По-русски

A Balanced Solution

The residential complex “Balance” on Moscow’s Ryazansky Prospekt is one of the large-scale, and relatively economical (again, by Moscow standards) housing projects. Its first phase has already been built and landscaped; the work on the others is in progress. Nevertheless, it has an integral internal logic, which is based on the balance of functions, height, and even image and space composition. The proposed solutions are recognizable and laconic, so that each of them was reduced by the authors to a graphic “logo”. To see everything, you have to flip through the pages and look through to the end.

10 May 2023
Object
mainImg
The Balance residential complex is being built next to the Okskaya subway station of the Nekrasovskaya line, between Ryazansky Prospekt and Okskaya Street. If you look broadly, on one side there is the Kuskovo Park, and on the other side Kuzminki. If you look closer, the area consists mostly of blocks of five-story buildings from the late 1950s to the 1960s, buried in wild greenery, and the whole scene already looks almost like a park. The district, however, is actively being built up on a new scale – on the opposite side of Ryazansky Prospect, the Residential Complex “Mikhailovsky Park”, designed in the recognizable style of the PIK developers, is almost completed. To the north-west of the site of Balance, there is a large industrial park with a railroad line that is no longer in operation.

The housing complex as such occupied the place of the former plant of reinforced concrete structures #2 “Mosstroykomplekt”, its territory being 22 hectares. The total area of the future complex a little over 500 000 square meters, the height limitation being 100 m.

Ginzburg architects won a closed-door competition for the concept of Balance in 2016.

The Balance complex. A model
Copyright: © Ginzburg Architects


The task, as we can see, is clear enough; the area is not the most expensive, but it has its strong points. The apartments were supposed to be mostly small, although there are two – and three-bedroom apartments, the “slicing” of space was to be relatively fractional – the complex is designed for young people.

Alexsey Ginzburg

Our client asked us to design a “city for millennials”, suitable for this location and designed for the target audience of young buyers, people whose real estate requirements differ from those of the older generation. They buy housing not as an investment, but as a utilitarian function, yet, on the other hand, they are more demanding in terms of services available to them. Accordingly, apartments here are small, but they have large windows; there is all the basic necessary infrastructure: a health center, two schools, a shopping center, two office buildings, boulevards, and, finally, rental space in the first floors. Of course, I wouldn’t go as far as to call it a special “house for XXI century people”, but our concept provides everything that the standard of Moscow construction of the last ten years or so requires.


  • zooming
    The Balance complex. The master plan
    Copyright: © Ginzburg Architects
  • zooming
    The Balance complex. The functional zones
    Copyright: © Ginzburg Architects


The layout of the complex is, above all, the result of a set of requirements and constraints. However, it has an internal logic, rhythm, and rules. Wide boulevards divide the city blocks into four groups crosswise, almost symmetrically. The one that goes along the center of the complex parallel to Ryazansky Prospekt unites two schools and two kindergartens. The second boulevard begins from Ryazansky Prospekt, its north-eastern part is wider, and its south-western part is narrower, because from this side the Okskaya street cuts off diagonally part of the territory. Along the avenue, before the second boulevard starts, there is a health center on the right and a multifunctional building on the left combining a shopping center in the lower part, offices in the central part and apartments in the upper part (all the other apartments of the complex are residential). On the western narrow part of the boulevard, there is another smaller office building. At the crossroads of the boulevards there is a Sports and Recreation Center with a swimming pool.

The Balance complex. A model
Copyright: © Ginzburg Architects


The Balance complex. A model
Copyright: © Ginzburg Architects


Now the construction and landscaping design of the first stage is completed, as well as two blocks in the southern quadrant; they are separated by an internal street, which is also a small boulevard and begins with an amphitheater, behind which is the site of a built-in first-floor preschool. The ground-floor rental space is gradually being populated; the Buchanka discounter has already opened. The fences separating the courtyards look very nice – they are relatively low and consist of thin wooden slats.

The Balance complex. Phase 1
Copyright: Photograph © Julia Tarabarina, Archi.ru, 2023


The Balance complex. Phase 1
Copyright: Photograph © Julia Tarabarina, Archi.ru, 2023


Section view street-wise. The Balance complex
Copyright: © Ginzburg Architects


According to Aleksey Ginzburg, the next city blocks – and the architects are now working on the “project” phase of the second stage – will look slightly different, but the basic principles will remain the same. The blocks consist of medium-rise sections, from 7 to 11 floors high, forming a semi-closed contour of large yards. These mid-rise houses are brick, executed in various shades, but with rather simple facades: they use wainscoting, a relief grid, inserts of a different color, and bricks with enamel flecks, no more than that; they do not look mottled at all.

