По-русски

An Open House School

Designed by Archimatika, the gymnasium A+ on the territory of Kiev’s housing complex “Comfort Town” is remarkable not only for its architecture that can best be described as a “friendly fortress” but also for its openness: it is designed in such a way that both students and their parents can have a comfortable time here, and other children and adults as well.

12 October 2018
Object
mainImg

The gymnasium A+ opened its doors on the territory of the housing complex “Comfort Town”, also designed by Archimatika. This place also features yet another project designed by this firm: the complex of “Academy of Modern Education A+”, which consists of a kindergarten, a school of fine arts, and a junior high school. Gymnasium A+ will teach students from third to twelfth grade.

From a formal standpoint, a gymnasium or a high school is one of the “necessary evils” for the developers that you cannot avoid building in order to provide the required amount of student places for a residential area. Originally, it was planned that the place would get a regular state-run high school but it turned out that the city had no funds to enter it in its books – and then KAN Development invited a private school to be accommodated here. Ultimately, the housing complex ended up getting one of the best educational institutions in Kiev in all respects: in terms of architecture, educational program, and technical equipment.

Gymnasium A+, project © Archimatika
Gymnasium A+, project © Archimatika


The architects chose the location at the edge of “Comfort Town” – at the crossing of Berezneva and Vifleemskaya streets. Not far away, there is a railroad line that by default gave a 100-meter sanitary protection zone. Because of this, the construction could only be carried out on a small strip of land but on the other hand there was a large vacant territory around it, on which the architects made a park, playgrounds, sports fields, and a stadium. Calculating the insolation requirements, the architects came to the most efficient possible form – a square-plan building with a courtyard.

Gymnasium A+, project. The master plan © Archimatika


The architects wanted to make their gymnasium building look pristine – not only for the sake of contrast with the bright-colored houses of “Comfort Town” but also in order to highlight the fundamentality of education as such. At the same time, it was meant to look friendly and open. All of these tasks are solved by the form, color, and materials used.

The budget did not allow the architects to make the façades 100% stone, so they had to look for a compromise. According to the architects, the only suitable kind of stucco that could do the trick was Baumit: “because of the naturally chaotic inclusions of black and gray”. The stone was also selected to match the stucco: ultimately, they settled for the Armenian basalt – this material is not really widely spread and recognizable, and, therefore, as the authors say, it does not bring any associations with museums or memorials. As one of the chief architects of the project, Olga Chernova, put it, this stone is “soft and friendly, just like Armenians are who tend to treat everyone as part of their family”. Yet another shade of gray is given by the metallic gabled roof.

The first floor is executed of prominent chunks of basalt – the massive foundation, like the ruins of some ancient monastery, from which rock-face stuccoed tiles of varying thickness sprout upwards.

Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction, yard © Archimatika. Photograph © Alexander Angelovsky


Making the building completely gray was something that the architects were unable to do – because they had to place on the main façade the marsala-colored A+ logo. It turned out that it looked quite harmonious, and then the architects added some color over the entire façade – they used the ultra-opaque paint of the same color to paint the window frames.

Gymnasium A+, project © Archimatika


The reserved and pristine image of the gymnasium that the architects came up with automatically set before them the task of “making the building look as unlike Château d’If as possible”, making it calm but not frowning, noble-looking but not gloomy. Rather, according to the authors’ idea, the outline of the gabled roof must bring associations with mountains, the arch must bring associations with a cave; maybe even evoke some romantic cinematic and literary pictures of meeting your mentor – like in Star Wars and in many other films and books.

Gymnasium A+, project © Archimatika


As for the main façade of the gymnasium, from an almost “blind” wall it switches over to a “crystal” stained glass window almost the entire height of the building, then it gets slit by the classroom windows, and then follows a 25-meter span of an unsupported arch – it invites and almost sucks you right into the yard with an amphitheater. It is planned that the yard will host school assemblies, concerts, performances by the student theater, and sometimes even lessons.

