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More Atmosphere

A housing project on the Novoslobodskaya Street: a fragment of a historical brick façade, modern stone and glass... and a grand green semi-hill cascading down from the roofs of the stores into the yard.

04 August 2016
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A few years ago, ADM Architects finished a rather long and painstaking work on turning the former industrial buildings between the Mendeleevskaya metro station and the Sushchevskaya Street into a business center named "Atmosphere". The architects even went as far as to move their head office later on to this business center that they built.  

Continuing to explore this area, ADM architects designed nearby - between "Atmosphere" and the Novoslobodskaya Street - a new housing project. It is situated in the place of a former weaving mill of the XIX century, the architects planning to tear down most of the factory buildings, but at the same time recreate the main one - a fine four-story red-brick sample of industrial architecture of the late XIX century. "Historical architecture is something that you simply cannot examine from a logical standpoint; back then people would design buildings based more on emotion - Andrew Romanov comments - and this paradox, that's the beauty of it!"  

Residential project at Novoslobodskaya Street. Project, 2016 © ADM
Residential project at Novoslobodskaya Street. Master plan © ADM


Residential project at Novoslobodskaya Street. The current state © ADM


Residential project at Novoslobodskaya Street. The current state © ADM


Residential project at Novoslobodskaya Street. Organization of the yard © ADM


Residential project at Novoslobodskaya Street. The yard facade. Project, 2016 © ADM


Residential project at Novoslobodskaya Street. Organization of the yard © ADM


Coated with large slabs of natural light-colored stone, the façades display the signature ADM technique that was used in many of its previous projects. The "plaid" pattern of windows (grouped in twos) is livened up (but not thrown off rhythm) by a freehand alternation of pylons of varying size whose slim stone belts unobtrusively mark the borderline between the levels, while the subtle striped faceting of the rugged rock-face sends "ripples" over the wall surface, so delicate that they are barely visible. Some extra color is also introduced by vertical imposts made of ARCH-SKIN ceramic granite the tone of natural wood. But this time around, the architects decided to add to the laconic purity of their project just a tiny note of glamour. "Because this project for us is sort of our "reputation" one - Andrew Romanov explains - we decided to add this twist to it. This language seems quite up-to-date to me". 

The material embodiment of the play devised by the architects is the wrought iron balconies and the flower pots with a stone pattern that decorated the façades. They are arranged in the following way: the living room windows on the even floors are slightly sunken in as compared to the wall surface, and the space they yield is partially taken by the stone box with flowers, while next to it appears a semicircular, light, and totally French-style single-person balcony whose metallic railing follows the stylized floral ornament of the flower box. On every next even floor, these two elements reverse: for example, on the forth floor the balcony is on the left, and the flowerbed is on the right, while on the sixth it's the other way around. On the other floors the windows are also of the floor-to-ceiling kind but they do not fully open being stopped by the glass screens with silk printing done by the authors' designs.

Residential project at Novoslobodskaya Street. Fragment of the facade. Project, 2016 © ADM


Residential project at Novoslobodskaya Street. Fragment of the facade. Project, 2016 © ADM


Residential project at Novoslobodskaya Street. Organization of the yard © ADM


Residential project at Novoslobodskaya Street. The yard facade. Project, 2016 © ADM


Residential project at Novoslobodskaya Street. Organization of the yard © ADM


Residential project at Novoslobodskaya Street. Project, 2016 © ADM


In addition to the two residential buildings, the land site has yet another volume upon it - a single-story stylobate with a retail function. It stretches along the south border of the site and closes the yard - this solution gave an impulse for yet another plastique fable. The roof of the stylobate became the top level of the yard from where it smoothly descends to the natural ground level. The architects dissect this man-made hill with diagonal trails that form elongated diamond-shaped sections: this is both beautiful and functional because anybody who has ever climbed up the hill on skis without a chairlift knows - a diagonal route is longer but less grueling. Due to the fact that the height difference turns out to be a significant one - almost a whole floor - the filled-up earth will be enough to plant any plants in it, up to full-scale trees. Furthermore, each of the diamonds also has a volume of its own; meaning that the resulting spaces will feel closed enough for the people taking a test in them to feel the bliss of solitude. The natural decoration of the inside yard will be enhanced by grates of that same "wooden" ceramic granite ARCH-SKIN that will be used for decorating the first floor of the main building. So, the yard is standing every chance of turning into a blossoming hill. The theme of the mini-garden is picked up by the punctured lines of the flower pots - the architects hope that the residents of the apartments will support this idea and take it higher up to the very roofs. 

The Sminex Company has already launched the construction process.

Residential project at Novoslobodskaya Street. Fragment of the facade. Project, 2016 © ADM


Residential project at Novoslobodskaya Street. Plan of the 2nd floor © ADM


Residential project at Novoslobodskaya Street. Plan of the 1st floor © ADM


Residential project at Novoslobodskaya Street. Section view © ADM



04 August 2016

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
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Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
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Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
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Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
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Looking at the Water
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The White Wing
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Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.