The Balance complex. Phase 1
Copyright: Photograph © Julia Tarabarina, Archi.ru, 2023


The other part of the same contour is composed of towers of extended configuration, their height of 30 floors corresponds to the height limit of 100 meters – and the facades, in contrast to the prevailing brick contour in the lower part, are aluminum. In Phase 1, each tower is divided into a black half with golden verticals and a silver half with aluminum surfaces, with the metal appearing rather light gray in cloudy weather and white in sunny weather, especially from a distance. Some of the towers grow aluminum right from the ground, separating the horizontal structure, some of them turn out to be metal only above the brick floors and thus maintain their predominance in the middle part of the story.

  • zooming
    The brick facade. The Balance complex. Phase 1
    Copyright: Photograph © Julia Tarabarina, Archi.ru, 2023
  • zooming
    The aluminum facade. The Balance complex. Phase 1
    Copyright: Photograph © Julia Tarabarina, Archi.ru, 2023


The volumes of the two types – mid-rise brick ones and high-rise aluminum ones – are distributed in a ratio of about 30 to 70: the mid-rise takes up two-thirds of the contour, the high-rise one-third, and, accordingly, the thirty-rise takes up two-thirds of the entire height. Thus, in addition to the balance of functional content, there is a balance of volumetric construction, unassuming, but clear and easy to read. Probably, this could be the clue to the name of the complex.

  • zooming
    The Balance complex. Phase 4
    Copyright: © Ginzburg Architects
  • zooming
    The Balance complex. Phase 4
    Copyright: © Ginzburg Architects


  • zooming
    The Balance complex. Phase 3, Version 1
    Copyright: © Ginzburg Architects
  • zooming
    The Balance complex. Phase 3, Vesrion 1
    Copyright: © Ginzburg Architects


The same principle will be applied to the other city blocks: brick as a more cozy and tactile material closer to the ground, aluminum, more technical and modern, closer to the sky. An urban space should appear below, with stores and cafes, and with facades lined up along the front of the red lines.

  • zooming
    1 / 10
    The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    2 / 10
    The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    3 / 10
    The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    4 / 10
    The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    5 / 10
    The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    6 / 10
    The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    7 / 10
    The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    8 / 10
    The facades of the resodential blocks of Phase 1. The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    9 / 10
    The facades of the resodential blocks of Phase 1. The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    10 / 10
    The Balance complex
    Copyright: © Ginzburg Architects


The blocks are planned flexibly – somewhere there are two courtyards, somewhere there are four. However, the grid is generally diagonal, echoing the intersection of the boulevards.

All the towers are of the same optimal parameters – single-section, but long enough. The architects have arranged them for each “square” in their own rhythm: in the south and north corner the towers are perpendicular to each other; in the west and east they are parallel, stretching from northeast to southwest. Thus, with a general approach, a large pattern emerges; it will be possible to fully appreciate it, apparently, only from a drone, and at the same time it forms a kind of intuitively-grasped variety of rhythm.

The Balance complex. Phase 4, Version 1
Copyright: © Ginzburg Architects


The Balance complex. Phase 4
Copyright: © Ginzburg Architects


The Balance complex
Copyright: © Ginzburg Architects


  • zooming
    The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    The Balance complex
    Copyright: © Ginzburg Architects


Currently, the architects are working on the design of Phase 2, which includes one of the two schools, a large one with a capacity of 1,250 students. The school particularly fascinated me. The façades are dominated by brick, designed to unite the building with the lower front of the residential buildings into a single terracotta urban belt. The plan is rectangular, simple, but it sports an open courtyard, along the lines of the “cloister” in the spirit of classical English schools. Thin high columns of the entrance loggia – ones of a round section and coated with brick – balance on the verge of portico and Corbusian piers, subliminally reminding of the ancient origins of schooling per se.

The school for The 1250 students. The Balance complex
Copyright: © Ginzburg Architects


  • zooming
    The school for The 1250 students. Plan on the first-floor level. The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    The school for The 1250 students. Section view. The Balance complex. Section view. The Balance complex
    Copyright: © Ginzburg Architects


Another peculiar feature of the school is that the typology of its inner premises is turned outwards. For example, classrooms with windows are coated with bricks, other volumes are faced with wood-imitating panels, and the gym is decorated with “wooden” lamellas, whose task is to lighten up the facade and reveal its function on the outside, justifying the image solution with its inner structure.

The school for The 1250 students. The Balance complex
Copyright: © Ginzburg Architects


The school for The 1250 students. The Balance complex
Copyright: © Ginzburg Architects


The same applies to the second school, located on the opposite “pole” of the boulevard – it combines brick surfaces with wooden ones, justifying the facade solutions with function. But the building is smaller, designed for 475 students, and its plan is a square, open to the center. At this point in the concept, there are two options, the lighter and the darker ones.

  • zooming
    School #145. The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    The Balance complex. School #145
    Copyright: © Ginzburg Architects


Two similar, mirror-image buildings for preschools are adjacent to the “small” school. Their facades are also brick, and the functional validity concerns the arrangement of the windows: large ones in the playrooms and smaller ones in the bedrooms. The architects explain the light tone of the brick of one building and the dark tone of the other as “dark and white chocolate”.

