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​New York in Itself

Archimatika has presented the first project that it did for Manhattan, in which the company fully implemented all of its PRO-housing principles. The premium class residential complex with expressive architecture is designed in such a way that its residents will feel secure, yet by no means isolated.

26 August 2019
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Designing a project for the city of New York is quite an achievement for any architectural company, much more so for one from the post-Soviet territory. There is a popular opinion that our architects are not exactly welcome guests in the western countries – they are generally perceived as falling short of the world standards, because “they need to learn how to build in their homeland in the first place”. However, there are a few recent projects of this kind: Sergey Tchoban is now building in Germany, and Meganom has designed an ultra-slim skyscraper for Manhattan, to name but two. These first “expansion steps” are interesting to examine: what is it that these architects have to offer to the western world? What makes it different from ours? How do they adapt to a different bureaucracy and a different legal environment?

In the case of Archimatika, we can assume that its competitive edge was the company’s philosophy that was eventually transformed into a method: all of the projects designed by this Kiev-based company are based on fundamentally developed concept of housing individuality that the authors are constantly perfecting.

Here is what their method is about. Before getting into the design stage, Archimatika performs a rather serious sociological survey: what kind of target audience will the future complex be designed for? What do these people want? Where do they work? What habits do they have? After which, the company comes up with floor plans that will suit specifically these people, then combine the apartments to form a house, then design the façade. This method has a lot in common with context-based architecture but what is taken into consideration here is not just the history and the surrounding buildings but, more importantly, the needs of the modern users. Proceeding not from some accidental flashy image but “from the inside”, Archimatika creates houses that really reflect the hero of our time. And it takes architecture to its logical conclusion because it is not just the outer shell that is creatively developed but also the environment around it.

Snail Apartments housing complex
Copyright: © Archimatika
Snail Apartments housing complex
Copyright: © Archimatika


Anyway, Manhattan. Its average resident is a slightly neurotic type, like Woody Allen, a little of James Bond, and a little bit of the heroine of Amy Schumer from “I Feel Pretty”. A lone wolf, a successful upbeat manager, he is always in a hurry, doesn’t cook at home, and generally is not into doing much housework – he will happily delegate it to hired assistants. He doesn’t like to have guests in but he keeps a dog. In addition, he is polite to the point of paranoia – if he accidentally bumps into you in the city crowd, he will immediately apologize profusely, although probably because of his desire to extinguish this accidental contact and forget about you forever. He needs to have a shelter – an island of peacefulness amidst the never-ending hassle, a quiet lagoon, a shell, a den, after all, where he can hide from the world outside and focus on himself and his problems, a place where he can make a pause. Yet, at the same time, you need to make sure that he won’t feel lonely in his cocoon. Is some respects, this description may seem like a stereotypical one for any megalopolis, but, when taken in its entirety, it’s a very Manhattan-specific portrait. 

Based on this “composite portrait”, the company developed 16 floor plan types for 30 apartments of the future complex. These 30 “modules” ranging from 27 to 170 square meters, like some volumetric Tetris pieces, come together to form the rectangular block of the entire building.

Snail Apartments housing complex
Copyright: © Archimatika


Snail Apartments housing complex. Apartment plans
Copyright: © Archimatika


Snail Apartments housing complex. Section views
Copyright: © Archimatika


The first two floors are public ones; we’ll get to them later. The lower residential floors are occupied by small studios. These include a tiny kitchen with a front a little more than a meter long and two stove burners – to warm up your food, have a quick bite to eat, be on the go all day, and then crash down to sleep. The workplace is the perfect match for the kitchen: a laptop, a freelancer’s weapon of choice, doesn’t need much space. This planning hierarchy is reigned by the closet and the bed – they occupy most of the useful floor space. Generally, it all looks like a high-class hotel room. And, in order to make sure that one can comfortably spend a longer time inside the house under various circumstances, the architects provided for a large public-use kitchen, one per each floor, where one can cook a full-fledged supper, as well as a lounge, where you could visit with your friends or simply chat with your neighbor. Complemented with such an addition, the lower block starts looking, typology-wise, like a co-living hostel.

Snail Apartments housing complex. 2nd and 3rd floor
Copyright: © Archimatika


The next level are single-bedroom apartments, with a floor space of 40+ square meters. Here each functional zone gets clearer borders: the kitchen and the bedroom are separated, and there is even a small study. Further on – meaning, higher up – there are five apartments one and a half stories high: the “loft” contains a study that commands a city view; below, there is a bedroom and a kitchen. One of these apartments has access to a terrace: it appeared because of height difference, which is required by the local construction requirements.

