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​New York in Itself

Archimatika has presented the first project that it did for Manhattan, in which the company fully implemented all of its PRO-housing principles. The premium class residential complex with expressive architecture is designed in such a way that its residents will feel secure, yet by no means isolated.

26 August 2019
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Designing a project for the city of New York is quite an achievement for any architectural company, much more so for one from the post-Soviet territory. There is a popular opinion that our architects are not exactly welcome guests in the western countries – they are generally perceived as falling short of the world standards, because “they need to learn how to build in their homeland in the first place”. However, there are a few recent projects of this kind: Sergey Tchoban is now building in Germany, and Meganom has designed an ultra-slim skyscraper for Manhattan, to name but two. These first “expansion steps” are interesting to examine: what is it that these architects have to offer to the western world? What makes it different from ours? How do they adapt to a different bureaucracy and a different legal environment?

In the case of Archimatika, we can assume that its competitive edge was the company’s philosophy that was eventually transformed into a method: all of the projects designed by this Kiev-based company are based on fundamentally developed concept of housing individuality that the authors are constantly perfecting.

Here is what their method is about. Before getting into the design stage, Archimatika performs a rather serious sociological survey: what kind of target audience will the future complex be designed for? What do these people want? Where do they work? What habits do they have? After which, the company comes up with floor plans that will suit specifically these people, then combine the apartments to form a house, then design the façade. This method has a lot in common with context-based architecture but what is taken into consideration here is not just the history and the surrounding buildings but, more importantly, the needs of the modern users. Proceeding not from some accidental flashy image but “from the inside”, Archimatika creates houses that really reflect the hero of our time. And it takes architecture to its logical conclusion because it is not just the outer shell that is creatively developed but also the environment around it.

Snail Apartments housing complex
Copyright: © Archimatika
Snail Apartments housing complex
Copyright: © Archimatika


Anyway, Manhattan. Its average resident is a slightly neurotic type, like Woody Allen, a little of James Bond, and a little bit of the heroine of Amy Schumer from “I Feel Pretty”. A lone wolf, a successful upbeat manager, he is always in a hurry, doesn’t cook at home, and generally is not into doing much housework – he will happily delegate it to hired assistants. He doesn’t like to have guests in but he keeps a dog. In addition, he is polite to the point of paranoia – if he accidentally bumps into you in the city crowd, he will immediately apologize profusely, although probably because of his desire to extinguish this accidental contact and forget about you forever. He needs to have a shelter – an island of peacefulness amidst the never-ending hassle, a quiet lagoon, a shell, a den, after all, where he can hide from the world outside and focus on himself and his problems, a place where he can make a pause. Yet, at the same time, you need to make sure that he won’t feel lonely in his cocoon. Is some respects, this description may seem like a stereotypical one for any megalopolis, but, when taken in its entirety, it’s a very Manhattan-specific portrait. 

Based on this “composite portrait”, the company developed 16 floor plan types for 30 apartments of the future complex. These 30 “modules” ranging from 27 to 170 square meters, like some volumetric Tetris pieces, come together to form the rectangular block of the entire building.

Snail Apartments housing complex
Copyright: © Archimatika


Snail Apartments housing complex. Apartment plans
Copyright: © Archimatika


Snail Apartments housing complex. Section views
Copyright: © Archimatika


The first two floors are public ones; we’ll get to them later. The lower residential floors are occupied by small studios. These include a tiny kitchen with a front a little more than a meter long and two stove burners – to warm up your food, have a quick bite to eat, be on the go all day, and then crash down to sleep. The workplace is the perfect match for the kitchen: a laptop, a freelancer’s weapon of choice, doesn’t need much space. This planning hierarchy is reigned by the closet and the bed – they occupy most of the useful floor space. Generally, it all looks like a high-class hotel room. And, in order to make sure that one can comfortably spend a longer time inside the house under various circumstances, the architects provided for a large public-use kitchen, one per each floor, where one can cook a full-fledged supper, as well as a lounge, where you could visit with your friends or simply chat with your neighbor. Complemented with such an addition, the lower block starts looking, typology-wise, like a co-living hostel.

Snail Apartments housing complex. 2nd and 3rd floor
Copyright: © Archimatika


The next level are single-bedroom apartments, with a floor space of 40+ square meters. Here each functional zone gets clearer borders: the kitchen and the bedroom are separated, and there is even a small study. Further on – meaning, higher up – there are five apartments one and a half stories high: the “loft” contains a study that commands a city view; below, there is a bedroom and a kitchen. One of these apartments has access to a terrace: it appeared because of height difference, which is required by the local construction requirements.

