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​Cape of Good Hope

In this issue, we are showing all the seven projects that participated in a closed-door competition to create a concept for the headquarters of Gazprom Neft, as well as provide expert opinions on those projects.

13 May 2020
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In March, the results of a competition for the best concept for the development of the Okhta Cape were announced. Previously, Gazprom Neft planned to build the highest tower in Europe here, and now it intends to place its headquarters on the cape. The competition involved seven architectural companies, four foreign ones reaching the final, the Nikken Sekkei project coming out the winner.

Below, we publish all the seven projects that participated in the competition.

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Nikken Sekkei. The winner

The Japanese architects were inspired by the sea glory of St. Petersburg and the segment of history when shipyards were located on the Okhta Cape: in the winners’ version, the headquarters resembles two ships swaying on the waves – mother and child, as they were fondly called by Fadi Jabri, Nikki Sekkei CEO, in excellent Russian during a presentation on RBC.

According to the client, the functions of the buildings are still being discussed; there will probably be no clear separation into “office” and “public” buildings. Inside, they will create a cozy space protected from the weather with hanging gardens, water cascades and an object called the Faberge Egg, which looks like a house in a tree. The smaller building is connected to the larger one with a concave roof bearing a sightseeing platform. The negative space between these two forms a frame, inside of which the Smolny Cathedral is “exposed”.

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    Concept of developing the territory of the Okhta Cape.
    Copyright: The image provided by the Gazprom Neft press service © Nikken Sekkei
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Nikken Sekkei / provided by RBC St. Petersburg
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Nikken Sekkei / provided by RBC St. Petersburg
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    Concept of developing the territory of the Okhta Cape.
    Copyright: The image provided by the Gazprom Neft press service © Nikken Sekkei


Critics of the project note the pragmatism and neutrality of the solution presented by the architects, the lack of intrigue and relative difficulty of implementation. The glass facade is not exactly environmentally friendly, and, in addition, it brings about the phenomenon of pseudo-transparency: despite the “crystal” walls, the building looks monolithic and not really welcoming. Also, there is no clarity about what will be done with the archaeological finds.

More about the project ->



MVRDV. A finalist

Judging by what is written in the information field, this project has been the greatest hit with the public. The sectional volume of the office building, the composition of which resembles the abstractions of Vasily Kandinsky, rests on 119 columns, between which trees grow. According to the project, this “forest”, along with the green roof with its lush vegetation, was to be made fully accessible to the city people.

The goals of the Dutch company are quite ambitious: to build the largest wooden building in the world, revive the ecosystem, create a smart work environment, link many contextual threads, from the marshes and the Nyenschanz Fortress to the baroque and Soviet architectural heritage of this area. The latest green technologies provide a “clean” operation of the building.

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The corner view. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The winter view. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    View of the roofs. Concept of developing the territory of the Okhta Cape.
    Copyright: © Mir
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    The gallery. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The interior. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The park. Concept of developing the territory of the Okhta cape.
    Copyright: © MVRDV
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    The roof. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV


The project is exciting and intriguing. However, after reading the accompanying “manifesto” note, you can see why it fell short of scoring the first place. “Gazprom – says Winy Maas – is among the world’s top three companies in terms of carbon emissions, and our company is radically committed to sustainable design.” To solve this moral dilemma, the architects came up with a headquarters design that is merged with the landscape, which does not harm the environment and does not use fossil fuel for its support, at the same time doing quite the opposite, i.e. purifying the air of carbon dioxide.

Implementing such a project, which does not make a direct statement about the power of the oil corporation, and is in many ways useful for the city, would really be a favorable compromise. However, there are alternative opinions as well. For example, Yevgeny Gerasimov considers the project to be supercilious and argues: one, the trees on the roofs and under the buildings do not grow in our climate, two, blocking the view of the bridge evidences that the architects fail to grasp the fundamentals of urban planning, and, if you remove the greenery, then there will remain a random pile of cubes – and random shapes is something that is totally incompatible with St. Petersburg. This point of view only confirms the need to discuss the future of the cape openly and with the involvement of professionals and the urban community.

More about the project ->

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    Master plan of the 1st floor. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    Master plan of the roof. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The steps for developing the park and the building. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The original vision. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The office level
    Copyright: © MVRDV
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    The wooden structure. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The section view. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV



Valode&Pistre. A finalist

At a glance, the project proposed by the French architectural company surprises with the deliberate design that arises from the contrast between the acute angle and the wavy façade – when viewed from above, the building resembles a segment carved from a giant rectangular block. The contrast, as follows from the explanatory note, reflects the different nature of the Neva and Okhta rivers, the merger of which is another semantic load of the site. From the side of Okhta, the facade is more or less monotonous and calm, like the water of a small river. From the Neva side, there are expressive waves, the bends of which frame the areas with the archaeological finds.

