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​The Discreet Charm of the Bourgeoisie

Remodeling the building of the former Sytin printing house on the Pyatnitskaya Street into a modern housing complex, Nikita Biryukov and his team fought a losing battle against the technical specifications – and, instead of the red-brick industrial character of the building, they accentuated the bourgeois nature of the building’s original Art Nouveau style.

11 December 2017
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The starting point for the authors of the project that was submitted to the competition by the architectural firm ABV was the epoch when the historical buildings of the printing house were erected – at the brink of the XIX-XX centuries. The forming of the bourgeoisie as a class and new artistic trends closely connected to this process, chief among them being the birth of the Art Nouveau style, these processes, abruptly stopped by the well-known historical events, became the basis of Nikita Biryukov’s concept. It is the bourgeois character (in the best sense of the term) of this heritage site that Nikita Biryukov proposed to make the “visiting card” of the complex. “This is a complex for confident people” – in this nutshell the authors define the target group for their project.

Contest project of renovating the First Exemplary Printing Works. Building 1 © ABV Group
Contest project of renovating the First Exemplary Printing Works. The current situation. The main Sytin building. Building 1, View from the Malaya Ordynka Street (before the reconstruction) © ABV Group


The architects saw their mission first of all in restoring the historical silhouette of the main building of the printing house. The main “evil” came in the form of the soviet-time fifth-floor buildup that leveled out the line of the façade, thus ruining the architect’s original idea – according to the ABV project, this fifth floor will be dismantled, and in its stead the building will get a mansard which, being recessed deeper into the building, will not violate its characteristic silhouette. Instead of one “soviet” floor, the authors were able to get a yield of two full-fledged ones, while, sinking the buildup of the top-floor apartments, they got an entrance to the terraces. The façade itself is designed in exquisite beige-and-gray tones, decorated with delicately sculptured elements, while the windows of the first floor are lowered virtually down to the ground in order to place their the showcases of the stores – naturally, the expensive and prestigious ones, the kind that should be there in a respectable bourgeois complex.

Contest project of renovating the First Exemplary Printing Works. Building 1. Renovation plan © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 1. The main facade © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 1 © ABV Group


As far as developing the range of apartment configurations was concerned, it turned out to be a challenging brain teaser for the authors of the project. Trying to plan out the apartments in accordance with the technical specifications, they were confronted with the fact that these specifications were in conflict with the existing structure of the building: the space between the bearing columns, the ceiling vaults, and the arrangement of the windows – which, basically, came as no surprise, because what Erichson and Shukhov originally designed was not a housing complex but a production facility. In the course of the design work it turned out that the partitions would bump into the window sashes, the windows would “stick” to the walls, the vaults would break at most unexpected points, and, generally, the proportions of the rooms left much to be desired. Since the building itself is a heritage site, and making any changes to its walls was out of the question, it left only one way out – meaning, sacrificing the specifications. The authors of the project offered the client their own version of planning – with rooms of correct proportions, efficient arrangement of windows, plus, as a bonus, the attic level that the architects were able to “cut out” on the second floor – and, luckily, the client agreed with their reasoning. “What we did was turn the print house into a residential complex – summarized one of the authors of the project Valentin Ostroumov – Without downgrading their quality or damaging the heritage site”.

Contest project of renovating the First Exemplary Printing Works. Building 1. Longitudinal section view © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 1. Longitudinal section view (Version 2) © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 1st floor © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 2nd floor © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 2nd floor (Version 2) © ABV Group


In all the other building units the architects did not have to step away from the technical specifications, although in each case the task was different and challenging. Unit 2, stretching along the 2nd Monetchikovsky Alley, is distinct not only for its considerable length but also for an unbelievable depth by housing construction standards – over twenty meters – which, again, poses a formidable challenge for planning apartments which, if the standard approach is used, end up being of a huge square footage. The architects were able to solve both problems simultaneously at the expense of the façade design solutions – we shall remind you at this point that, according to the specifications, only the basic framework was to be kept intact, while all the other structures were to be erected anew. Sunken into the depth of the façade, the elevator shafts divided the volume of the building into four parts, so unlike one another that a casual observer could easily mistake them for four independent compact buildings standing in a row. The difference lies in both the materials used – coating stone, ceramic tiles, then stone again – and in the colors, as well as in the very plastique of the buildings: squares of the recessed windows with French balconies alternate with the “bellows” of the triangular bay windows. Getting back to the diversity of the apartments issue: such “active” façades, biting deep into the flesh of the building, allowed the architects to bring the apartments to more or less reasonable square footage.

