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​Balance of Infill Development

Anatoly Stolyarchuk Architectural Studio is designing a house that inadvertently prevails over the surrounding buildings, yet still tries to peacefully coexist with the surrounding environment, taking it to a next level.

30 March 2020
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The housing project will be built in Sosnovka district, near the Utkina Creek – the latter is probably familiar to a lot of Russian people thanks to a Boris Grebenshchikov song, which indirectly describes this place as a problem area. As one can easily guess, this place used to be a pine forest, a large portion of which actually survived – the territory of Alexander Chernov’s dacha, handed over to “Radio Center #3” – and turned as a consequence into a restricted area.

The district, where the construction site is situated, opens up on the Oktyabrskaya Embankment – this is the former settlement “Svet Rabochim” (“Light to the Workers”), which was essentially a housing project of the State District Power Plant “Krasniy Oktyabr” (“Red October”), consisting of “German” three-story houses built in the 1920-1930’s, “Khrushchev” houses, and slightly taller “Stalin” buildings.

The housing complex on the Oktyabrskaya Embankment
Copyright: © Anatoly Stolyarchuk Architectural Studio


In this part of the city, the right bank of the Neva River, unlike the left one, filled with residential complexes of megalithic proportions, keeps so far human-friendly scale, and little green streets and yards, not overcrowded with cars. However, this area is also growing denser by degrees. For example, in 2007, a 25-story house was wedged into the city block in question; a little closer to the embankment, the housing complex Veren is being built, designed by Studio 44. As for the house designed by Anatoly Stolyarchuk, it is situated on the third line from the embankment, in the very center of the “little town”. And this location actually presented the main designing challenges.

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    Multifunctional housing project “Megalit”. Construction, 2016
    Copyright: © Eugene Gerasimov and Partners
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    The left bank of the Neva River. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio


First of all, the house steps back, yet it will still be quite a highlight, because it is going to be about two or three times higher than the surrounding buildings. Its configuration is the only possible solution under the technical and economic performance conditions and insolation requirements. Two of its sections are turned in the direction of the embankment, and yet another one goes into the depth of the block; together, they form an L-shaped plan that makes it possible to avoid overshadowing the apartments of the neighboring houses. But then again, such positioning corresponds to the latitudinal orientation of the entire area. On a small land plot, the architects were able to place a little yard with playgrounds, and a kindergarten for two groups of children – it occupies the whole first floor of the unit that has windows gazing south — an entrance pavilion for driving into the underground parking garage, and everything else that was included into building code – driveways, setbacks, parking lots, etc.

The housing complex on the Oktyabrskaya Embankment
Copyright: © Anatoly Stolyarchuk Architectural Studio


We are covering this in such great detail because working with land plots that look like an unsolvable equation, became one of the trademark specialties of Anatoly Stolyarchuk Architectural Studio. A similar situation was there with the house on the Prilukskaya Street, a residential complex on the Sofiyskaya Street, and many others. As a rule, the company delivers a pure form, looking at which one does not even suspect what it took to “stretch” this multistory house on a small land plot amidst preexisting environment.

The housing complex on the Oktyabrskaya Embankment
Copyright: © Anatoly Stolyarchuk Architectural Studio


The facade solutions, again, are of the company’s trademark kind – they respond to the context and balance it off with rhythm and proportions, without verbatim quotes or imitations, speaking in the language of modern architecture.

The architects treat the L-shaped volume of the building as a two-layer one: it has a “basis” of the neutral gray tone, walls, covered with tiles of horizontal proportions in two tones, lighter and darker – and the light matter of the glazed stanzas, which consist of white frames and glass. The “basis” behaves in an extremely neutral way, only on the spatial pivot of the corner appears a large modernist cantilever with a “television” stained glass facade that, nonetheless, takes on the role of the house’s main highlight: this way, the house gazes past the river and in the direction of the center of the city.

