По-русски

Transformation Miracle

Moscow got a piece of an almost-European, delicately and classily landscaped territory - located inside the business block "Atmosphere" and reconstructed by the project by ADM Bureau.

18 December 2013
Object
mainImg
Firm:
ADM
Object:
Atomsphera office complex (reconstruction)
Russia, Moscow, Suschevskaya-Palikha str.

2010 — 2010 / 2011 — 2013

Client: SMINEX LTD Engineering section: ООО "Kurortproject" Constructive section: ООО "MB-Project"
Nearby Novoslobodskaya Metro Station, next to the Palikha Street, there have been completed the transformation of two small factory buildings of the early XX century - the sowing factory "Salute" and the studio "Reklamfilm" - into the state-of-the-art business block "Atmosphere" by ADM Bureau.

We already wrote about the project of this business block two years ago, and now it has been implemented. Already in summer, the occupiers appeared here, while, from the cafe in front of the entrance the enticing aromas started to carry - the block came alive. "It makes you feel great to see people come out into the courtyards, sit in the benches, visit with one another, and have their coffees. This is a very peaceful environment; it is very quiet here because the territory is completely vehicle-free. This environment of a European city that we designed and advertised has finally become a reality" - proudly confesses the leader of ADM Architectural Bureau Andrew Romanov. The architects opened their office here as well - in the best traditions - in the environment that they created with their own hands, and they continue seeing how life is developing in this, though small, but really cozy business block.

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

At this point we will remind you that the authors of the reconstruction project were able to keep, while clearing all the minor constructions, virtually all the main buildings of the block, the main bulk of which consisted of century-old factory buildings. The buildings were carefully cleaned and covered with light-gray stucco with white finish used to highlight the details of the modest facade decor. The Soviet-era building of the 1970's and a few smaller volumes inside the block were "re-dressed" with striped ceramic panels of a gray color matching the overall tone. The squatting windows of the Soviet-era building got vertically stretched and separated by a thin link; in their bottom part the architects added a glass plate that conceals part of the wall; the floors got separated by dark-metallic L-beams, as is wont with ADM. All of this: the striped glass, a small fraction of metal, the light-colored strokes of the ceramics - makes the contemporary part of the complex look as light as weightless - just like the tint coating that the renovators apply to the icons: all that the new facades do is make the environment more cohesive without claiming to be anything more than a background.

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

The same impression is produced, strictly speaking, by all the other facades of the early XX century here: they were and they still are the inconspicuous "rank-and-file" facades whose main objective is to serve their simple function and not draw attention. The leading part here is played not by the facades but by the very atmosphere after which, as we remember, the business block was named.

When I asked Andrew Romanov just how he came up with this self-explanatory name, he jokingly answered: "We told our customer so many times about the atmosphere that we wanted to create here that probably this finally left its mark on the name of the place!" Many a true word is spoken in jest, however, and this is exactly the case: it was the atmosphere of the courtyards that got the most of the architects' attention and it comprised all the stylistic devices and techniques - really delicate, unobtrusive but still showing every sign of attention to detail and flawless execution.

Three small vehicle-free yards form some sort of irregular chain that stretches from the old Moscow Palikha Street parallel to the Suschevskaya Street up to the Nameless Driveway. One will be able to walk through these yards end to end, even though the main entrance from the side of the checkpoint looks but conditionally open - but those who know that it IS open will be able to come in and see the result from the inside.

Office complex "Atmosphere" (reconstruction). © ADM. Layout

Office complex "Atmosphere" (reconstruction). © ADM. Location plan

The atmosphere begins already before the entrance, though. Turning in from the Suschevskaya Street, we find ourselves in an alley that is a little cleaner and spacious than the kind we are used to. It is here where most of the cafes and restaurants are situated that thus cater both the local office employees and the city people. On the left, there is the drastically changed Soviet building; on the right - the most luxuriant facade of the local historicism. With time, the windows of its first floor sank into the ground, and during the reconstruction the architects dug them out, organizing a rather deep areaway and thus letting in more daylight inside, the first-floor premises being occupied by the restaurants.

As we make our way between the buildings and go deeper inside, on the left and on the right we see the offices and the checkpoint; through the turnstile, however, we can get inside the courtyard. Just like the two others following behind it, it is paved with texture stone that is traversed by the diagonals of dark-gray granite that separate round flowerbeds that one cannot even really call this ordinary term, though. They look more like art objects: islets of green in the concrete, ostentatiously urban environment. Among these islets, sometimes even while islands are found: grass-covered hemispheres upon which grow sometimes one and sometimes several pine trees of the mountain variety "Bonsai". Such trees do not grow tall with time but turn into dense shrubs - explain the architects.

Office complex "Atmosphere" (reconstruction). © ADM

The other islets sport tassel flowers and are surrounded by punctured rings of benches made from the Belgian agglomerated white concrete. The benches are really high-quality, they were made in Belgium specifically for this project. At some places the surface of the benches is left as bare concrete but more often, for the sake of warmth, is covered by a lath of reddish Cumaru wood. The punctured rings of the benches - that resemble the signs from the ophthalmology chart - thanks to their shape, are very capacious. The short thick "legs" of the benches rest on a layer of sea pebbles that are supposedly to put the office workers into the mind of their vacation memories while they are taking a break from the pressures of huge working day.