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    Snail Apartments housing complex. Apartment plans
    Copyright: © Archimatika
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    Snail Apartments housing complex. Section views
    Copyright: © Archimatika
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    Snail Apartments housing complex. Apartment plans
    Copyright: © Archimatika
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    Snail Apartments housing complex. Section views
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    Snail Apartments housing complex. The plans of the 4th and 5th floors
    Copyright: © Archimatika


Snail Apartments housing complex
Copyright: © Archimatika


The topmost part is the penthouse, an indispensable element of any American house. There is a bathroom in each of the three bedrooms, as well as a dedicated study and a walk-in wardrobe. All the bulky seasonal stuff can be stowed away in the storage room – it is definitely too big to be called a closet. The dining room is situated in the bay window, from where you can see New York spread out before you.

Snail Apartments housing complex. Apartment plans
Copyright: © Archimatika


Snail Apartments housing complex. The penthouse on the 10th floor
Copyright: © Archimatika


The diverse floor plans make it possible to fill this house with people of different ages, family and social status, yet all with a similar life outlook. In theory, the neighbors will not be getting in each other’s way, yet they will soon meet each other, maybe even make friends, or will at least maintain more or less regular contacts. At any rate, this is one of the tasks that the architects set for themselves when they were designing this house. The solution to this task lies in the common-use areas.

The entrance group is marked by a giant – at least, by the scale of this building – brass marquee, upon which a sculptural family of snails is crawling up. The image has not been finally approved yet but it still expresses rather adequately the idea of perseverance: one immediately feels like saying: “Heck, this is my story, the story of us all!” – most of us are such snails, who slowly but surely move towards their goals. At the same time, these clams are large and sudden enough to be perceived as the author’s bright gesture; they have some Lewis Carroll quality about them – yet, on the other hand, this image of harmless “slow movers” is uniquely comforting in its own way, as if saying that here is your home, the “shell” or “shelter” for everyone who lives in it, you don’t really need to carry it around on your back, but you are more than welcome to come inside. The volumetric marquee boldly turns inside, “pulling in” everyone who comes in and creating an impression of you getting into the shell of the house – many of us, as children, probably examined a seashell, wondering how the calm gets in there, beyond the turn of its spiral, into the safely of its home. Oh, by the way, speaking of spirals – one is just within a hand’s reach: next to the entrance, the “spiral” theme (which is what many shells are essentially based upon) is supported by the staircase standing behind the transparent bay window – as if we are seeing a section view of a shell, like in a biology textbook, perceiving the shell as a whole and at the same time as the sum of its parts. The lobby, as opposed to the Manhattan tradition, is not very large, yet cozy – it also picks up the “shelter” narrative, however brittle and transparent, but still dependable. After all, a snail may mean either a screw, or a clam, so the image is developed still further, in unobtrusive bionic details, such as unexpectedly bulging windows – but first things first.

Snail Apartments housing complex
Copyright: © Archimatika


The first two floors are the “home” public space, to which you can come “with your slippers on”. The area will include a café, a cigar room, and a barbershop, which in the evenings will turn into a bar by a simple turnaround of the armchairs. Other recreational activities are represented by a workout gym, a yoga room, a massage room, and a sauna. There is also a bicycle parking, the already-mentioned joint-use kitchen, and a quiet room for an occasional important meeting. What is interesting is the fact that all of these zones can be joined together: there is a possibility to pull up the soundproof partitions and throw a grand old party here. And, of course, there is a special designated room for dogs, in which every pet can wait for its master and even, should such need arise, get a few kinds of service. Also, the residents and their guests will have at their disposal a little green yard, the ideas for the landscaping project of which, according to the long-standing tradition, Archimatika commissioned to the children studio Arch4Kids.

Snail Apartments housing complex. The public space
Copyright: © Archimatika


Snail Apartments housing complex. The first floor
Copyright: © Archimatika


It is quite an unconventional way to write about an architectural project spending the first half of the article on the description of floor plans of the apartments and public areas. But – this is what Archimatika is all about. And, in spite of this, the “architecture” as such – if we are to speak about the outward appearance of the building – is still quite impressive.

