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​Cape of Good Hope

In this issue, we are showing all the seven projects that participated in a closed-door competition to create a concept for the headquarters of Gazprom Neft, as well as provide expert opinions on those projects.

13 May 2020
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In March, the results of a competition for the best concept for the development of the Okhta Cape were announced. Previously, Gazprom Neft planned to build the highest tower in Europe here, and now it intends to place its headquarters on the cape. The competition involved seven architectural companies, four foreign ones reaching the final, the Nikken Sekkei project coming out the winner.

Below, we publish all the seven projects that participated in the competition.

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Nikken Sekkei. The winner

The Japanese architects were inspired by the sea glory of St. Petersburg and the segment of history when shipyards were located on the Okhta Cape: in the winners’ version, the headquarters resembles two ships swaying on the waves – mother and child, as they were fondly called by Fadi Jabri, Nikki Sekkei CEO, in excellent Russian during a presentation on RBC.

According to the client, the functions of the buildings are still being discussed; there will probably be no clear separation into “office” and “public” buildings. Inside, they will create a cozy space protected from the weather with hanging gardens, water cascades and an object called the Faberge Egg, which looks like a house in a tree. The smaller building is connected to the larger one with a concave roof bearing a sightseeing platform. The negative space between these two forms a frame, inside of which the Smolny Cathedral is “exposed”.

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    Concept of developing the territory of the Okhta Cape.
    Copyright: The image provided by the Gazprom Neft press service © Nikken Sekkei
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Nikken Sekkei / provided by RBC St. Petersburg
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Nikken Sekkei / provided by RBC St. Petersburg
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    Concept of developing the territory of the Okhta Cape.
    Copyright: The image provided by the Gazprom Neft press service © Nikken Sekkei


Critics of the project note the pragmatism and neutrality of the solution presented by the architects, the lack of intrigue and relative difficulty of implementation. The glass facade is not exactly environmentally friendly, and, in addition, it brings about the phenomenon of pseudo-transparency: despite the “crystal” walls, the building looks monolithic and not really welcoming. Also, there is no clarity about what will be done with the archaeological finds.

More about the project ->



MVRDV. A finalist

Judging by what is written in the information field, this project has been the greatest hit with the public. The sectional volume of the office building, the composition of which resembles the abstractions of Vasily Kandinsky, rests on 119 columns, between which trees grow. According to the project, this “forest”, along with the green roof with its lush vegetation, was to be made fully accessible to the city people.

The goals of the Dutch company are quite ambitious: to build the largest wooden building in the world, revive the ecosystem, create a smart work environment, link many contextual threads, from the marshes and the Nyenschanz Fortress to the baroque and Soviet architectural heritage of this area. The latest green technologies provide a “clean” operation of the building.

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The corner view. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The winter view. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    View of the roofs. Concept of developing the territory of the Okhta Cape.
    Copyright: © Mir
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    The gallery. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The interior. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The park. Concept of developing the territory of the Okhta cape.
    Copyright: © MVRDV
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    The roof. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV


The project is exciting and intriguing. However, after reading the accompanying “manifesto” note, you can see why it fell short of scoring the first place. “Gazprom – says Winy Maas – is among the world’s top three companies in terms of carbon emissions, and our company is radically committed to sustainable design.” To solve this moral dilemma, the architects came up with a headquarters design that is merged with the landscape, which does not harm the environment and does not use fossil fuel for its support, at the same time doing quite the opposite, i.e. purifying the air of carbon dioxide.

Implementing such a project, which does not make a direct statement about the power of the oil corporation, and is in many ways useful for the city, would really be a favorable compromise. However, there are alternative opinions as well. For example, Yevgeny Gerasimov considers the project to be supercilious and argues: one, the trees on the roofs and under the buildings do not grow in our climate, two, blocking the view of the bridge evidences that the architects fail to grasp the fundamentals of urban planning, and, if you remove the greenery, then there will remain a random pile of cubes – and random shapes is something that is totally incompatible with St. Petersburg. This point of view only confirms the need to discuss the future of the cape openly and with the involvement of professionals and the urban community.

More about the project ->

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    Master plan of the 1st floor. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    Master plan of the roof. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The steps for developing the park and the building. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The original vision. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The office level
    Copyright: © MVRDV
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    The wooden structure. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV
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    The section view. Concept of developing the territory of the Okhta Cape.
    Copyright: © MVRDV



Valode&Pistre. A finalist

At a glance, the project proposed by the French architectural company surprises with the deliberate design that arises from the contrast between the acute angle and the wavy façade – when viewed from above, the building resembles a segment carved from a giant rectangular block. The contrast, as follows from the explanatory note, reflects the different nature of the Neva and Okhta rivers, the merger of which is another semantic load of the site. From the side of Okhta, the facade is more or less monotonous and calm, like the water of a small river. From the Neva side, there are expressive waves, the bends of which frame the areas with the archaeological finds.

Extensive horizontal facades are a tribute to the continuous development of St. Petersburg embankments. And on the “wave” that goes to the Neva, thanks to the glass curves and the play of reflexes, a vertical rhythm is created that echoes the regular rhythm of the colonnades of the historical buildings. According to the authors, the light and color effects are reminiscent of the colors of Russian Baroque architecture, characteristic of St. Petersburg.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre



UNStudio. A finalist

In this concept, just like in the winner’s, the building consists of two units. These two units are linked by a large “corridor” atrium, which serves as the main entrance and the main public space. The atrium commands a view of the Smolny Cathedral and connects the city with the embankment, at the same time offering venues for exhibitions, events and recreation not only for the city people, but also for company employees. For the latter, comfortable working conditions are created: state-of-the-art climate systems, natural light, co-working and recreational areas, as well as an abundance of vegetation in the interior and in the surrounding areas.

