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​The Amplitude of a Silhouette

Saint Petersburg’s A.Len has designed for Ekaterinburg a new housing complex inspired by the Ural rocks and megaliths. Still another peculiar feature of this complex is the fact that its territory is constrained by the complex’s podium.

08 July 2019
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The freshly-built “Universitetsky” micro-district, to which this multifunctional complex belongs, is situated on the outside belt of “Vtuzgorodok” residential area lying between the historical part of Ekaterinburg and its suburbs. It contains the campus of the Ural Federal University, institutes of the Ural division of the Academy of Sciences, and other educational and research institutions. Not far away from this micro-district, there is the “Shartash” railway station and a road junction with an exit to the relief road of the Siberian Highway, residential buildings of different height and year of construction, and a number of industrial parks.

The company “Pervostroitel” began to develop this large city block, constrained by the Komsomolskaya, Pedagogicheskaya, Bibliotechnaya, and Mira streets, in 2005 – since then, this place got a few multistory housing projects of a more or less typical appearance, as well as the accompanying infrastructure. A.Len got to work with the last undeveloped land site shaped like a triangle with a cutaway. With a share of healthy snobbery, one can assume that when the complex is finished, the contrast “provincial vs metropolitan” will be quite prominent. Still, though, it would be more appropriate to speak about the contrast between the typical and the designer architecture, because the suburbs of Saint Petersburg are just as full of faceless construction deaf to the context.

The “Universitetsky” multifunctional complex looks slightly different than its neighbors, which shows through in one of the early versions of its name: while the already-built housing complexes are named “Copernicus”, “Mendeleev” and “Lomonosov”, our hero was originally named “Prospect Mira Compound”. The very “compound” term is rarely used in Russia because it reflects a rather large chunk of reality. Anyway, according to Cambridge Dictionary, a compound is a substance that is a combination of two or more elements, or an area of land with a group of buildings surrounded by a fence or wall.


The composition of the complex is also arranged in accordance with its original name: a few buildings ranging from 5 to 23 stories high are placed on the perimeter of the land site, while on the central podium, a residents-only space is formed. Considering the fact that “Universitetsky” will also include a shopping mall and a fitness center, sports fields, and playgrounds, one can safely call it a city within a city.

A.Len is one of the few Russian architectural companies that is not alien to the ideas of bionic architecture. In this project, the architects were inspired by the Ural megaliths, and using their image helped the architects to achieve a dramatic silhouette and visually “relieve” rather large planes of the façades.

“Universitetsky” multifunctional compound. Birds-eye view
Copyright: © A.Len
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    A rock formation in the vicinity of Ekaterinburg
    Copyright: © A.Len
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    A rock formation in the vicinity of Ekaterinburg
    Copyright: © A.Len
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    A rock formation in the vicinity of Ekaterinburg
    Copyright: © A.Len


Along the Mira and the Bibliotechnaya streets – where the complex faces the railway station – stand the tallest buildings with “spikes” of 25 stories and “valleys” of only five. These spikes and valleys create extra “air”, letting one’s gaze wander around and explore the “negative space”. Two towers at the crossroads, almost menhirs, are turned 45 degrees, which yields a more rounded, and, consequently, a more organic-looking outline, as well as forms two small triangular plazas, one of which, because of the height drop, got an amphitheater staircase accentuating the entrance to the shopping mall.

“Universitetsky” multifunctional complex. Birds-eye view
Copyright: © A.Len


“Universitetsky” multifunctional complex. Perspective image
Copyright: © A.Len


“Universitetsky” multifunctional complex. Fragment
Copyright: © A.Len


The buildings of a smaller height are placed closer to the high-rise cluster, and this is also the place where the entrance to the fitness center is situated, which is continued on the territory of the residents-only yard with a two-story building that has a tennis court on its roof.

Yet another high-rise slab enters the yard space, twisting it like a spiral and dividing it in two: the smaller and the larger one. If we are to continue the parallel with the megalithic structures, there is a structure that looks a little bit like cromlech that missed a few rocks on its inner circle. In such interpretation, the yard gets a special role – namely, that of a sacred open-air space, where different streams of people come together. The architects make the yard vehicle-free, making various spots for people: playgrounds and sports fields, quiet and “active”, connecting them all with a network of pedestrian streams.

There are four main entrances to the podium – one for each street. The entrance groups are mostly situated in the yard of the complex; on the outside perimeter, the first floor is occupied by retail. There are two entrances to the double-level underground parking garage: one next to the fitness center and one in the north part of the complex; from here, should such need arise, emergency vehicles can drive up on the podium.

“Universitetsky” multifunctional complex. Fragment
Copyright: © A.Len


Playing with heights and masses creates a basis for turning the economic performance figures into architecture, and the project is crowned with the plastique of the façades. In “Universitetsky”, A.Len uses two modular grids of windows, breaking up the façades into large blocks. A denser grid with a 1650 mm step creates an impression of a sturdy base, while the sparser one – 3300 mm – makes the complex look slenderer, setting the upward motion, the same purpose served by the decorative parapets on the roof.

“Universitetsky” multifunctional complex. Birds-eye view
Copyright: © A.Len


“Universitetsky” multifunctional complex. Perspective image
Copyright: © A.Len


The “land marking” becomes still more prominent at the expense of a contrastive golden color. It must be said, by the way, that color is an important part of the company’s creative approach. Inclusions of bright red add extra beauty to the rhythmic pattern. In a few places, the façades are “slit” by glass bands that look like parts of the rocks honed by the wind or water.

“Universitetsky” multifunctional complex. Fragment
Copyright: © A.Len


The end result is quite impressive: a large-scale complex with more than a hundred thousand square meters of useful floor space is organized in such a way that it is a really interesting thing to look at. In 2018, the project got a golden diploma of “ARKHITEKTON” festival.
“Universitetsky” multifunctional complex. Development drawings
Copyright: © A.Len


08 July 2019

Headlines now
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.