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Triangle Function

The eccentric shape of this thin slab that expands upwards is not a formal gesture but the UNK architects’ response to the site’s requirements and the technical and economic performance specifications. The solutions are modernist, cost-effective, and functional. The building is terraced, the side ends are accentuated with a “slab” shift, and the wide facades are composed of triangular bay windows.

11 July 2022
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One of the main trends of Moscow’s housing construction of the recent five or seven years are panoramic river views from the windows, which give rest to the eyes of the residents of our quickly growing megalopolis. The apartment complex Level Streshnevo is situated not just near water but on a spit, in the estuary of the Skhodnya River. The Moskva River is known to be pretty wide in these parts, sometimes 250, and sometimes even 350 meters wide; opposite from this place are the Spassky Backwater, a peninsula, and a park; in a word, greenery and water are abundant here for getting as many sweeping views as you like.

The three towers of the first stage of Level Streshnevo, situated directly on the cape and remarkable for their flashy design of “piles” of glittering glass, are already almost complete. The next large-scale volume within the project will be the slab of the “Vostok” (“East”) building of an unusual triangular shape expanding upwards – its site is located a bit further away, with a gap from the towers.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


All the parts of the complex – the architects share – are connected by color but otherwise the authors tried to create an environment that would be diverse, and, hence, would not be perceived as “purposefully designed”. Such an environment provides a large selection of housing scenarios; often, it is based on contrasts, due to which it looks dynamic and has, unlike mass housing construction, the advantage of a custom design approach.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


The triangular slab has 24 floors in it. At the same time, despite the considerable overall size of the site, the construction blueprint is comparatively small. Naturally, the architects took into account the height restrictions as well. All these conditions resulted in an unconventional shape of a triangle expanding upwards: the area of each consecutive floor is larger than that of the preceding one, and not as cantilevers, as one might expect, but through a reverse tilt, which yields a more integral and laconic shape, and, on the other hand, is cost-effective construction-wise. The image of the house became lightweight and even bold to some extent. In addition, more room appeared around the construction blueprint for landscaping and greenery – the architects emphasize. 

The shape of an “inverted triangle”, chosen by the architects, required a number of customized solutions, and, as a consequence, a high strain on the intellectual power of all the stakeholders of the project: the architects, the designers, the engineers, and the utility line specialists. In addition to the predictable design challenges, for which they were prepared, the authors were faced with a whole lot of other subtleties: specifically, you could not have here the water riser running the entire height of the building, quite habitual for any high-rise; the underground utility lines got in the way of building a ramp for the underground parking garage, and so on. This is why the architects liken their work on this project to unraveling a multilevel charade. It is important to note that the project task, solved in a complex way, made it possible to make the construction much more cost-effective, and, hence, the apartments more affordable.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


The building will occupy a site in the immediate vicinity of the shoreline, and the architects made sure that every apartment commands a river view. This goal became the key factor in forming the concept of the layout. The architects based themselves on the gallery building type, pretty rare for Moscow housing, but quite habitual for southern seaside towns. As a result, all of the housing premises command river views, while the elevators, staircases and landings are placed on the yard side. All the residents get apartments with sweeping views, the top floors commanding not just panoramas of the Skhodnya River but the entire landscape of the Stroginskaya Poima.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


The gallery-type planning allowed the architects to make the depth of the building relatively small, and they also tried to make it look even smaller by designing the sidewalls in such a way that the building looks as if it were composed of two slabs slightly shifted in respect to one another. In fact, however, the width of the “front” slab is slightly smaller on both sides. The side facades imitate wooden finish, putting one in the mind of the eco theme. This combination of a thin volume and a wood effect produces a feeling of lightness, referring to the motifs of modern Japanese architecture with its ever-quaint shapes and with its love of laminate, which – consciously or unconsciously – the authors of Level Streshnevo imitate with “wooden” strips on the side ends of the slab, thus making the entire volume look as if was composed of plywood sheets. However, the main thing that makes this architecture akin to Japanese modernism is its being 100% based on function, and this is where the desired architectural freedom lies.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group
 

Yet another successful solution in the area of imagery is that the facade reflects the shimmering surface of the water. Its surface, facing the Skhodnya River, looks as though it were covered with ripples; it vibrates and glitters. This effect is achieved through a combination of several techniques. The shallow volumetric plastique is based on a pattern of angular asymmetric and slightly protruding bay windows that crown each cell (=room) of the building. Some of the bay windows are fitted with aerial summer balconies that form a casual pattern of their own, reminiscent of the casual specs of light upon the water. In addition, the tone of the finish is not uniform – it smoothly flows from a lighter shade to a darker one and back again. All of this, put together, makes the facade breathe, making it alive and agile.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


The eye-catching image of the building appeared due to its very shape, and this, in turn, appeared as a response to the complex of existing tasks and requirements. The building brings up various associations: someone sees in it a reinterpretation of one of the remarkable projects of Soviet modernism – “houses on legs”; someone sees a vis–a-vis of the famous “Worker and Peasant” monument that stands near the VDNKh; someone sees its connection with wooden architecture, feeling an allusion to a plowshare in the ripples of the facade, but in any case the building evokes impressions and awakens emotions. It must be noted that the building’s large and memorable shape also takes on urban planning significance – thanks to this quality, it is able to speak out for a whole district, becoming another landmark in our giant city.
Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group
Level Streshnevo “Vostok”. The master plan
Copyright: © UNK / provided by the press service of Level Group
Level Streshnevo “Vostok”. THe plan of the -1 floor
Copyright: © UNK
Level Streshnevo “Vostok”. The plan of the 1 floor
Copyright: © UNK
Level Streshnevo “Vostok”. The plan of the 2 floor
Copyright: © UNK / provided by the press service of Level Group
Level Streshnevo “Vostok”. The plan of the 3 floor
Copyright: © UNK
Level Streshnevo “Vostok”. The plan of the 4 floor
Copyright: © UNK
Level Streshnevo “Vostok”. The plan of the 24 floor
Copyright: © UNK
Level Streshnevo “Vostok”. A section view
Copyright: © UNK


11 July 2022

Headlines now
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.
A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.
Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.