The composition is inspired by a pointed plan of the Nienschanz Fortress, the complex glass facades being meant to resemble the edges of a gem enclosed in a pristine frame. The inclined volumes not only create an expressive sculptural surface, but also protect the premises from direct sunlight and overheating. Reflections allow the facade to change depending on the weather and time of day, just like the Neva does.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © UNStudio
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Valode & Pistre


Next, we show the projects that participated in the competition, but did not reach the final.

Sergey Skuratov architects

The concept proposed by Sergei Skuratov looks to be the most thought-out one. The company’s website has a lot of pictures and explanations, according to which the symbolic building resembles a neuron with axon and dendrite rays, “a star, a message, and a signal, a radiance, a flash of energy”. The concave facades pick up the St. Petersburg theme of the semicircle, “modifying the initial plan of Voronikhin with two colonnades for the Kazan Cathedral, which was never to be implemented.” Five skylights of various shapes, like bursts on the surface of water, are placed on a flat greened operated roof.

The internal spaces should create an illusion that the city is really far away – for this, the authors of the project suggest using decorative plants and crops, which they plan to water with rainwater. The active dynamic facade is able to regulate heat transfer with the external environment.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    View from the Okhta embankment of the Smolny Cathedral. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The main entrance to the complex from the side of the Kranogvardeiskaya Square. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The roof. View of the Smolny Cathedral. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The main atrium. View of the amphitheater from the bar. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS
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    The mater plan. Concept of developing the territory of the Okhta Cape.
    Copyright: © Sergey Skuratov ARCHITECTS


KOSMOS

The project presented by Kosmos bureau is similar to the MVRDV project in terms of creating a fractional and welcoming building. The Moscow architects, just like the Dutch ones, were inspired, among other things, by the courtyards and roofs of St. Petersburg.

The dense volume of the office building is cut through by courtyards integrated into one system, each with its own atmosphere and landscape. The central courtyard can be closed with sliding doors and turned into a concert hall or an exhibition area. The main public space is located on the roof and is comparable in scale to the Palace Square or the Champ de Mars. In this project, the park, which the authors proposed to make available to city people around the clock, commands views of the Smolny Cathedral and the Neva. In it, the architects placed an amphitheater, a jogging trail, a cafe, co-working spaces, and a mini-football field with spectator seats.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Kosmos Architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © Kosmos Architects
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    The main courtyard. Concept of developing the territory of the Okhta Cape.
    Copyright: © Kosmos Architects



ABD Architects in consortium with Ingenhoven Architects

Again, a “mono-building”. It is turned to the embankment with four terraced units, between which three areas are formed, and towards the city with a continuous semicircle of the facade. The multi-level “well” atriums host pine trees and other large trees. The building is covered by a transparent roof that lets in plenty of natural light. “The image of the building is an innovative interpretation of the Neva embankments,” the ABD website says.

More about the project ->

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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects
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    Concept of developing the territory of the Okhta Cape.
    Copyright: © ABD architects


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The Okhta Cape is a territory as important for St. Petersburg as the Tuchkov Buyan, which has been talked about for the whole past year. Archaeologists have found here the remains of the Swedish fortress Nyenschanz, the Smolny Cathedral is situated nearby, the Neva, the Bolsheokhtinsky bridge are also factors to consider, and all around there is a slurred urban situation: the place is loaded with vehicles and has not been connected with the city for many years.

Taking advantage of the quarantine lull, the St. Petersburg public draws attention to the closed-door competition in the hope of revising its results.

Architectural critic Maria Elkina launched a petition requesting a more successful project that could become a “compromise between the interests of the city and Gazprom Neft.” “My petition is ultimately not for a specific project or even for a public discussion for its own sake – it is for revising the agenda around the Okhtinsky Cape and everything that is being built in St. Petersburg,” Maria explained on her Facebook page. Currently, the petition has been signed by more than 2800 people.

Some time ago, RBC organized an online conference: joining it is interesting if only to look at experts in a “home” setting – the chief architect Vladimir Grigoryev, for example, spoke with the support of portraits of Vladimir Putin and Alexander Beglov, while the president of the local Union of Architects, Oleg Romanov – from his hunting lodge. Following the results of the conversation, they formulated advice for the client: to look for an intriguing rather than practical architectural solution, to think over a program of public space and traffic flows, to take into account the complex context of the place – with its archaeological values, Soviet heritage and other “baggage”. Vladimir Grigoryev did not rule out the possibility that the project would be considered by the city council.




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Artem Kitaev, one of the founders and partners of Kosmos bureau, shared with us about the competition procedure and specifications.

13 May 2020

Headlines now
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.
A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.
Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.
An Educational Experiment for the North
City-Arch continues to work on the projects that can be termed as “experimental public preschools”: private kindergartens and schools can envy such facilities in many respects. This time around, the project is done for the city of Gubkinsky, Yamalo-Nenets Autonomous District. A diverse educational and play environment, including a winter garden, awaits future students, while the teachers will have abundant opportunities to implement new practices.