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    Snail Apartments housing complex. Apartment plans
    Copyright: © Archimatika
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    Snail Apartments housing complex. Section views
    Copyright: © Archimatika
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    Snail Apartments housing complex. Apartment plans
    Copyright: © Archimatika
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    Snail Apartments housing complex. Section views
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    Snail Apartments housing complex. The plans of the 4th and 5th floors
    Copyright: © Archimatika


Snail Apartments housing complex
Copyright: © Archimatika


The topmost part is the penthouse, an indispensable element of any American house. There is a bathroom in each of the three bedrooms, as well as a dedicated study and a walk-in wardrobe. All the bulky seasonal stuff can be stowed away in the storage room – it is definitely too big to be called a closet. The dining room is situated in the bay window, from where you can see New York spread out before you.

Snail Apartments housing complex. Apartment plans
Copyright: © Archimatika


Snail Apartments housing complex. The penthouse on the 10th floor
Copyright: © Archimatika


The diverse floor plans make it possible to fill this house with people of different ages, family and social status, yet all with a similar life outlook. In theory, the neighbors will not be getting in each other’s way, yet they will soon meet each other, maybe even make friends, or will at least maintain more or less regular contacts. At any rate, this is one of the tasks that the architects set for themselves when they were designing this house. The solution to this task lies in the common-use areas.

The entrance group is marked by a giant – at least, by the scale of this building – brass marquee, upon which a sculptural family of snails is crawling up. The image has not been finally approved yet but it still expresses rather adequately the idea of perseverance: one immediately feels like saying: “Heck, this is my story, the story of us all!” – most of us are such snails, who slowly but surely move towards their goals. At the same time, these clams are large and sudden enough to be perceived as the author’s bright gesture; they have some Lewis Carroll quality about them – yet, on the other hand, this image of harmless “slow movers” is uniquely comforting in its own way, as if saying that here is your home, the “shell” or “shelter” for everyone who lives in it, you don’t really need to carry it around on your back, but you are more than welcome to come inside. The volumetric marquee boldly turns inside, “pulling in” everyone who comes in and creating an impression of you getting into the shell of the house – many of us, as children, probably examined a seashell, wondering how the calm gets in there, beyond the turn of its spiral, into the safely of its home. Oh, by the way, speaking of spirals – one is just within a hand’s reach: next to the entrance, the “spiral” theme (which is what many shells are essentially based upon) is supported by the staircase standing behind the transparent bay window – as if we are seeing a section view of a shell, like in a biology textbook, perceiving the shell as a whole and at the same time as the sum of its parts. The lobby, as opposed to the Manhattan tradition, is not very large, yet cozy – it also picks up the “shelter” narrative, however brittle and transparent, but still dependable. After all, a snail may mean either a screw, or a clam, so the image is developed still further, in unobtrusive bionic details, such as unexpectedly bulging windows – but first things first.

Snail Apartments housing complex
Copyright: © Archimatika


The first two floors are the “home” public space, to which you can come “with your slippers on”. The area will include a café, a cigar room, and a barbershop, which in the evenings will turn into a bar by a simple turnaround of the armchairs. Other recreational activities are represented by a workout gym, a yoga room, a massage room, and a sauna. There is also a bicycle parking, the already-mentioned joint-use kitchen, and a quiet room for an occasional important meeting. What is interesting is the fact that all of these zones can be joined together: there is a possibility to pull up the soundproof partitions and throw a grand old party here. And, of course, there is a special designated room for dogs, in which every pet can wait for its master and even, should such need arise, get a few kinds of service. Also, the residents and their guests will have at their disposal a little green yard, the ideas for the landscaping project of which, according to the long-standing tradition, Archimatika commissioned to the children studio Arch4Kids.

Snail Apartments housing complex. The public space
Copyright: © Archimatika


Snail Apartments housing complex. The first floor
Copyright: © Archimatika


It is quite an unconventional way to write about an architectural project spending the first half of the article on the description of floor plans of the apartments and public areas. But – this is what Archimatika is all about. And, in spite of this, the “architecture” as such – if we are to speak about the outward appearance of the building – is still quite impressive.

