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​On a Skate’s Blade

The concept proposed by Aleksey Ivanov outside of the formal competition for the territory that surrounds the future ice arena is based on the image of the arched trail of a skate – but it operates large-scale masses.

25 October 2017
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“Hockey is absolutely my element and a happy hobby; this spectacular and temperamental game is unquenchable, just as the human thirst for rivalry and self-realization” – Valery Kharlamov.

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Architectural and planning concept of "Novosibirsk Srena" project. Panorama as seen from the bridge. Project, 2016 © Arkhstroydesign


The decision about building a large hockey arena on the left bank of the Ob River before the Oktyabrsky Bridge in Novosibirsk is a part of the federally funded program for developing the children’s and youth’s sports that gained momentum after the Sochi Olympics. The 31-hectare land site is situated on an overgrown and swamped bank of the river, which is particularly wide in these parts, about a kilometer from bank to bank; this area is partially a wild land, but at the same time sort of a riverside resort as well because there is a recently built ski station just outside its southwest border, and a park lying south of it, as well as boat renting stations, a shooting range, and a horse-riding club. Over the bridge, there is a beach. So it comes as no surprise that all around new houses are built. Besides, within a 15-minutes’ walking distance, the campus of the Novosibirsk University is situated, surrounded by a few institutes of a smaller scale, and the “Studencheskaya” metro station – in fact, this is a second center of the city after the main historical one. The transport accessibility is also good: in addition to the metro (they are also going to build the “Sportivnaya” metro station here), the bridge is one of the city’s main thoroughfares. The location is so great that probably hitherto the construction work was delayed solely for the complex hydrological reasons.
  • Territory survey in the project by Arkhstroydesign
Architectural and planning concept of "Novosibirsk Srena" project. The plan of the main pedestrian routes. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. Pros and cons analysis. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. Proposal on uniting the main existing and designed public spaces of the city. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. Plan for integrating the project into the system of the public recreational spaces on the waterfront. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. Stages of the master plan. Project, 2016 © Arkhstroydesign


It is planned that the arena will be placed practically on the very edge of the water and will be turned into the centerpiece of this area. Still, this virgin territory is really huge, and the picturesque riverside panoramas are unique as it is. In order to get the best architectural proposal, the authorities announced a competition for the concept of developing the entire area. It is planned that around the arena they will build a residential city block, a hotel, a business center, and a shopping mall. Seven concepts were submitted, and, as for Aleksey Ivanov, he was invited bypassing the competition by the client who was already familiar with “Arkhstroydesign” by their joint work on the project of the “Graphskie Prudy” (“Duke’s Ponds”) villa settlement, which won the company a third-in-a-row victory in International Property Awards. After visiting the awarding ceremony, the client again decided to turn to this firm for working on the concept of developing the territory around the hockey arena in Novosibirsk.

“It must be said that at first we even wanted to refrain from taking part in the competition when we learned that we only had a week to come up with a full version of the concept. But the client convinced us that it was a promising project and we could not remain indifferent to it – Aleksey Ivanov shares.

For working on the concept of the main building – the hockey arena itself – Aleksey Ivanov at once invited a project institute bearing the same name of “Arena”.
  • The arena project
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Architectural and planning concept of "Novosibirsk Srena" project. Facade of the arena. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. Section view of the arena. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. Plan of the arena. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. Plan of the arena. Project, 2016 © Arkhstroydesign


“Arkhstroydesign” at once focused on the town planning and architectural aspects of developing this land as a whole – specifically, planning and distributing the large-scale housing construction that was to occupy the south part of the territory. “What we needed to do was find the planning solutions already at the master plan stage, so it would “speak” architecture without any detailed development”. The outlines of the riverside territory, which will be turned into a residential area, are close to a trapeze with two appendices: one of them is the reconstructed waterfront with a promenade, the other – the land surrounding a sand quarry, a school, and the extension of the terrain park. The arena is the undisputed center of the composition, and it stood to reason that all the other buildings should be v catered around it. Besides, the architects were to take into account the climatic specifics of the place: in Siberia, роза ветров is a factor, all the more so in the bank of a large river.

