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The Beams of Energy Effectiveness

On August 22, Berlin saw an official opening of the new HQ of the energy company Vattenfall, the office complex named EDGE. One of its buildings is Germany’s biggest wood hybrid building. The term means that its supporting frame is made of glued timber, but in certain places wood cooperates with metal, reinforced concrete and fiberglass. Below, we are sharing about the inner design of this structure, not just environmentally friendly but energy efficient as well.

22 August 2022
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The EDGE complex is situated in the very beginning of the so-called Schöneberger Linse – an area in Berlin’s southeast between Highway A100, the 6-lane Sachsendamm Straße and railroad tracks. Situated between the roadways, this area lay undeveloped for a long time, even though in recent years Linse has been getting some office centers, shopping malls, and residential buildings. The proximity of the two thoroughfares, on the other hand, creates good transport accessibility – a hundred meters away from the EDGE Suedkreuz Berlin, there is the Suedkreuz U-Bahn station, which explains this “addition” to the name of the complex.

EDGE Suedkreuz Berlin consists of two seven-floor buildings separated by a new city plaza – its public space also serves as a pedestrian path to the station. The smaller building, named Solitaire, is essentially a single-cut parallelepiped. The larger four-section building is constructed around a spacious light atrium in a slightly asymmetric triangle with a contour that follows the shape of the site. It also received a “telltale” name of Carré.

Location plan. The EDGE HQ for the energy company Vattenfall
Copyright: © TCHOBAN VOSS Architekten


The facades of both buildings are formed by a regular grid of panels made of fiberglass concrete with a common rhythm: everywhere, the horizontals received a light-sand hue, while the verticals are different from building to building: in Solitaire, they are dark-gray, in Carré crimson terra cotta. Sometimes, the grid is livened up with large stained glass rectangles, recessed balconies and terraces – but on the whole the buildings look very reserved and austere, very much in the spirit of Berlin’s modern office architecture.

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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The Carre building. The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The Carre building. The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


What really makes EDGE unique is the combination of construction scale and construction method. By the moment of writing this article, Carré is the largest wood hybrid (i.e. combining a wooden framework with other materials) building in Germany and one of the largest in Europe. Its area is about 20,000 sqm (the entire area of the complex is 32,000 sqm).

The client of the project is Vattefall energy company. In 2019, 35% of the company’s total capacity was accounted for by renewable energy sources: solar, wind and water. In the future, this indicator is expected to increase significantly.

EDGE became for Vattenfall not just a new HQ in Europe but also a “trademark” tower: it is largely built using sustainable, climate- and resource-saving technologies of modular construction and, most importantly, it is built of wood – here it is about 60% of the total volume of materials, and it is used everywhere: in load-bearing structures, ceilings and interior decoration. The construction took about 1,300 firs grown in Slovakia. They were used to manufacture 1190 hybrid wooden ceiling elements resting on 1280 glued facade supports and 445 wall sections with a total area of 16,000 square meters.

Meanwhile, wood was used in the construction of this building for a reason:

Sergey Tchoban, TCHOBAN VOSS Architekten

Building a wooden house” has now become one of the popular dreams of a modern architect. But in this case, in addition to working with wood as a renewable resource and generally a very pleasant material, we set ourselves other tasks – specifically, to make the building easier, its construction more accurate, and the construction process faster. To lighten the total mass of materials, to reduce structures in the cross–section, and, as a result, to reduce energy costs both for construction and for subsequent operation and maintenance of the building. This is exactly the kind of almost scientific task that was set for us, including by climate experts.


Both buildings of EDGE Suedkreuz Berlin are constructed in accordance with the technology of modular construction. The wall and the ceiling wooden modules, just as the ceiling modules of fiberglass concrete, were prefabricated and then assembled on the construction site – this ensured an exact schedule and a faster, i.e. more efficient, construction process. Due to the fact that the weight of a wood hybrid building is about a third of a conventional concrete structure of a similar size, the architects were able to make the foundation plate 30% thinner than is usually done for such a volume. The small weight is an advantage – and, at the same time, a weakness – of a wooden framework. Being lightweight, it requires reducing the weight of all the other construction elements as well: first of all, a wooden framework cannot support a stone or a brick facade. And in this case the fiberglass concrete turned out to be a game changer: glass fiber reinforcement makes the plates strong and light, their weight is about 30 kg/m2; in addition, their outer surface is able to absorb CO2 from the atmosphere.

The company often describes the project as “smart”. It is the “smart” ratio of wooden and concrete structures that allowed the architects to save up to 80% of carbon emissions per square meter of the area. Reinforced concrete is only used for the foundation plate, fireproof partitions and stiffness ribs. Metal is only used for columns, staircases, and the roof construction. According to Tchoban Voss Architekten, the carbon emissions constituted just 0.15 ton instead of 0.75 ton, which would have corresponded to a building of similar size constructed in a traditional way. Wood turned out to be unparalleled by this and many other parameters: it is lighter in transportation than mineral building materials, and it has a high heat capacity, which means it cools down more slowly, retains heat better, and requires less heating.

And, finally, timber, unlike other materials, is capable, thanks to sheer exposed beams alone, save office spaces from feeling “sterile”. And, while on the outside the EDGE facades display very little noticeable wood, the imagery and emotional coloring of the interiors is defined by wood and wood alone. It sets their character, adding life and clarity, and being omnipresent: from beams and supports to windows and doors and staircase railings.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


In this sense, both buildings turn out to be a “box with a secret” of sorts because all the exclusive things in terms of not just construction technology and space but also means of artistic expression are hidden inside. 