The windows of the first floor on the main façade belong to the parents’ cafeteria, separated from the school premises by an access system. Next to it, there is a library that has its own individual exit into the courtyard – should such need arise, the library can also be shut out from the rest of the school for conducting public events, coaching seminars, book presentations and open readings in it. According to the architects and the school administration’s plans, the library must become the cultural “hub” of the entire neighborhood. Also, on the first floor, there is a FIFA-certified gym, a cafeteria, an open-space teachers’ common room, a cloakroom, a first-aid station, and a few rooms of computer science and technology.

Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


The second floor has an auditorium for 200 people in it, a gym, classrooms of mathematics, chemistry, physics and biology. One of the wings is occupied by the junior high – the third and fourth grade students will have a recreation area of their own – they will be able to roll about on the grass, hide in a “cabin” or swing from the lianas.

Gymnasium A+, construction. The interior of the playroom © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


On the third floor, there is an art studio, a multifunctional black box rehearsal hall, and a lecture hall with 150 seats that can be easily turned into a movie theater. On all of the floors, the corridors create a closed-circuit quadrant around the classrooms and rehearsal halls. The interior design was developed in collaboration between Archimatika and Svoya Studio.

Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


The school has an autonomous system of heating and air conditioning: underneath the football field, there are 170 wells for a geothermal heat pump. The street lights work on photovoltaic batteries; the parking lot has sockets for EV’s. There is also a small greenhouse and a vegetable garden on the territory of the gymnasium. According to the leader of the creative team Alexander Popov, the energy efficient solutions are not just a tribute to fashion. Since Ukraine raised the utility tariffs, such things have started bringing return on investment, and the demand for them is on the rise.

Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky


Gymnasium A+, construction © Archimatika. Photograph © Alexander Angelovsky




One of the main features of A+ that was implemented, among other things, by architectural means, is its openness. The lecture hall designed for a round of two or three classes hosts presentations by TV anchors, statesmen, artists, and athletes who lead lectures or do seminars. The auditorium, which, should such need arise, can be shut off from the other premises and used as a chamber theater, its sound and lighting systems conforming to the applicable standards. It is planned that this will be the place for performances given by the students and by the artist of the theater laboratory “Review”. The 60x40 meters football field will be used as the home arena by the youth football club “Vulkan”. In summer, the school will be turned into a summer camp full of various creative studios from the kids. The parents will be able to make use of the cafeteria, in the evenings – of the sports fields and the coach’s services; they can also sign up for the theater studio. The school also invites them to other activities and events – like the Vienna Opera Ball, for which you need to learn how to waltz and come up with costumes of your own design. The residents of “Comfort Town”, incidentally, get a little discount for their kids’ education.

***

Designing school buildings seem to become the by-specialty of Archimatika. This, although it makes perfect sense, is a rather rare case: like it was said above, schools and kindergartens are often designed by the architects simply because they have to be there, without getting the attention that they deserve. But then again, comparing private educational institutions and state-run ones is not quite a correct thing to do, the educational program of the latter still lagging behind the modern pedagogy.

In Kiev, Archimatika has designed and built the корпус Печерской международной школы and the already-mentioned Academy of Modern Education A+ for younger kids. The company is planning to build its next school in “Fayna Town” residential area, then there will be a sports school in the housing complex “Respublika”, both under the brand of A+.
Gymnasium A+, construction. Crosswise sectioin view © Archimatika
Gymnasium A+, construction. Longitudinal sectioin view © Archimatika
Gymnasium A+, construction. Plan of the 1st floor © Archimatika
Gymnasium A+, construction. Plan of the 2nd floor © Archimatika
Gymnasium A+, construction. Plan of the 3rd floor © Archimatika
Gymnasium A+, construction. Layout of the 1st floor © Archimatika
Gymnasium A+, construction. Layout of the 2nd floor © Archimatika
None


12 October 2018

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.