The game of hockey defined the architectural and engineering theme of the project. Aleksey Ivanov recalls the Canadian joke that “hockey is figure skating in a war zone”. This is why the photograph of an ice filed that A.Khomyakov proposed to use became an epigraph to his own sketch, in which all the buildings are placed on elliptical lines, exploring the image of arcs drawn on the ice by the blades. This determined the plans of the buildings, the character of the pedestrian flows, and the arrangement of the recreational zones. Most of these buildings – 25-story slabs of sectional houses – also stand in an arc-shaped way, becoming a semblance of some giant sails filled with wind. This shape will yield a maximum number of apartments that command picturesque river views. As for the building that faces the water with one of its side ends, it gradually decreases its height with broad stairs of terraces that will also command fine river views; terraces of the same kind are also there on the main façade of the house that stands lengthwise along the Ob River. In order to address the розой ветров issue, the architects slit the buildings in large arches.

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Architectural and planning concept of "Novosibirsk Srena" project. Searching for the image. Project, 2016 © Arkhstroydesign


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Architectural and planning concept of "Novosibirsk Srena" project. Birds-eye view. Project, 2016 © Arkhstroydesign


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Architectural and planning concept of "Novosibirsk Srena" project. Birds-eye view. Project, 2016 © Arkhstroydesign


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Architectural and planning concept of "Novosibirsk Srena" project. Sketch development: A.Ivanov, A.Khomyakov. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. Solution: A.Ivanov, A.Khomyakov. Project, 2016 © Arkhstroydesign


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Architectural and planning concept of "Novosibirsk Srena" project. View of the park. Project, 2016 © Arkhstroydesign


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Architectural and planning concept of "Novosibirsk Srena" project. View of the housing complex. Project, 2016 © Arkhstroydesign


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Architectural and planning concept of "Novosibirsk Srena" project. View from the window of the housing complex. Project, 2016 © Arkhstroydesign


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Architectural and planning concept of "Novosibirsk Srena" project. View from the river. Project, 2016 © Arkhstroydesign


The curves of the buildings and roads rhyme with the smooth contours of the metallic roof of the arena. It rests on a large semicircular podium that will host cafés, shops, and other retail businesses. The top of the podium will be a usable one; one will be able to walk upon it exiting directly from the arena, and further on the elliptical line of the podium is continued by a pedestrian bridge, which leads to the waterfront with a seasonal park that functions as a skating rink in the wintertime, and as place for bicycle riding in the summertime.

The automobile and pedestrian flows are organized along the same elliptic lines. In the center of the complex, the architects have designed a small (also arc-shaped) artificial creek that is meant to turn into a skating rink in winter. Around the entire perimeter, there are a large number of driveways; the project also includes two public transportation stops - from the side of the waterfront and from the side of the highway at the bridge. The parking garages are situated in the podiums of the buildings, making the most of the terrain relief and the necessity of building a dam here. The architects also propose to make an open-air parking lot for the visitors of the arena upon the metro bridge.

Architectural and planning concept of "Novosibirsk Srena" project. Section view. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. Master plan. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena" project. The location plan of the main projects. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena". Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena". Transport diagram. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena". Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena". Master plan of the arena. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena". Pedestrian and cyclist flows. Project, 2016 © Arkhstroydesign


Architectural and planning concept of "Novosibirsk Srena". Theme park areas. Project, 2016 © Arkhstroydesign




Whether the concept will be finished in detail and then make it to the realization stage, is yet unknown. According to Aleksey Ivanov, the competition-winning concept also looks quite decent to him, worthy of implementing (we will remind you at this point that the proposal by “Arkhstroydesign” comes outside the competition). One way or another, if the interest for winter sports doesn’t die out in this country, and the left bank of the Ob does get a hockey arena, the territory around it, so promising in terms of its location and so complex in terms of engineering work, is sure to be reformed.


25 October 2017

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.