По-русски

Taganka Gate

This multifunctional complex that Aleksey Ginsburg has been designing for more than seven years now is going to occupy a land site on the outside part of the Garden Ring right before the tunnel entrance, and become a vis-à-vis of the building of the Taganka Theater.

15 August 2016
Object
mainImg

Aleksey Ginsburg has already shared a bit about this project of his in an interview with Archi.ru - the building's proximity to the Taganka Theater, a fine example of Moscow "brutalist" architecture is something that he considers particularly important. "I would bring brick samples in my car and I would put them down next to the theater walls to make sure that their tone matches the theater's - but is still not exactly the same" - the architect shares - I did not want it to be a 100% match". But then again, the context of the Taganskaya Square is pretty diverse, and the theater building is not the only element in it, even though one of the main ones. 

The complex form of the land site leans toward a rectangular triangle whose hypotenuse stretched along the red line of the Zemlyanoy Val Street, the right angle being there in the depth of the site. This form is convenient for organizing retail stores here because it will allow for making a huge line of shop windows stretching along the street. This same triangular shape will provide for the necessary square footage for the storage space and maintenance premises: inside, there are five floors of retail stores, a supermarket, a food court, and a movie theater - all grouped around a predictably triangular atrium. Its comparatively small space - the fact that it is small is plainly visible on the section-view drawings - is tilted a little, not unlike the Tower of Pisa: floor after floor it shifts off center in the direction of the Garden Ring - toward a flat and gently sloping street light whose glass is tilted southward. This way, the glass-covered courtyard, which is almost the inevitable part of a modern shopping center, gets maximum possible sunlight. There is a two-level parking garage underground.

Multifunctional complex on the Zemlyanoy Val Street. Project, 2014 © Ginsburg Architects
Multifunctional complex on the Zemlyanoy Val Street. Location plan. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Plan of the 1st floor © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Plan of the 2nd floor © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Section view © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Needs analysis. Project, 2014 © Ginsburg Architects


Right now, the site is empty for the exception of a small parking lot in a corner of a grass-covered hill. Formerly, however, it was occupied by the Taganka shopping arcade, a building that was ascribed by some architectural historians to Osip Bove himself. The trapeze-shaped contour of the arcade almost completely coincided with the now-empty triangle, even though there were plenty of bazaar stores beyond its confines as well. The arcade was taken down in the 1960's; right about that time they dug a tunnel underneath the square, turning the square itself into one of the most spacious and at the same time most confusing road junctions a-la "Moscow highway" style. The place remained an empty spot, especially vivid by the contrast with the large volume of the Taganka Theater that was built in the 1980's. The new multifunctional complex was to occupy exactly the stead of the former arcade, and it is the arcade's descendant not only because it revives the retail function in this place but also because of, let's say, the architectural and generic factors: the space between the partitions on the main façade of the new building is literally copied from the Taganka Shopping Arcade.  

Multifunctional complex on the Zemlyanoy Val Street. Search for rhythm. Project, 2014 © Ginsburg Architects


One should mention that even the soviet power in its pre-collapse period recognized that the Taganskaya Square is not only about theater but about shopping as well - the panel buildings in this area are all equipped with very broad floor-to-ceiling windows on their ground floors. In the free-market 1990's, this theme was picked up by the various shops and kiosks next to the exits from the metro station - most of them have also fallen victim to the "hunt for outlaw construction". Never really dying, Taganka's shopping culture would move from the organized shops in the old Moscow arcade with its arches and inevitable courtyards - to the soviet over-regulated "fish bowls" - and to the raunchy charm of the retail wildlife of the 1990's. Now the time has come for a shopping center. Whether or not we should lament the sad demise of the small shops and kiosks is everyone's personal choice (I am sorry they are gone) but it was still pretty obvious anyway that sooner or later these unpretentious affairs in the center of the nation's capital must give way to something else. But then again, we will remind you that Aleksey Ginsburg's work on this project has nothing to do with the demolition of these kiosks - because it started still under the former city mayor.   

I will stress that when he was in the process of getting all the necessary permits and approvals, Aleksey Ginsburg was able to insist on the "Moscow" format of the store, with large shop windows and a street promenade. A store akin to European malls and large department stores, very much like the Parisian Le Bon Marché, and his "relative", the GUM department store at Moscow's red square, whose predecessor, incidentally, was also built by Osip Bove.

Multifunctional complex on the Zemlyanoy Val Street. Entrance form the taganskaya Square. Project, 2014 © Ginsburg Architects


The third important part of the context - after the theater and the shopping arcade - is the small houses built back in the XIX century that stretch on the same side of the Zemlyanoy Val in an almost unbroken line in the direction of the Yauza River. In order not to "crush" them with a massive volume, the architect divided the main façade of the complex into three projections. These three are separated by the glass entrances recessed inside in a triangular way - which is clearly visible on the floor plan. In an almost mirror-like fashion, they respond to the theater building across the street that also has two brick triangular projections of similar size. The plan clearly shows: the two buildings are pieces of one and the same jigsaw puzzle, their projections and recessions being the clue that prompts to bring them together. However, they are separated by the Garden Ring, and the new building's main façade turned out to be porous, as we were looking at the section view of the building.