The Balance complex. The kindergarten
Copyright: © Ginzburg Architects


Initially, the architects had a different vision of the kindergarten buildings: with glass facades and vertical “wooden” ribs, echoing the neighboring Sports and Recreation Center, but eventually the “chocolate” version of buildings for preschools prevailed. 

The Balance complex. The kindergarten
Copyright: © Ginzburg Architects


The Sports and Recreation Center and office buildings, on the other hand, are emphatically modern, different from the brick surroundings, and complement the double matter of the residential buildings with a kind of a “third” one.

The sports complex sprawls on the ground; it stretches along the axis of the boulevard coming from the avenue, but it is somewhat displaced from this axis so as not to block the perspective. Ginzburg architects made its facades glassy, with wood-colored ribs – the goal was to minimize the volume for the view from the other, transverse boulevard, to make it as transparent as possible, so that the building would not become a heavy obstacle. On the other hand, the pool and the halls inside will receive maximum light thanks to this solution, and in the evenings in the center of the complex a cozy glow of the building is provided, open to all and, thus, encouraging residents to engage in a healthy lifestyle.

  • zooming
    1 / 4
    The Balance complex. The Sports and Recreation Center
    Copyright: © Ginzburg Architects
  • zooming
    2 / 4
    The Balance complex. The Sports and Recreation Center
    Copyright: © Ginzburg Architects
  • zooming
    3 / 4
    The Sports and Recreation center. The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    4 / 4
    The Sports and Recreation Center, a cross-section view. The Balance complex
    Copyright: © Ginzburg Architects


The architects propose to make the roofs of the schools, kindergarten, and the Sports Center green for the sake of the “fifth façade”, and maybe even make them operational – although there is still a long way to go before this solution is implemented and probably even discussed.

The small office building echoes the Sports and Recreation Center with its simple and transparent facades, only with diagonals added to the vertical ribs.

  • zooming
    1 / 4
    The Balance complex. The multifunctional building
    Copyright: © Ginzburg Architects
  • zooming
    2 / 4
    The Balance complex. The multifunctional building
    Copyright: © Ginzburg Architects
  • zooming
    3 / 4
    The multifunctional building. A cross-section view. The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    4 / 4
    The multifunctional building, the office part. The Balance complex.
    Copyright: © Ginzburg Architects

 
The building near Ryazansky Prospekt, scheduled for the last phase of construction, develops the idea, also reflected in the school buildings, of the manifestation of the functions in the image solution: the architects have put together three volumes vertically: a long block of shopping center with a cantilevered “TV”, office “middle” and the “head” packed with apartments.

According to the architects, they originally envisioned a tower at this location, but then decided that the horizontal layout would respond better to the proximity of the avenue car flows, would be better read by the eye in traffic and will be more visible, and ultimately will allow them to lay an emphasis on the presence of the mall.

  • zooming
    1 / 5
    The Balance complex. The multifunctional shopping mall
    Copyright: © Ginzburg Architects
  • zooming
    2 / 5
    The Balance complex. The multifunctional shopping mall
    Copyright: © Ginzburg Architects
  • zooming
    3 / 5
    The Balance complex. The multifunctional shopping mall
    Copyright: © Ginzburg Architects
  • zooming
    4 / 5
    The multifunctional building, plans of the shopping mall. The Balance complex
    Copyright: © Ginzburg Architects
  • zooming
    5 / 5
    The multifunctional building. A longitudinal section view. The Balance complex
    Copyright: © Ginzburg Architects

 
The project, with its five phases and five hundred thousand square meters of total area, fits well into the Moscow trend of the last 10 years: public space organization with the intersection of the city boulevards, first floor stores, highly developed infrastructure, a certain percentage of office space in the neighborhood, and at the same time minimized space for apartments, combined with accessibility of urban spaces. This set can be recognized as an established standard, it responds to the sum of the requirements of both the city and the market.

The architects’ ultimate goal in this case is to find a reasonable balance between all the constituent parts of the task, both functional, planning, and figurative. It is as if the residential complex Balance responds to this goal not only with its name. It is built on a laconic, avoiding the excesses but at the same time lively enough and diverse, combination of materials, for each of which the authors find the appropriate way of use, balancing at the same time, the other. And subordinating a simple form, reflecting the function and at the same time recognizable – reducible to the sign/logo. It is not without reason that the authors presented each component part of the complex, each building with a logo sign, which can serve as the basis for the now-popular branding of architecture.

The “logos” of the buildings. The Balance complex.
Copyright: © Ginzburg Architects


10 May 2023

Headlines now
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Frozen Magma
A competition for the creation of a public and cultural center was held in Petropavlovsk-Kamchatsky. Three architectural companies made it to the final, and we consider it important to share about the work of each. Let’s start with the winner – the consortium led by Wowhaus.