Contest project of renovating the First Exemplary Printing Works. Building 2 © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 2 © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 2 © ABV Group


Contest project of renovating the First Exemplary Printing Works. Facade along the 2nd Monetchikovsky Alley. Building 2 © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 2. Plan of the first floor © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 2. Plan of the standard floor. Vesrion 2 © ABV Group


Yet another building unit of the printing house that faces the Garden Ring never tried to compete with the main building in terms of splendor but is nonetheless elegant and harmonious in its reserved appearance. The authors of the project stress its “discreet charm” by clearing the gray mother-of-pearl façade with an odd inclusion of beige, accentuating the decorative elements, characteristic for Art-Nouveau and again pushing the mansard inwards in order to avoid spoiling the exquisite silhouette of the attics.

Contest project of renovating the First Exemplary Printing Works. Building 3. The current situation © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 3. The project proposal © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 3 © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 3 © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 3. Sketch. Version 2 © ABV Group


The only red-brick building in the ABV project is the former hostel for the workers of the Sytin printing house that stands inside the yard. In this instance, the architects restore the decorative brickwork, and as for the top level, where the number of floors varies today from three to four, the architects level it out by using that same brick mansard with terraces. Due to the fact that, even with its buildup, this unit is the lowest in the complex, the authors of the project proposed to landscape the roof with plants, thus making it a part of the yard, adding extra beauty to the views commanded by the windows of the upper, most prestigious, floors of the surrounding houses. As for the yard, the architects are planning to put a lot of greenery into it; the intricate arabesques of flowerbeds and trails seem to be meant to soften some certain brutality of the industrial architecture of the former printing house.

Contest project of renovating the First Exemplary Printing Works. Building 4 © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 4 © ABV Group


Contest project of renovating the First Exemplary Printing Works. Building 4. The east facade © ABV Group


Incidentally, as for the last building, the one that is in construction at the crossing of the Monetchikovsky alleys, the authors of the project also decided to design it based on some certain stylistic opposition. “I would say that it is more ladylike – Valentin Ostroumov comments – All the other buildings around it are prominently masculine, and we decided to make this specific building more on the feminine side”. Squeezed from all sides by the vice of insolation regulations, in this particular instance the authors of the project could only express themselves in the façade design: the building got a coating of light-colored bricks, vertically crossed by a dark strip of French windows grouped in threes – any woman knows that a vertical stripe makes you look thinner! – and, quite unexpectedly, colorful decorative inserts just below the mansard’s roof which refer us to the luxurious ornamentalism of the Moscow Art-Nouveau, this closing a “stylistic loop” of the architecture of the former Sytin printing house.
Contest project of renovating the First Exemplary Printing Works. Building 6. Facade fragment © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 6 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Facade along the 2nd Monetchikovsky Alley. Building 6 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 6. Plan of the floors 2-5 (standard) © ABV Group
Contest project of renovating the First Exemplary Printing Works. Feedstocks and reference materials. Location plan © ABV Group
Contest project of renovating the First Exemplary Printing Works. Model of the complex © ABV Group
Contest project of renovating the First Exemplary Printing Works. Feedstocks and reference materials. Plan © ABV Group
Contest project of renovating the First Exemplary Printing Works. Feedstocks and reference materials. Insolation plan. Checkup © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. The current situation © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. The yard facade © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 3rd and 4th floors (Version 2) © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 5th floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 6th floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 2nd section © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 1st section © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 3rd section © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. Section view © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 2. Feedstocks and reference materials © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 1. Plan of the 6th floor (penthouse) © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 2. Plan of the standard floor. Version 1 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 2. Plan of the standard floor. Version 1 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 2. Plan of the standard floor. Section 1. Version 2 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 2. Fragment of the plan of the standard floor. Section 1. Version 1 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 2. Fragment of the plan of the standard floor. Section 2. Version 1 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 2. Fragment of the plan of the standard floor. Section 3. Version 1 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 2. Plan of the standard floor. Section 2. Version 2 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 2. Section view 1-1 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 3. Facade. Version 1 © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 3. Plan of the mansard floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 3. Plan of the 1st floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 3. Plan of the standard floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 3. Section views © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 4. Feedstocks and reference materials. Insolation plan. Checkup © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 4. Plan of the 1st floor © ABV Group
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Contest project of renovating the First Exemplary Printing Works. Building 4. Plan of the 5th floor © ABV Group
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Contest project of renovating the First Exemplary Printing Works. Building 6. Version 2. Facades. Plan of the standard floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 6. Plan of the 1st floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 6. Plan of the 6th floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 6. Plan of the 7th floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Example of a studio apartment. Building 6. Plan of the 1st floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Example of a double-room apartment. Building 6. Plan of the 1st floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Example of a 3-room apartment. Building 6. Plan of the 1st floor © ABV Group
Contest project of renovating the First Exemplary Printing Works. Building 6. Section 1-1 © ABV Group


11 December 2017

Headlines now
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.