Particularly interesting in this sense is the Carré building. Its conceptual and compositional center is a square atrium with ribbed tree-like columns that look like giant mushrooms due to their plated structure, which is also conditioned by the use of wood.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The EDGE HQ for the energy company Vattenfall / a sketch by Sergey Tchoban
Copyright: © Sergey Tchoban


On the inside, the columns are made of metal, just as the staircases and bridges – according to Sergey Tchoban, their shapes and constructions grew from the architects’ desire to create an interesting volume and at the same time make the most of the materials used. The columns have two main functions: they support hovering staircases and overpasses, and they serve as places for rest; it is planned that tubs with trees will be installed on them. The staircases rise from the floor up to the top tiers – accordingly, the columns, which support the node platforms of this path, grow gradually, again, like mushrooms: the initial column barely rises with its umbrella head above the floor (height 4.28 m, diameter 7.2 m), while the fourth, final, stretches to its full height (height 14.87 m, diameter 6.2 m).

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The atrium is filled with natural light that streams from a height of 26 meters through a transparent roof of three-ply EFTE film, as well as from the windows – in all of the offices, they run from floor to ceiling on both sides – and a panoramic window in the hall. Currently, while tenants have not yet moved in, the offices look particularly transparent.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The construction of the atrium coverage, to a large extent due to the small weight of the EFTE film, is light and transparent: two levels of elegant-looking wooden beams are supported by a network of seemingly even more fragile metallic structures of white color – for them, for the sake of better precision and strength, special nodes were developed. The top beams are arched, which gives the coverage a sail-like look; we will emphasize that the film is laid not in rhombuses but in bands running from one wall to the other. Its layers are capable of coming together and going apart under the pressure of the air, thus regulating the tension of the roof that is designed to withstand very significant wind loads.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


Meanwhile, the film was chosen to make the translucent coverage not just for its lightness and transparency: it also provides protection from the sunlight and absorbs sounds – there is virtually no echo in the atrium. In the event of a fire, the film simply melts down, and it is not as dangerous as glass. By the way, there are no sprinklers in the building at all – they were made redundant due to the fact that the modern wooden structures were specially treated to become totally fireproof. 

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The “cobweb” of pedestrian connections – the authors call it “architectural network of communications” – hovering in the wide space of the atrium, is connected by bridges to each of its four walls, forming alternative and free ways of getting to various floors of the building, from second to sixth, where a sky lounge commanding the view of north Berlin is situated – Alexanderplatz, the TV tower, and the cathedral. This end-to-end recessed balcony, organized in the two upper floors of the entrance volume, is very interesting composition-wise. Its integral see-through space unites the two top floors just as the two bottom floors are united by the bottom lobby; between them, the three “office” tiers are hovering.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The stained glass window of the warm contour divides the upper recessed balcony into two spacious terraces: one of them is open to the city, its walls painted white (and this is the only place from the city sides where the wooden beams are exposed), and the other one, which is deeper, overlooks the atrium, its walls painted light-gray, like everything else inside.

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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The Carre building. The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten



***

Sergey Tchoban speaks about EDGE Seudkreuz Berlin as a “pioneer” project that develops the progressive European trends of energy-effective modular smart construction, and is essentially “the next big thing”. Meanwhile, on the other hand, the project is an experimental one: we cannot tell for sure how these wooden buildings will “behave” in a few decades’ time – the architect stresses. But then again, misgivings are an inevitable companion of any innovation. The number of buildings like this will probably grow in proportion to the use of renewable energy – and the technique that has been fully tested here has every chance of becoming a given for many other projects. In any case, for Sergey Tchoban, the work on the complex marked a certain turn in his professional thinking.

Sergey Tchoban, TCHOBAN VOSS Architekten

Personally for me, this is a whole new story. Until recently, I supported and defended the fundamental values of architecture, such as materiality, tectonic nature of the building, and the depth of detailing. But any massive elements are by definition very resource-consuming. And the current prices for construction and energy, as well as the general state of the climate, do not fall in with this trend. Therefore, it makes perfect sense that architects, although they remain the organizers and catalysts of project activities, are increasingly working with specialists whose efforts are not aimed at making the building more complex and sculptural. Rather, on the contrary, buildings designed for fast and efficient construction, convenient maintenance and even, if necessary, for dismantling and recycling with minimal energy consumption are becoming more and more relevant today.


EDGE is Germany’s first project to be awarded the golden WELL Core & Shell certificate. This certificate is awarded by the International construction institute WELL (IWBI), the world leader in the field of evaluating the influence of architecture on people’s health and well-being. The building was also awarded the golden certificate of DGNB (Deutsche Gesellschaft für Nachhaltiges Bauen, the German Council for Sustainable Development), a voluntary certification system designed to support green construction, and assessment of environmentally friendly, economically and energy efficient buildings. Now EDGE Suedkreuz Berlin has been shortlisted for the WAF 2022 award.

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    The Carre building, cross-section by the atrium. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Carre building, the northeast facade. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Carre building, the west facade. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The plan of the first floor. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Solitaire building, the east facade. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Solitaire building, the north and south facade. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Solitaire building, longitudinal cross-section. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The plan of the standard floor. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten


22 August 2022

Headlines now
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.
A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.
Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.
An Educational Experiment for the North
City-Arch continues to work on the projects that can be termed as “experimental public preschools”: private kindergartens and schools can envy such facilities in many respects. This time around, the project is done for the city of Gubkinsky, Yamalo-Nenets Autonomous District. A diverse educational and play environment, including a winter garden, awaits future students, while the teachers will have abundant opportunities to implement new practices.