The land site, upon which Snail Apartments is built, is essentially a lacuna between a fire station and a five-story housing project, both buildings being made of red brick with cast-iron staircases and cute little balconies – the classic New York, the way we know it from the Hollywood movies. Archimatika picks up this “loft” style, which is abundant here in other buildings of this area as well, and reinterprets it in new materials and new images. What remains unchanged, however, is the equality of the cornices: the height of the lower volume, which is standing out into the street, is aligned with the neighboring building, with the next six floors noticeably standing back into the depth of the land site, forming a large ledge with a terrace resting upon it in full accordance with the above-mentioned construction requirements.

Snail Apartments housing complex
Copyright: © Archimatika


Snail Apartments housing complex. The sixth floor
Copyright: © Archimatika


The main detail is, of course, the bulging windows that look like the cylinders of pneumatic mail. The massive piers of the part of the building that meets the red construction line are a habitual way of creating an image of a shelter necessary to protect oneself from the enemy’s arrows or from the chilling winds. And the glass bubbles that are bulging out from the concrete framework look as if they are about to burst – this obviously has something to do with how fragile our spirits are, fatigued by the crazy pace of modern life. On the other hand, the opacity and the thickness of the bent glass gets one fantasizing about how the electronic waves may crash against this window that protects the residents against the information flow. The border turns out to be transparent yet palpable: one can keep on watching the world go by but it’s up to him whether or not to let it inside. And, if we are to envision the bulging windows and piers in a section view, we will get a pattern that looks like the cut of some spiral shell, consisting of a multitude of revolving partitions. The thing is that this elegant pattern is not twisted into a spiral but is “unrolled”, in a more human-friendly fashion, upon the façade that goes parallel to the street red line. The bulging windows create yet another association, the classical one – namely, that of arrays of arches of different width, which is a very popular architectural technique nowadays.

Snail Apartments housing complex
Copyright: © Archimatika


The cylindrical windows are not meant to be opened; for ventilation, the architects are planning to use a lateral profile with adjustable ventilation, developed by SCHUCO, as well as a system of artificial ventilation, rather common in the North America. The curvilinear windows are to be washed from the outside, much like modern glass façades. Thanks to its shape, the bent glass is a lot harder to break than the straight kind – the architects explain – but even if you do break it, the hardened glass, covered by protective film, will make it possible to avoid dangerously sharp fragments. 

The dark-red brick of the façades, traditional in New York, is replaced by chocolate-colored concrete with inclusions of marble of two colors. In combination with glass and brass, it pays homage to the traditions of Art Deco and the modern skyscrapers. 

All of the above obviously yields a house with a custom-designed appearance that puts one in the mind of Vienna experiments by Hans Hollain, at the same time reinterpreting the image of a traditional New York building in a modern lexicon, technologically more advanced – you can take as an example these curvilinear frameless bay windows that look really expensive, like some one-of-a-kind boutique thing. The flashy elements – the spiral staircase enclosed in a transparent cylinder, the golden surface of the wavy ribs of the “entrance to the home shell” underneath the marquee, the alternation of piers with rounded corners and semicircular windows – come together to form a nontrivial image, not devoid of some philosophical symbolism: it is about abidance, perseverance, love for small details, and an urge to display them on an artistic hyper-scale. The sculpture of the entrance grows into the house and defines its “genetic code”, finding rhythmic responses in its façades. It is a “sculpture” of a house, yet it is still akin to the neighboring “just” brick houses, combining designer technique and contextual tact, the bravery of modernist plastique of the sixties and seventies and the authors’ love for romantically reinterpreting everything they lay their hands on – everything that’s inside, outside, and everything that you can think about in this connection. What we ultimately get is a very curious kind of alloy, noticeable and integral at the same time, even though it does require a high-quality technical execution, which is, we assume, is quite possible in New York.

Snail Apartments housing complex
Copyright: © Archimatika


New York can be described by many words, one of them being “lonely”. There is a wonderful book written by Olivia Laing, which is named as much – The Lonely City – where she shares about various characters, from Edward Hopper to Andy Warhol, scrutinizing their feelings of being lost and lonely in this specific megalopolis – and she had plenty of material to go by. In many respects, Snail Apartments is resonant with this feeling; it addresses the topic of some brittleness and pathetic vulnerability, inherent even to the most successful people.

Currently, Archimatika, together with its clients and its partners, is doing the SWOT analysis – there is also a chance that the project will be revised.
Snail Apartments housing complex
Copyright: © Archimatika
Snail Apartments housing complex
Copyright: © Archimatika


26 August 2019

Headlines now
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.