The land site, upon which Snail Apartments is built, is essentially a lacuna between a fire station and a five-story housing project, both buildings being made of red brick with cast-iron staircases and cute little balconies – the classic New York, the way we know it from the Hollywood movies. Archimatika picks up this “loft” style, which is abundant here in other buildings of this area as well, and reinterprets it in new materials and new images. What remains unchanged, however, is the equality of the cornices: the height of the lower volume, which is standing out into the street, is aligned with the neighboring building, with the next six floors noticeably standing back into the depth of the land site, forming a large ledge with a terrace resting upon it in full accordance with the above-mentioned construction requirements.

Snail Apartments housing complex
Copyright: © Archimatika


Snail Apartments housing complex. The sixth floor
Copyright: © Archimatika


The main detail is, of course, the bulging windows that look like the cylinders of pneumatic mail. The massive piers of the part of the building that meets the red construction line are a habitual way of creating an image of a shelter necessary to protect oneself from the enemy’s arrows or from the chilling winds. And the glass bubbles that are bulging out from the concrete framework look as if they are about to burst – this obviously has something to do with how fragile our spirits are, fatigued by the crazy pace of modern life. On the other hand, the opacity and the thickness of the bent glass gets one fantasizing about how the electronic waves may crash against this window that protects the residents against the information flow. The border turns out to be transparent yet palpable: one can keep on watching the world go by but it’s up to him whether or not to let it inside. And, if we are to envision the bulging windows and piers in a section view, we will get a pattern that looks like the cut of some spiral shell, consisting of a multitude of revolving partitions. The thing is that this elegant pattern is not twisted into a spiral but is “unrolled”, in a more human-friendly fashion, upon the façade that goes parallel to the street red line. The bulging windows create yet another association, the classical one – namely, that of arrays of arches of different width, which is a very popular architectural technique nowadays.

Snail Apartments housing complex
Copyright: © Archimatika


The cylindrical windows are not meant to be opened; for ventilation, the architects are planning to use a lateral profile with adjustable ventilation, developed by SCHUCO, as well as a system of artificial ventilation, rather common in the North America. The curvilinear windows are to be washed from the outside, much like modern glass façades. Thanks to its shape, the bent glass is a lot harder to break than the straight kind – the architects explain – but even if you do break it, the hardened glass, covered by protective film, will make it possible to avoid dangerously sharp fragments. 

The dark-red brick of the façades, traditional in New York, is replaced by chocolate-colored concrete with inclusions of marble of two colors. In combination with glass and brass, it pays homage to the traditions of Art Deco and the modern skyscrapers. 

All of the above obviously yields a house with a custom-designed appearance that puts one in the mind of Vienna experiments by Hans Hollain, at the same time reinterpreting the image of a traditional New York building in a modern lexicon, technologically more advanced – you can take as an example these curvilinear frameless bay windows that look really expensive, like some one-of-a-kind boutique thing. The flashy elements – the spiral staircase enclosed in a transparent cylinder, the golden surface of the wavy ribs of the “entrance to the home shell” underneath the marquee, the alternation of piers with rounded corners and semicircular windows – come together to form a nontrivial image, not devoid of some philosophical symbolism: it is about abidance, perseverance, love for small details, and an urge to display them on an artistic hyper-scale. The sculpture of the entrance grows into the house and defines its “genetic code”, finding rhythmic responses in its façades. It is a “sculpture” of a house, yet it is still akin to the neighboring “just” brick houses, combining designer technique and contextual tact, the bravery of modernist plastique of the sixties and seventies and the authors’ love for romantically reinterpreting everything they lay their hands on – everything that’s inside, outside, and everything that you can think about in this connection. What we ultimately get is a very curious kind of alloy, noticeable and integral at the same time, even though it does require a high-quality technical execution, which is, we assume, is quite possible in New York.

Snail Apartments housing complex
Copyright: © Archimatika


New York can be described by many words, one of them being “lonely”. There is a wonderful book written by Olivia Laing, which is named as much – The Lonely City – where she shares about various characters, from Edward Hopper to Andy Warhol, scrutinizing their feelings of being lost and lonely in this specific megalopolis – and she had plenty of material to go by. In many respects, Snail Apartments is resonant with this feeling; it addresses the topic of some brittleness and pathetic vulnerability, inherent even to the most successful people.

Currently, Archimatika, together with its clients and its partners, is doing the SWOT analysis – there is also a chance that the project will be revised.
Snail Apartments housing complex
Copyright: © Archimatika
Snail Apartments housing complex
Copyright: © Archimatika


26 August 2019

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.