The housing complex on the Oktyabrskaya Embankment
Copyright: © Anatoly Stolyarchuk Architectural Studio


There is no actual entrance underneath the cantilever, only the side wall of the kindergarten, so this solution is not so much functional as an “image” and “plastique” one, yet still essential in this particular case: it accentuates the corner, specifically for those who drive down the embankment. The “television” stained glass facade is composed of glazed recessed balconies, the same kind that forms the strokes of the large horizontals left and right of the facade that stretches along the embankment.

The housing complex on the Oktyabrskaya Embankment
Copyright: © Anatoly Stolyarchuk Architectural Studio


White recessed balconies also appear in the center, on the elongated facades of the slabs; they are grouped into vertical blocks of threes and fives, and are arranged in a staggered order: this way, the architects, on the one hand, avoid the proverbial “thermometer” effect created by vertical groups of glazed recessed balconies, and, on the other hand, give the facade some expressive plastique of ledges and recessions, which produces a regular play of light and shade, at the same time providing each of the apartments with a full amount of insolation, 6 square meters per apartment on average.

The housing complex on the Oktyabrskaya Embankment
Copyright: © Anatoly Stolyarchuk Architectural Studio


In the yard, where the verticals of the utility lines are plainly seen, the rhythm is more reserved, yet new themes appear – for example, fine mesh of white cells, and the composite character of the building is felt more strongly.

The housing complex on the Oktyabrskaya Embankment
Copyright: © Anatoly Stolyarchuk Architectural Studio


It must be noted that the staggered compositions of recessed balconies become the signature technique of Anatoly Stolyarchuk’s; this is not the first time he works with this theme, and each of his solutions is a little bit different. For example, in the hotel on the Veteranov Avenue, the checkered pattern of the glazed recessed balconies is much denser, but it is diluted by backlights and brass finish. In the house on the Prilukskaya Street, the recessed balconies are accentuated by slim verticals.

The housing complex on the Oktyabrskaya Embankment
Copyright: © Anatoly Stolyarchuk Architectural Studio


3-star mixed-use hotel complex
Copyright: © ​Anatoly Stolyarchuk Architectural Studio


On the Oktyabrskaya, the balconies have almost a perfectly cubical shape, and are prominently articulated. In addition, the varying height of the stacks allows the house to better respond to the surrounding buildings, “imbibing” their typology.

The housing project on the Prilukskaya Street
Copyright: © Anatoly Stolyarchuk Architectural Studio


Anatoly Stolyarchuk believes that modernizing the old panoramas is inevitable; this process cannot be stopped. And this process also yields certain benefits: the access roads are going to be overhauled, the nearby territory will be organized, and, as was already said, a new kindergarten will appear. There is almost no doubt that this house of a higher class will give this area some extra momentum for development, as well as will set of the already existing high-rises. 

A couple of years back, infill development as a positive factor was talked about by the Saint Petersburg office of MLA+: according to estimates, about 77 million dollars’ worth of apartments can be built within the “body” of the city. If this potential is to be used, Saint Petersburg can stay within its boundaries for another ten years. This infill development thing, must be, of course, organized in a smart way: the architects must carefully select and match the new functions, making sure that they correspond to the construction norms and the surrounding context. And in this particular instance we are seeing a fine example of such humane work: a considerate to its context, and doubtlessly well-balanced house, whose height is not much of a drawback, really.
The housing complex on the Oktyabrskaya Embankment
Copyright: © Anatoly Stolyarchuk Architectural Studio
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    Plan of the parking lot. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    Plan of the 1st floor. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    Plan of the 2nd floor. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    Plan of the 3rd floor. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    Plans of the 4th, 5th, and 6th floors. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    Plans of the 7th, 8th, and 9th floors. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    Plan of the 10th floor. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    Section view #1. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio
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    Section view #2. The housing complex on the Oktyabrskaya Embankment
    Copyright: © Anatoly Stolyarchuk Architectural Studio


30 March 2020

Headlines now
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.