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Futuristic manor

PTAM. Vissarionov have recently completed the project of the second stage of a small art-hotel “on the Turkey shore”. The architects call this object villa, and the style – biomorfizm. However, biomorizm here is not architecture, "grown" from the landscape, but the object has rather emphasized futuristic design, cleverly implanted into.

18 September 2009
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The new villa will serve as a guest house, and it is also called art-hotel. “Art” shows its special status – the guest house was commissioned and designed as a Modern Art gallery for paintings and sculpture, furniture and even interior finishing. Against the main house villa is located just below the hill, the architects smartly use the existing drop of relief in order to visually separate the buildings from each other and thus make them as comfortable as possible for all their residents. Villa has cylindrical shape, its oval floor bases rest on a strong basement, faced with broken stones and boulders. Almost all the building spaces have panoramic windows and it seems there is another fully glassed cylinder put through the volume. On top it has an open observation platform of trapezoid shape with rounded corners. The guest house entrance is marked with a wall, "peeled" from basement and turning the entrance area into a swirl. Decorating the guest house architects remained true to biomorfizm but within some spaces it becomes more radical and futuristic. Walls are made of polymer concrete and have color illumination, here and there the needed furniture items suddenly "grow up", melted out in your presence.
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18 September 2009

Headlines now
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.