По-русски

An Open House School

Designed by Archimatika, the gymnasium A+ on the territory of Kiev’s housing complex “Comfort Town” is remarkable not only for its architecture that can best be described as a “friendly fortress” but also for its openness: it is designed in such a way that both students and their parents can have a comfortable time here, and other children and adults as well.

12 October 2018
Object
mainImg

The gymnasium A+ opened its doors on the territory of the housing complex “Comfort Town”, also designed by Archimatika. This place also features yet another project designed by this firm: the complex of “Academy of Modern Education A+”, which consists of a kindergarten, a school of fine arts, and a junior high school. Gymnasium A+ will teach students from third to twelfth grade.

From a formal standpoint, a gymnasium or a high school is one of the “necessary evils” for the developers that you cannot avoid building in order to provide the required amount of student places for a residential area. Originally, it was planned that the place would get a regular state-run high school but it turned out that the city had no funds to enter it in its books – and then KAN Development invited a private school to be accommodated here. Ultimately, the housing complex ended up getting one of the best educational institutions in Kiev in all respects: in terms of architecture, educational program, and technical equipment.

Gymnasium A+, project © Archimatika
Gymnasium A+, project © Archimatika


The architects chose the location at the edge of “Comfort Town” – at the crossing of Berezneva and Vifleemskaya streets. Not far away, there is a railroad line that by default gave a 100-meter sanitary protection zone. Because of this, the construction could only be carried out on a small strip of land but on the other hand there was a large vacant territory around it, on which the architects made a park, playgrounds, sports fields, and a stadium. Calculating the insolation requirements, the architects came to the most efficient possible form – a square-plan building with a courtyard.

Gymnasium A+, project. The master plan © Archimatika


The architects wanted to make their gymnasium building look pristine – not only for the sake of contrast with the bright-colored houses of “Comfort Town” but also in order to highlight the fundamentality of education as such. At the same time, it was meant to look friendly and open. All of these tasks are solved by the form, color, and materials used.

The budget did not allow the architects to make the façades 100% stone, so they had to look for a compromise. According to the architects, the only suitable kind of stucco that could do the trick was Baumit: “because of the naturally chaotic inclusions of black and gray”. The stone was also selected to match the stucco: ultimately, they settled for the Armenian basalt – this material is not really widely spread and recognizable, and, therefore, as the authors say, it does not bring any associations with museums or memorials. As one of the chief architects of the project, Olga Chernova, put it, this stone is “soft and friendly, just like Armenians are who tend to treat everyone as part of their family”. Yet another shade of gray is given by the metallic gabled roof.

The first floor is executed of prominent chunks of basalt – the massive foundation, like the ruins of some ancient monastery, from which rock-face stuccoed tiles of varying thickness sprout upwards.

Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Making the building completely gray was something that the architects were unable to do – because they had to place on the main façade the marsala-colored A+ logo. It turned out that it looked quite harmonious, and then the architects added some color over the entire façade – they used the ultra-opaque paint of the same color to paint the window frames.

Gymnasium A+, project © Archimatika


The reserved and pristine image of the gymnasium that the architects came up with automatically set before them the task of “making the building look as unlike Château d’If as possible”, making it calm but not frowning, noble-looking but not gloomy. Rather, according to the authors’ idea, the outline of the gabled roof must bring associations with mountains, the arch must bring associations with a cave; maybe even evoke some romantic cinematic and literary pictures of meeting your mentor – like in Star Wars and in many other films and books.

Gymnasium A+, project © Archimatika


As for the main façade of the gymnasium, from an almost “blind” wall it switches over to a “crystal” stained glass window almost the entire height of the building, then it gets slit by the classroom windows, and then follows a 25-meter span of an unsupported arch – it invites and almost sucks you right into the yard with an amphitheater. It is planned that the yard will host school assemblies, concerts, performances by the student theater, and sometimes even lessons.

The windows of the first floor on the main façade belong to the parents’ cafeteria, separated from the school premises by an access system. Next to it, there is a library that has its own individual exit into the courtyard – should such need arise, the library can also be shut out from the rest of the school for conducting public events, coaching seminars, book presentations and open readings in it. According to the architects and the school administration’s plans, the library must become the cultural “hub” of the entire neighborhood. Also, on the first floor, there is a FIFA-certified gym, a cafeteria, an open-space teachers’ common room, a cloakroom, a first-aid station, and a few rooms of computer science and technology.

Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


The second floor has an auditorium for 200 people in it, a gym, classrooms of mathematics, chemistry, physics and biology. One of the wings is occupied by the junior high – the third and fourth grade students will have a recreation area of their own – they will be able to roll about on the grass, hide in a “cabin” or swing from the lianas.

Gymnasium A+, construction. The interior of the playroom © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


On the third floor, there is an art studio, a multifunctional black box rehearsal hall, and a lecture hall with 150 seats that can be easily turned into a movie theater. On all of the floors, the corridors create a closed-circuit quadrant around the classrooms and rehearsal halls. The interior design was developed in collaboration between Archimatika and Svoya Studio.

Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


The school has an autonomous system of heating and air conditioning: underneath the football field, there are 170 wells for a geothermal heat pump. The street lights work on photovoltaic batteries; the parking lot has sockets for EV’s. There is also a small greenhouse and a vegetable garden on the territory of the gymnasium. According to the leader of the creative team Alexander Popov, the energy efficient solutions are not just a tribute to fashion. Since Ukraine raised the utility tariffs, such things have started bringing return on investment, and the demand for them is on the rise.

Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky




One of the main features of A+ that was implemented, among other things, by architectural means, is its openness. The lecture hall designed for a round of two or three classes hosts presentations by TV anchors, statesmen, artists, and athletes who lead lectures or do seminars. The auditorium, which, should such need arise, can be shut off from the other premises and used as a chamber theater, its sound and lighting systems conforming to the applicable standards. It is planned that this will be the place for performances given by the students and by the artist of the theater laboratory “Review”. The 60x40 meters football field will be used as the home arena by the youth football club “Vulkan”. In summer, the school will be turned into a summer camp full of various creative studios from the kids. The parents will be able to make use of the cafeteria, in the evenings – of the sports fields and the coach’s services; they can also sign up for the theater studio. The school also invites them to other activities and events – like the Vienna Opera Ball, for which you need to learn how to waltz and come up with costumes of your own design. The residents of “Comfort Town”, incidentally, get a little discount for their kids’ education.

***

Designing school buildings seem to become the by-specialty of Archimatika. This, although it makes perfect sense, is a rather rare case: like it was said above, schools and kindergartens are often designed by the architects simply because they have to be there, without getting the attention that they deserve. But then again, comparing private educational institutions and state-run ones is not quite a correct thing to do, the educational program of the latter still lagging behind the modern pedagogy.

In Kiev, Archimatika has designed and built the корпус Печерской международной школы and the already-mentioned Academy of Modern Education A+ for younger kids. The company is planning to build its next school in “Fayna Town” residential area, then there will be a sports school in the housing complex “Respublika”, both under the brand of A+.
Gymnasium A+, construction. Crosswise sectioin view © Archimatika
Gymnasium A+, construction. Longitudinal sectioin view © Archimatika
Gymnasium A+, construction. Plan of the 1st floor © Archimatika
Gymnasium A+, construction. Plan of the 2nd floor © Archimatika
Gymnasium A+, construction. Plan of the 3rd floor © Archimatika
Gymnasium A+, construction. Layout of the 1st floor © Archimatika
Gymnasium A+, construction. Layout of the 2nd floor © Archimatika
None


12 October 2018

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.