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

The yards are cozy in the daytime but especially great in the evening: the architects paid a lot of attention to the backlighting and executed it exactly as the project prescribed. The smooth paving stripes running along the buildings have in them thin strokes of lamps that backlight the facades from below and throw the reflected light on the lower "human" part of the yard territory. The pebbles under the benches shine glimmer in the dark as well - together with the backlighting of the walls this gives one a feeling of the ground glowing in the dark or even some "hovering" of the benches - they look like they are resting on the rings of light. The point lights in the grass of the pine tree hill give the finishing touch to the picture.

Office complex "Atmosphere" (reconstruction). © ADM


Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

Office complex "Atmosphere" (reconstruction). © ADM

The only impregnation into the historical facades that the architects allowed themselves to make is the bright spots of color silk-screen printing with large numbers - the numbers of the buildings - on the glass of the entrance doors. The unique "color + number" combinations help the visitors to easier find their way around the block and certainly add some "light" emotional twist to the reserved atmosphere that reigns here.

Office complex "Atmosphere" (reconstruction). © ADM

The territory that the architects have been able to create must be recognized as a "model", though still expensive, impregnation of a truly contemporary environment into the cityscape. To a certain extent, this is a very neat, unostentatious imitation of Europe that is almost imperceptibly installed into the freezing slush of Moscow's alleys. For ADM architects, this reconstruction was the first in the galaxy of several similar projects that they launched later on, and it was the first one of this genre to be implemented. The successful transition to the reconstruction was by no means a walkover, and a lot of corrections were made along the way. "In spite of all the difficulties, this was a priceless experience" - Andrew Romanov shares.

Indeed, working with historical buildings is something that is fraught with a lot of unforeseen challenges of a purely down-to-earth engineering nature. Besides, despite the growing common love of the landscaping and improvement theme, it is easy to see that, while some people are still talking about it, here the work has already been completed, and we see the living proof: one can come, touch, and sit on the benches. It is terrifying just to think how much time and effort it takes for such a jewel to come into being at least in the downtown area. But - constant dropping wears away a stone - the meticulous work with stone (pun intended), light, and exotic pines - all this is just the beginning, the first growth of the trend that can possibly bear fruit with time. One just has to work harder.

zooming
zooming
zooming


Firm:
ADM
Object:
Atomsphera office complex (reconstruction)
Russia, Moscow, Suschevskaya-Palikha str.

2010 — 2010 / 2011 — 2013

Client: SMINEX LTD Engineering section: ООО "Kurortproject" Constructive section: ООО "MB-Project"

18 December 2013

Headlines now
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.
Warm Black and White
The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.
​Skylights and Staircase
Photos from March show the nearly completed headquarters of FSK Group on Shenogina Street. The building’s exterior is calm and minimalist; the interior is engaging and multi-layered. The conical skylights of the executive office, cast in raw concrete, and the sweeping spiral staircase leading to it, are particularly striking. In fact, there’s more than one spiral staircase here, and the first two floors effectively form a small shopping center. More below.
The Whale of Future Identity
Or is it a veil? Or a snow-covered plain? Vera Butko, Anton Nadtochy, and the architects of ATRIUM faced a complex and momentous task: to propose a design for the “Russia” National Center. It had to be contemporary, yet firmly rooted in cultural codes. Unique, and yet subtly reminiscent of many things at once. It must be said – the task found the right authors. Let’s explore in detail the image they envisioned.
Greater Altai: A Systemic Development Plan
The master plan for tourism development in Greater Altai encompasses three regions: Kuzbass, the Altai Republic, and Altai Krai. It is one of twelve projects developed as part of the large-scale state program bearing the simple name of “Tourism Development”. The project’s slogan reads: “Greater Altai – a place of strength, health, and spirit in the very heart of Siberia”. What are the proposed growth points, and how will the plan help increase the flow of both domestic and international tourists? Read on to find out.
The Colorful City
While working on a large-scale project in Moscow’s Kuntsevo district – one that has yet to be given a name – Kleinewelt Architekten proposed not only a diverse array of tower silhouettes in “Empire-style” hues and a thoughtful mix of building heights, creating a six-story “neo-urbanist” city with a block-based layout at ground level, but also rooted their design in historical and contextual reasoning. The project includes the reconstruction of several Stalin-era residential buildings that remain from the postwar town of Kuntsevo, as well as the reconstruction of a 1953 railway station that was demolished in 2017.
In Orbit of Moscow City
The Orbital business center is both simple and complex. Simple in its minimalist form and optimal office layout solution: a central core, a light-filled façade, plenty of glass; and from the unusual side – a technical floor cleverly placed at the building’s side ends. Complex – well, if only because it resembles a celestial body hovering on metallic legs near Magistralnaya Street. Why this specific shape, what it consists of, and what makes this “boutique” office building (purchased immediately after its completion) so unique – all of this and more is covered in our story.
The Altai Ornament
The architectural company Empate has developed the concept for an eco-settlement located on a remote site in Altai. The master plan, which resembles a traditional ornament or even a utopian city, forms a clear system of public and private spaces. The architects also designed six types of houses for the settlement, drawing inspiration from the region’s culture, folklore, and vernacular building practices.
Pro Forma
Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.
The Arch and the Triangle
The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
The Blooming Mechanics of a Glass Forest
The Savvinskaya 27 apartment complex built by Level Group, currently nearing completion on an elongated riverfront site next to the Novodevichy Convent, boasts a form that’s daring even by modern Moscow standards. Visually, it resembles the collaborative creation of a glassblower and a sculptor: a kind of glass-and-concrete jungle, rhythmically structured yet growing energetically and vividly. Bringing such an idea to life was by no means an easy task. In this article, we discuss the concept by ODA and the methods used by APEX architects to implement it, along with a look at the building’s main units and detailing.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.