Extensive horizontal facades are a tribute to the continuous development of St. Petersburg embankments. And on the “wave” that goes to the Neva, thanks to the glass curves and the play of reflexes, a vertical rhythm is created that echoes the regular rhythm of the colonnades of the historical buildings. According to the authors, the light and color effects are reminiscent of the colors of Russian Baroque architecture, characteristic of St. Petersburg.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre



UNStudio. A finalist

In this concept, just like in the winner’s, the building consists of two units. These two units are linked by a large “corridor” atrium, which serves as the main entrance and the main public space. The atrium commands a view of the Smolny Cathedral and connects the city with the embankment, at the same time offering venues for exhibitions, events and recreation not only for the city people, but also for company employees. For the latter, comfortable working conditions are created: state-of-the-art climate systems, natural light, co-working and recreational areas, as well as an abundance of vegetation in the interior and in the surrounding areas.

The composition is inspired by a pointed plan of the Nienschanz Fortress, the complex glass facades being meant to resemble the edges of a gem enclosed in a pristine frame. The inclined volumes not only create an expressive sculptural surface, but also protect the premises from direct sunlight and overheating. Reflections allow the facade to change depending on the weather and time of day, just like the Neva does.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre


Next, we show the projects that participated in the competition, but did not reach the final.

Sergey Skuratov architects

The concept proposed by Sergei Skuratov looks to be the most thought-out one. The company’s website has a lot of pictures and explanations, according to which the symbolic building resembles a neuron with axon and dendrite rays, “a star, a message, and a signal, a radiance, a flash of energy”. The concave facades pick up the St. Petersburg theme of the semicircle, “modifying the initial plan of Voronikhin with two colonnades for the Kazan Cathedral, which was never to be implemented.” Five skylights of various shapes, like bursts on the surface of water, are placed on a flat greened operated roof.

The internal spaces should create an illusion that the city is really far away – for this, the authors of the project suggest using decorative plants and crops, which they plan to water with rainwater. The active dynamic facade is able to regulate heat transfer with the external environment.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    View from the Okhta embankment of the Smolny Cathedral. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The main entrance to the complex from the side of the Kranogvardeiskaya Square. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The roof. View of the Smolny Cathedral. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The main atrium. View of the amphitheater from the bar. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The mater plan. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS


KOSMOS

The project presented by Kosmos bureau is similar to the MVRDV project in terms of creating a fractional and welcoming building. The Moscow architects, just like the Dutch ones, were inspired, among other things, by the courtyards and roofs of St. Petersburg.

The dense volume of the office building is cut through by courtyards integrated into one system, each with its own atmosphere and landscape. The central courtyard can be closed with sliding doors and turned into a concert hall or an exhibition area. The main public space is located on the roof and is comparable in scale to the Palace Square or the Champ de Mars. In this project, the park, which the authors proposed to make available to city people around the clock, commands views of the Smolny Cathedral and the Neva. In it, the architects placed an amphitheater, a jogging trail, a cafe, co-working spaces, and a mini-football field with spectator seats.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Kosmos Architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Kosmos Architects
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    The main courtyard. Concept of developing the territory of the Okhta Cape.
    Copyright: © Kosmos Architects



ABD Architects in consortium with Ingenhoven Architects

Again, a “mono-building”. It is turned to the embankment with four terraced units, between which three areas are formed, and towards the city with a continuous semicircle of the facade. The multi-level “well” atriums host pine trees and other large trees. The building is covered by a transparent roof that lets in plenty of natural light. “The image of the building is an innovative interpretation of the Neva embankments,” the ABD website says.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects


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The Okhta Cape is a territory as important for St. Petersburg as the Tuchkov Buyan, which has been talked about for the whole past year. Archaeologists have found here the remains of the Swedish fortress Nyenschanz, the Smolny Cathedral is situated nearby, the Neva, the Bolsheokhtinsky bridge are also factors to consider, and all around there is a slurred urban situation: the place is loaded with vehicles and has not been connected with the city for many years.

Taking advantage of the quarantine lull, the St. Petersburg public draws attention to the closed-door competition in the hope of revising its results.

Architectural critic Maria Elkina launched a petition requesting a more successful project that could become a “compromise between the interests of the city and Gazprom Neft.” “My petition is ultimately not for a specific project or even for a public discussion for its own sake – it is for revising the agenda around the Okhtinsky Cape and everything that is being built in St. Petersburg,” Maria explained on her Facebook page. Currently, the petition has been signed by more than 2800 people.

Some time ago, RBC organized an online conference: joining it is interesting if only to look at experts in a “home” setting – the chief architect Vladimir Grigoryev, for example, spoke with the support of portraits of Vladimir Putin and Alexander Beglov, while the president of the local Union of Architects, Oleg Romanov – from his hunting lodge. Following the results of the conversation, they formulated advice for the client: to look for an intriguing rather than practical architectural solution, to think over a program of public space and traffic flows, to take into account the complex context of the place – with its archaeological values, Soviet heritage and other “baggage”. Vladimir Grigoryev did not rule out the possibility that the project would be considered by the city council.




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Artem Kitaev, one of the founders and partners of Kosmos bureau, shared with us about the competition procedure and specifications.

13 May 2020

Headlines now
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.