Multifunctional complex on the Zemlyanoy Val Street. Master plan. Project, 2014 © Ginsburg Architects


Paired with the theater, the new building forms propylaea of the entrance to the square - and this is what its town-planning meaning is all about: it will become the second (now missing) pylon of the new version of the Taganka gate.

The screen of the façade, very much like a giant shop window, is positioned alongside the Garden Ring like a shield resting on a triangular base of the building. Its surface is even stretched a little between north and south angles of the triangle that a play a role of important accents turned to the people driving down the thoroughfare. The form of the pointed and sophisticatedly faceted sides of the building is enough to attract people's attention as it is but in addition there will be two media screens playing commercials set on each of the corners. The pointed nose of the north side-end gets suspended in space - conflicting the inertia of the slope with an elegant grace. Underneath it, there is a slim concrete stairway that leads to the second floor straight through the tall glass that is also backlighted at night. Below the stairway, there is the entrance/exit of the underground parking garage: the architect took advantage of the slope both from a functional and a plastique standpoint.

Multifunctional complex on the Zemlyanoy Val Street. Project, 2014 © Ginsburg Architects


The height difference of the land site is eight meters which is neither much nor little - Aleksey Ginsburg's portfolio includes project built on even steeper slopes, and, furthermore, the architect says he likes working with sloping terrain because he considers it to be more of an interesting challenge than an issue. Our case is no exception: the building does not crawl down the slope but soars up to end in a perfectly horizontal cornice. From a practical standpoint, this means that the north end of the building gets two extra floors. From the plaza side, the building has four floors in it, although, if we are to take into consideration the delicate contextual cutaway on top, then there are but three floors, while on the north Yauza side there are six of them which makes quite a different "flying" impression. The pattern of the façades also evolves: the south projection is finely chopped, floor by floor, responding to the scale of the historical city, the central projection - the one directly opposite to the theater - gets a steady rhythm, its floors grouped in twos and even threes vertically. The north one, which is the tallest, gets a second horizontal lintel block. But then again, the varied rhythm is united by the overall structure and logic of the project.

Multifunctional complex on the Zemlyanoi Val Street. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. View from the Zemlyanoy Val. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. View from the Taganskaya Square. Project, 2014 © Ginsburg Architects


zooming
Multifunctional complex on the Zemlyanoy Val Street. Project, 2014 © Ginsburg Architects


The work on the project took a long time, the authors considering many coating versions. In this case, the final version was indeed a lucky, well-deserved, and an up-to-date one. The main decorative element is the slope steepers - their arrays neatly stand out one after another half the width of the bond-stone. This deceptively simple technique looks really great with the play of light and shade: the façade gazes westward, and the slanting rays of the setting sun will enhance the texture in a really cool way. 

To say that the task that this project posed was a challenging one and that it incurred great responsibility would be an understatement. A high-profile place, a monument of modernist architecture that, as he confesses, Aleksey Ginsburg studied while still a student... And, generally speaking, this is a key place for the Moscow history of the 1970's - after all, it's the famous "Taganka", and this is where Moscow followed Vladimir Vysotsky to his grave. The city space in this area is so over-saturated with different layers of meaning that even the few empty spaces are just as eloquent; at the same time building something devoid of any character, or, worse still, some historical stylization, would have been the poorest possible choice. In this case, it seems to me, the architect was able to find a good balance and at the same time avoid any unnecessary timidity, opting for the best possible resonant solution - a "mirror" shield that deserves to be a match for the famous theater and interpret the current epoch in a unique way of its own. Yes, our "shopping" epoch that is comfort-twisted but one that hopefully has not forgotten itself altogether. 

Multifunctional complex on the Zemlyanoy Val Street. Fragment of the facade. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Facade versions. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. facades and development drawings. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Development drawings. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. View from the Taganskaya Square. Project, 2014 © Ginsburg Architects


zooming
Multifunctional complex on the Zemlyanoy Val Street. Facade © Ginsburg Architects


zooming
Multifunctional complex on the Zemlyanoy Val Street. Facade © Ginsburg Architects


zooming
Multifunctional complex on the Zemlyanoy Val Street. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Project, 2014 © Ginsburg Architects


zooming
Multifunctional complex on the Zemlyanoy Val Street. Facade © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Location plan. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Master plan. Project, 2014 © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Plan of the -1st floor © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Plan of the -2nd floor © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Plan of the -3rd floor © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Plan of the 3rd floor © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Plan of the 4th floor © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Plan of the basement floor © Ginsburg Architects


Multifunctional complex on the Zemlyanoy Val Street. Plan of the roof © Ginsburg Architects


zooming
Multifunctional complex on the Zemlyanoy Val Street. Section view © Ginsburg Architects



15 August 2016

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.