers: all of them are situated on one side, gazing southwest. They catch the glints of the summer sunsets, and, in addition, their width gradually increases from left to right, as the possibility to catch the sun rays decreases. The bronze stripes before the entrance are fitted into the “fold” of the facade in a similar “gradient” fashion.

The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


The bronze also covers the joint of the chamfer before the lobby: it has a chance to catch the morning sunlight and “ricochet” it to the curve on the opposite side, or, the other way around, serve as a mirror in the evening. As we can see, the whole house is “fine-tuned” to the sun – it catches it with all the zeal of a resident of cloudy Moscow, where every sunbeam is worth its weight in gold.



The brick also supports the reflections theme: the risalit from the side of the red historical facade gets a stretching gradient of terra cotta insets – the overall “plinth” mass occasionally bursts out with a golden glitter.

The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


In a word, just like on an Ars Nova picture, there are plenty of subtleties here, and none of them is excessive. This house is much “warmer” than Art House; it is more “Moscow”, which is more motivated by the inclusions of the preserved facades and the obliging neighbors – two bold statements must not contradict each other, and Sergey Skuratov was completely right speaking about the background function of the new house. It has a different purpose: the project catches the “quilted blanket” effect inherent to this place – and the house, engaged in a peer-to-peer dialogue with its neighbors, imbibes the effect of this compound city with its rich history – and we are grateful for that.
The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    1 / 3
    The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    2 / 3
    The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
  • zooming
    3 / 3
    The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
    Copyright: © Sergey Skuratov ARCHITECTS
The reconstruction project in the Bolshoy Nikolovorobinsky Alley. The building is converted into a housing complex.
Copyright: © Sergey Skuratov ARCHITECTS


16 June 2020

Julia Tarabarina

Written by:

Julia Tarabarina
Translated by:
Anton Mizonov
Headlines now
​And stabbed it with a knife
The leader of Coop Himmelb(l)au, Wolf D. Prix, presented three projects that he is currently doing in Russia: a complex in Sevastopol, Crimea, which, as it turned out, a western architect could build bypassing the sanctions, because this is a cultural project; a museum and theater center in Kemerovo, and the “SKA Arena”, which is built in the stead of the destroyed Sports and Concert Complex in St. Petersburg – during the presentation the latter was symbolized by a round cake that the architect eventually cut.
​The Thin Matter
The house named “Medny 3.14” (“Copper 3.14”) is composed of two textures, each of which resembles in its own way some kind of precious fabric, and of three units, each of which is oriented towards one cardinal point. The architecture of the house absorbs the nuances of the context, summing them up and turning them into a single rhythmic structure. In this article, we are examining the new, just-completed, house designed by Sergey Skuratov in Donskaya Street.
​Super Pergola
The new business center built in Moscow’s district of Presnya in the 1st Zemelny Lane is all about technology and sustainability. Its streamlined shapes and white facade grid are combined with a new version of vertical greenery: the green of wild grapes, placed at a distance from the facade, instead of arguing with the “pergola” grid, sets it off by contrast.
​Lightness of Being
Blooming Sakura, a campfire party, kids splashing in a swimming pool – no, these are not pictures from a vacation, but everyday life going on in the yards of Kiev’s housing complex “Fayna Town”. In this issue, we are examining how the utopia designed by the architects is wired, and what they did to make it a reality.
​A Triangular Folded Structure
The project of the new terminal of the Muraviev-Amursky airport in Blagoveshchensk offers architecture based on a modular form – endowed with a special imagery, it becomes the basis both for the carrying structures of the building and the plastique of the facade, at the same time reverberating in the interior design.
​The Breath of the East
Designing a residential complex for Tashkent, GENPRO is turning to traditional architecture and modern trends, aiming at emotionality and efficiency: the panjar window lattices and mishrabias are neighboring on vertical greenery and parametric ornaments, while the theme buildings do on a cotton alley and an oriental bazaar.
​The Northern Versailles
On the bank of the magnificent Vychegda River, in a picturesque location six kilometers away from Syktyvkar, the capital of the Komi republic, the renowned neoclassical architect Mikhail Filippov has designed the town of Yugyd-Choi in the traditional aesthetics inspired by the center of St. Petersburg. The customer Elena Soboleva, the head of the Syktyvkar Housing Construction Fund, sees her mission in making Yugyd-Choi the hallmark of the republic.
​Analysis and Synthesis
The project of the housing complex “Krasin”, designed for the historical center of St. Petersburg, and situated in a very obliging place – next to the Mining University designed by Voronikhin, yet bordering on an industrial area – became the result of a thorough analysis of the specifics of historical construction on the Vasilyevsky Island, and a subsequent synthesis with avoidance of direct stylization, yet forming a recognizable silhouette, resonant with the “old town”.
​Tatiana Guk: “A document that determines the development of the city has to be flexible”
In this issue, we are talking to the director of the Genplan Institute of Moscow about trends that determine the future, about the 70-year history of the Institute, which is celebrating an anniversary this year, about electronic computing in the field of urban planning and about international experience accumulated in this area, as well as about how the Institute is involved with other cities, and about the perfect document for the city development, which has to be flexible and strategic.
​Dialectical Manifesto
The high-rise housing complex MOD, whose construction has begun in Moscow’s district of Maryina Roshcha next to the site, on which the new Russian Railways headquarters will be built, is responding to the “central” context of the future city surroundings, and at the same time is positioned by the architects as a “manifesto of Modernist minimalist principles in architecture”.
​Asimov’s Dream
A project by DNK ag won in a competition for the science campus of the National Center for Physics and Mathematics in the city of Sarov, conducted by ROSATOM corporation in collaboration with the Moscow State University, Russian Academy of Sciences, and the Kurchatov Institute.
​Near-Earth Space
The new terminal of the Leonov Airport in Kemerovo was built in record-breaking time, despite the pandemic. It became one of the important factors for the rapid development of the city, visually reflecting its dedication to the first spacewalk, both in the interiors and on the facades. Its main features are the “starry sky” effect and overall openness.
​The Spiral Approach
The school building in the city of Nur-Sultan, designed by Vera Budko and Anton Nadtochiy from beginning to end – from concept to working documentation – became the embodiment of the architects’ method for creating a modern educational environment, which the ATRIUM architects have been developing for years. Its fundamentals include creating an inspiring environment that motivates you to create. This is why the new school received a shape of an ornamental golden spiral that symbolizes ascension to knowledge; on the inside, the building is a compound and multifunctional “city within a city” with multilevel atriums, amphitheaters, and varying routes.
​The Ecological Bend
A story about how plans for laying a road on the border of a park turned into plans for saving the ecosystem and improving the walking trails.
​Kasimir from Kemerovo
The project of the branch of the Russian Museum for the Siberian Art Cluster is based on the ideas of Suprematism: basic shapes, and dynamism of color and form.
​Stream and Lines
Stepan Liphart’s projects of Art Deco villas demonstrate technical symbolism in combination with a subtle reference to the 1930s. One of the projects is a “paper” one; the others are designed for real customers: a top manager, an art collector, and a developer.
On the Bank of a Very Quiet River
The project of landscaping the territory of the residential complex NOW in Moscow’s Nagatinskaya Valley goes beyond the limits of its task and looks more like a modern park: with viewing platforms, an embankment, spaces different in their moods, and thought-out scenarios for visitors aged between 0 and 80.
​The Strategy of Transformation
In this article, we are publishing eight projects of reconstructing postwar Modernist buildings that have been implemented by Tchoban Voss Architekten and showcased in the AEDES gallery at the recent Re-Use exhibition. Parallel to that, we are meditating on the demonstrated approaches and the preservation of things that architectural legislation does not require to preserve.
In the Rhythm of Block Construction
Last week, the housing complex “Ty i Ya” (“You and Me”) was presented, built in the northwest of Moscow. By a number of parameters, it exceeds the originally stated comfort-class format, and, on the other hand, fully meeting the city block construction paradigm, popular in Moscow, demonstrates a few interesting features, such as a new kind of public spaces for the residents, and high-ceilinged apartments on the first floors.
​Five Nonlinear Ones
Recently, at the Moscow Urban Forum, they announced a large-scale project that Zaha Hadid Architects would do for Moscow – the multifunctional housing complex Union Towers designed for Quarter 82 of Khoroshevo-Mnevniki at the commission of KROST development.
​Etudes in Glass
The housing complex, located not far away from the Paveletskaya Railway Station, as a symbol of a sweeping transformation of this area: a composition of towers of different height, ingenious detailing of stained glass windows, and a green lawn in the yard.
A Flyover in Watercolor
For the 100th anniversary of Vladimir Vasilkovsky, the architectural office of Evgeny Gerasimov is reflecting on the Ushakov Flyover, which was designed with input from this artist and architect. In this article, we are showing its watercolors and sketches, including the preliminary ones that were not included in the final project, as well as speaking about the importance of architectural drawing.
​Walking on Clouds
A restaurant in the Khibiny skiing complex: 820 meters above the sea level, sweeping views, a levitation effect, and ingenious engineering solutions.
​Transformation with Multiplication
The Palace of Water Sports in Luzhniki is one of the high-profile and nontrivial reconstructions of recent years, and a project that won one of the first competitions, initiated by Sergey Kuznetsov as the main architect of Moscow. The complex opened 2 years ago; this article about it comes out at the start of the bathing season.
​Sergey Tchoban: “I believe it’s very important to preserve this city as a record...
Although originally we planned to speak in this interview with Sergey Tchoban about high-rise construction, the conversation turned out to be 70% about meditation on the ways of regenerating the historical city and about the role of the city fabric as the most objective and unbiased historical record. And, as for the towers, which manifest social contrasts and leave a lot of junk when torn down, the conversation was about the expected construction norms and regulations. We took this interview one day before the Lakhta-2 project was announced, and this is why this newsbreak is not commented upon in any way in this article.
​Courtyards and Constructivism
In this issue, we are examining the second major block of the “city within a city” Ligovsky City complex, designed and built by A-Len, and combining several trends characteristic of modern urban architecture.
​Inside of a Drawn Grid
Designing the apartment complex PLAY in Danilovskaya Sloboda, ADM architects placed their bet on the imagery of construction. The area where it manifested itself the most vividly was the sophisticated grid of the facades.
​Headquarters of the Future
The project by “Arena Group”, which won in an open competition of ideas for the headquarters of the Italian company FITT, combines futuristic forms, an interesting set of functions, energy efficiency, and subtle references to the archetypes of Italian architecture. Particularly beautiful is the “continuous” fountain. In this issue, we are sharing about the three winners of the competition.
​A Tiered Composition
A little bit of New York in Odessa: an apartment complex designed and built by “Archimatika” with towers, townhouses, a square, and swimming pools.