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Triangle Function

The eccentric shape of this thin slab that expands upwards is not a formal gesture but the UNK architects’ response to the site’s requirements and the technical and economic performance specifications. The solutions are modernist, cost-effective, and functional. The building is terraced, the side ends are accentuated with a “slab” shift, and the wide facades are composed of triangular bay windows.

11 July 2022
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One of the main trends of Moscow’s housing construction of the recent five or seven years are panoramic river views from the windows, which give rest to the eyes of the residents of our quickly growing megalopolis. The apartment complex Level Streshnevo is situated not just near water but on a spit, in the estuary of the Skhodnya River. The Moskva River is known to be pretty wide in these parts, sometimes 250, and sometimes even 350 meters wide; opposite from this place are the Spassky Backwater, a peninsula, and a park; in a word, greenery and water are abundant here for getting as many sweeping views as you like.

The three towers of the first stage of Level Streshnevo, situated directly on the cape and remarkable for their flashy design of “piles” of glittering glass, are already almost complete. The next large-scale volume within the project will be the slab of the “Vostok” (“East”) building of an unusual triangular shape expanding upwards – its site is located a bit further away, with a gap from the towers.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


All the parts of the complex – the architects share – are connected by color but otherwise the authors tried to create an environment that would be diverse, and, hence, would not be perceived as “purposefully designed”. Such an environment provides a large selection of housing scenarios; often, it is based on contrasts, due to which it looks dynamic and has, unlike mass housing construction, the advantage of a custom design approach.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


The triangular slab has 24 floors in it. At the same time, despite the considerable overall size of the site, the construction blueprint is comparatively small. Naturally, the architects took into account the height restrictions as well. All these conditions resulted in an unconventional shape of a triangle expanding upwards: the area of each consecutive floor is larger than that of the preceding one, and not as cantilevers, as one might expect, but through a reverse tilt, which yields a more integral and laconic shape, and, on the other hand, is cost-effective construction-wise. The image of the house became lightweight and even bold to some extent. In addition, more room appeared around the construction blueprint for landscaping and greenery – the architects emphasize. 

The shape of an “inverted triangle”, chosen by the architects, required a number of customized solutions, and, as a consequence, a high strain on the intellectual power of all the stakeholders of the project: the architects, the designers, the engineers, and the utility line specialists. In addition to the predictable design challenges, for which they were prepared, the authors were faced with a whole lot of other subtleties: specifically, you could not have here the water riser running the entire height of the building, quite habitual for any high-rise; the underground utility lines got in the way of building a ramp for the underground parking garage, and so on. This is why the architects liken their work on this project to unraveling a multilevel charade. It is important to note that the project task, solved in a complex way, made it possible to make the construction much more cost-effective, and, hence, the apartments more affordable.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


The building will occupy a site in the immediate vicinity of the shoreline, and the architects made sure that every apartment commands a river view. This goal became the key factor in forming the concept of the layout. The architects based themselves on the gallery building type, pretty rare for Moscow housing, but quite habitual for southern seaside towns. As a result, all of the housing premises command river views, while the elevators, staircases and landings are placed on the yard side. All the residents get apartments with sweeping views, the top floors commanding not just panoramas of the Skhodnya River but the entire landscape of the Stroginskaya Poima.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


The gallery-type planning allowed the architects to make the depth of the building relatively small, and they also tried to make it look even smaller by designing the sidewalls in such a way that the building looks as if it were composed of two slabs slightly shifted in respect to one another. In fact, however, the width of the “front” slab is slightly smaller on both sides. The side facades imitate wooden finish, putting one in the mind of the eco theme. This combination of a thin volume and a wood effect produces a feeling of lightness, referring to the motifs of modern Japanese architecture with its ever-quaint shapes and with its love of laminate, which – consciously or unconsciously – the authors of Level Streshnevo imitate with “wooden” strips on the side ends of the slab, thus making the entire volume look as if was composed of plywood sheets. However, the main thing that makes this architecture akin to Japanese modernism is its being 100% based on function, and this is where the desired architectural freedom lies.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group
 

Yet another successful solution in the area of imagery is that the facade reflects the shimmering surface of the water. Its surface, facing the Skhodnya River, looks as though it were covered with ripples; it vibrates and glitters. This effect is achieved through a combination of several techniques. The shallow volumetric plastique is based on a pattern of angular asymmetric and slightly protruding bay windows that crown each cell (=room) of the building. Some of the bay windows are fitted with aerial summer balconies that form a casual pattern of their own, reminiscent of the casual specs of light upon the water. In addition, the tone of the finish is not uniform – it smoothly flows from a lighter shade to a darker one and back again. All of this, put together, makes the facade breathe, making it alive and agile.

Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group


The eye-catching image of the building appeared due to its very shape, and this, in turn, appeared as a response to the complex of existing tasks and requirements. The building brings up various associations: someone sees in it a reinterpretation of one of the remarkable projects of Soviet modernism – “houses on legs”; someone sees a vis–a-vis of the famous “Worker and Peasant” monument that stands near the VDNKh; someone sees its connection with wooden architecture, feeling an allusion to a plowshare in the ripples of the facade, but in any case the building evokes impressions and awakens emotions. It must be noted that the building’s large and memorable shape also takes on urban planning significance – thanks to this quality, it is able to speak out for a whole district, becoming another landmark in our giant city.
Level Streshnevo “Vostok”
Copyright: © UNK / provided by the press service of Level Group
Level Streshnevo “Vostok”. The master plan
Copyright: © UNK / provided by the press service of Level Group
Level Streshnevo “Vostok”. THe plan of the -1 floor
Copyright: © UNK
Level Streshnevo “Vostok”. The plan of the 1 floor
Copyright: © UNK
Level Streshnevo “Vostok”. The plan of the 2 floor
Copyright: © UNK / provided by the press service of Level Group
Level Streshnevo “Vostok”. The plan of the 3 floor
Copyright: © UNK
Level Streshnevo “Vostok”. The plan of the 4 floor
Copyright: © UNK
Level Streshnevo “Vostok”. The plan of the 24 floor
Copyright: © UNK
Level Streshnevo “Vostok”. A section view
Copyright: © UNK


11 July 2022

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.