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Arma: Improvement

What has been improved in the “Arma” site and around it – and how.

08 April 2016
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Over the last five years, the very concept of “site improvement” has already become hoary, and has convinced everyone of its importance. The notion of commercial value of architecture has finally grown outside from within: from the beautiful interior of the 90s, through the beautiful façade of the 2000s – up to the understanding of the value of a conveniently equipped urban space. In this case, there are two projects: the architects of Sergey Kiselev & Partners designed the site improvement of the former factory in 2012, implemented it in 2014-2015, and worked on the adjacent the Nijniy Susalny lane in 2015, having the whole work finished by the City Day in September. Two projects – one goal: to bring the space of the former factory and its surrounding area to shape. So, it all calls for having a look at the whole improvement of “Arma”.

It has at least two special features. First, the means are rather economical and minimalistic, with no claim either to modernistic luxury of materials, or to Biedermeier with curving backs of the benches – that we so much enjoy on Moscow boulevards. Perhaps, it is due to the creativity of the block – so its residents would treat any frills ironically by definition; but it cannot be ruled out that it were the beliefs of the chief architect of both improvement projects – Alexey Medvedev – a confirmed minimalist, but the improvement turned out to be in a severe “factory-like” style. And quite right: some trinkets would look quite out of place next to a brick tube growing out of the ground, or a gas valve, growing out of the wall. The place itself dictates the approach. At the same time, compared to the neighboring art-blocks of Vinzavod (Rus. “winery”) and Artplay, whose improvement is hardly noticeable – if in fact present, the effort invested here is much more significant.

Arma: pedestrian boulevard between units 3 and 4 © Sergey Kiselev and Partners. Photo © Julia Tarabarina, 2016
Arma: site improvement. Bird's height view. Visualization, 2012 © Sergey Kiselev and Partners.


Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Elements of site improvement concentrate towards the center and rarely at the periphery, searching the territory for a coziness of the pedestrian “nucleus” and leaving the outer contours to vehicles. The main hero here is a pedestrian boulevard between the 3d and 4th buildings with the mentioned tube and valve. The architects used corten steel here – a brutal material, but not at all cheap, just from the artistic kind. It coats the flower-beds lifted up to a knee-level and framing the wooden benches. On the other side, is a line of street-lights made in tubes of milk glass, setting the same, not very high man-oriented scale. This is a boulevard for sitting around and chatting, to stop for a while and catch breath.  

Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina
      

The second boulevard coincides with the main axis and is on the contrary very mobile. It is longitudinally divided between the cars coming from the Nijniy Susalny lane through Check-point No.1 and pedestrians. The dividing line is formed by a line of lights – good modern street-lamps, lighting both sides. The pedestrian part, following the change of height (which exceeds 2 meters on “Arma” territory), is also divided in two: the higher and lower ones. The first adjoins the motor-car area, and leads inside and even straight through. The second one lies about 1,5 meters lower – we go down the steps to get here, and from this point, we can arrive in buildings 4-5: here the traffic slows down, and the mini-boulevard becomes a mini-square.    

Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina
  

The two boulevards are the axle of this space and its inner life, but they also have some branches: after completion of all works, the park with the Great Patriotic War monument between buildings 3 and 1 will be evidently stretched into a pedestrian and automobile side street; the area between gas-holders and building 5 has been already turned into a park with round lawns, where the Moscow girls arrange photo-sets.    

Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Arma: pedestrian zone improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Another peculiar feature is the openness of the territory, at which every industrial zone reconstruction in Moscow is rhetorically aimed, but ultimately closes in anyway – fully or emotionally – and places such check-points, where one would hardly try to enter for no good reason. Here, it is a bit different: people enter through freely and stay inside rather leisurely. The authors managed to create an inner-city district. It can be clearly felt that this territory has been added to the city and has the potential of further development. Certainly, providing four exits also matters greatly for the effect of openness: two from Nijniy Susalny lane, one from Mruzovskiy and the fourth entrance point – for the ones who are aware – from a nameless lane at the northeast corner.      

Nijniy Susalny lane, formerly overloaded with height discontinuity and snack stands, has been cleared, improved and presented to the city. All the height differences have been considered and used to create a “stepping” space with natural lawns and wide flights of steps – it has become much easier to breathe in here, the “gorge” feeling has been replaced with the delight from unpredictable Moscow relief: partly bluff, partly flat. 

Arma: pedestrian zone improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina


Arma: the main entrance. Version 1. Visualization, 2015 © Sergey Kiselev and Partners



 

where:Russia, Moscow
date2012 — 2013 / 2013 — 2015
function:Masterplanning / Landscaping
studio:
Sergey Kisselev & Partners
http://www.sk-p.ru/
architect:Alexey MedvedevVladimir Labutin
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    Arma: site improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina
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where:Russia, Moscow
date2012 — 2014 / 2014 — 2015
function:Masterplanning / Landscaping
studio:
Sergey Kisselev & Partners
http://www.sk-p.ru/
architect:Alexey Medvedev
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    Arma: pedestrian zone improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina
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    Arma: pedestrian zone improvement. © Sergey Kiselev and Partners. Photograph © Julia Tarabarina
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08 April 2016

Headlines now
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.