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Agility of the Modular

In the Discovery housing complex that they designed, ADM architects proposed a modern version of structuralism: the form is based on modular cells, which, smoothly protruding and deepening, make the volumes display a kind of restrained flexibility, differentiated element by element. The lamellar and ledged facades are “stitched” with golden threads – they unite the volumes, emphasizing the textured character of the architectural solution.

22 January 2021
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The residential complex in Moscow’s Khovrino, with the name of Discovery, ringing pleasant to the ear of the traveler and the motorist, is located at the intersection of Belomorskaya and Dybenko streets, surrounded by standard mass development of the 1980’s. The land site is an irregular rectangle with one strongly beveled side. The developer, MR Group, decided to split the project between two architectural teams: ADM architects, headed by Andrey Romanov and Ekaterina Kuznetsova, and “Tsimailo, Lyashenko, and Partners”. The architects did not immediately decide on the choice of areas of responsibility; they discussed and passed tasks to each other, and, at some point, they even tossed a coin during a telephone conversation. It was at that moment that all the stakeholders of the project reached an understanding, as the architects are reminiscing. Ultimately, ADM designed two tall buildings standing alongside the streets, an underground parking garage, and did the yard landscaping project, while Tsimailo, Lyashenko, and Partners designed the three towers in the depth of the yard, whose side walls face the beveled edge of the land site.

As for the overall composition, we did it together because we had to mutually agree on the layouts and insolation. Further on, however, when the overall composition was settled, the plastique of the facades was individually designed by each team, and we saw the final version developed by our partners in the very end. Our colleagues came up with more laconic buildings, we – with ones that were richer in plastique.


The master plan. Discovery housing complex
Copyright: © ADM


Thus, the task that was posed before ADM consisted, among other things, in accentuating the “façade” contour of the complex overlooking the city and consisting of two houses: the corner one (light) 31 stories high, and the other one (dark) – 23 stories high.

ADM architects proposed a dynamic technique: the volumes seem to be composed of two-tier cells, which become “mobile” at accent points, i.e. at the corners. It seems as though the architects took the cells, securely linked to one another by the force of inner stability, and slightly “tugged them at the corners”, giving extra plastique to the contour. The structure of these “agile” or “mobile” or “flexible”” cells looks like either a spread-out fan, or the stretched bellows of the accordion or a pleated fabric stretched over the frame.

Discovery housing complex
Copyright: Photograph © Alesya Malomuzh / provided by ADM architects


The side ends of both volumes became prominently diagonal, while the “light” corner house – which in this case occupies the main position – got a “waist” ledge on its elongated sides, so its floor plan began to look like an hourglass, and its volume – viewed both from the yard and from the road junction (which is more important from the town-planning standpoint) – began to look like an open book.

The “open book” house, which only remotely resembles the famous “open book” COMECON tower on New Arbat, is the main façade of the complex that draws everybody’s attention. The developer’s representatives share that the form luckily coincided with the develop-given name of “Discovery” – according to the brand book, the resident complex is positioned as a home for people who are “open to the world”, which is echoed by the open book shape and the large panoramic windows.

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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
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    Discovery housing complex
    Copyright: © ADM


The “slab” house is completely subjugated to a diagonal motion – as if it “strides” along the drive – and its dark tone serves as a transition to the brown color of the towers designed by the colleagues in the yard – in combination with them, the building forms a “backdrop” that highlights the light color of the corner building, visually moving it to the foreground as the leader of the entire composition.

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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


The two houses, virtually perpendicular to one another, similar in structure and patterns, but different in height and silhouette, form a couple, echoing each other contrastively, like light and dark, vertical and horizontal, or, maybe, even yin and yang.

The cells, which form the shape, are reminiscent of the structuralism stylistic device of the 1970’s, the only difference being that they change not so much their pattern as – gradually – their size. This ingenious kinetic fan-like shape is connected with the configuration of the apartments, albeit not directly. “Every developer wants their apartments to gradually grow from small to large with a small pitch. And they also want bigger apartments at the top, and smaller ones at the bottom. So, what it ends up being is that you design a single-room apartment, then with each next floor it grows a little bit bigger, and then it turns into a small two-room apartment. Then the two-room apartment, gradually growing, turns into a small three-room apartment after a few floors. In Discovery, this increase in size goes not just vertically, but also from center to periphery, with the windows growing wider. Of course, this is not a direct reflection of the apartment layout – we had to tweak a few things and bend a few rules to achieve that. Of course, we could have done this in the straight building but we preferred a more interesting option” – Andrey Romanov says.

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    Section view 1-1. Discovery housing complex
    Copyright: © ADM
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    Discovery housing complex
    Copyright: © ADM
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    Section view A-A. Discovery housing complex
    Copyright: © ADM


The two-story cells are articulated with brick frames (faced with ceramic tiles, visually indistinguishable from bricks). The cells look like construction blocks, already put by the crane in place, yet not assembled completely – as if they live this “modular idea” in front of our eyes, forming the image of the modular house – while in actuality the structures are, of course, monolithic. The modular cells create the form and give it a feel of movement. The human eye perceives them as being identical, which further works to create this “stretching” effect, a truly plastique paradox.

Discovery housing complex
Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


Semantic allusions to the idea of a “prefabricated block house”, which may arise when studying the shape of both houses, are more than offset by the “precious” golden decoration – this anything but a cheap prefab project. Rather, these are the drawers of some precious antique piece of furniture. This theme is first of all supported by the ornamented frames of the windows, combined with the cases of the air conditioning units – made of spray-painted steel, golden window frames, and the color of inserts between the floors – all of this creates the effect of a precious “lining”, shading the main brick surface. The lattice pattern resembles some kind of dense, barely readable italics, as if the building were partly a letter written in gold ink.

Discovery housing complex
Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


Discovery housing complex
Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


All the golden elements, the lattices, and the “lining” come together to form “threads” that to an equal degree run through both facades, demonstrating their kinship with each other and emphasizing the relief; endowing the form with glitter and glow. The golden color works not just the sign of value and expensiveness, but also in a broader sense – as a color that unites everything, a visual analogue of a “force field”, which seems to hold this entire deconstructivism form on the edge of slight teetering of the matter.

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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
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    Discovery housing complex
    Copyright: Photograph © Alesya Malomuzh / provided by ADM architects
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    Discovery housing complex
    Copyright: Photograph © Alesya Malomuzh / provided by ADM architects
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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


The yard, delineated from two sides by a white and a black residential slabs, and from a third side by the three towers designed by the partner company, is landscaped by the ADM architects project. It is covered with grassy hills with trees growing from them, whose red and yellow foliage will become in fall a perfect match to the golden patterns of the facades. The coverage of the playgrounds has smooth forms, as if flowing in between the hills. Forms just as flowing are given to the climbing construction, compound and multilevel, yet at the same time a single whole and following the playground blueprint.

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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects
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    Discovery housing complex
    Copyright: Photograph © Yaroslav Lukyanchenko / provided by ADM architects


Back to the architecture, though: ADM architects are particularly expert at designing the plastique of the wall. Starting from the house on Berzarina Street, where the noble, old-brickwork-imitating, surface of brick tiles and French windows were complemented by curious wooden “shutters”, and ending with the dramatic composition of the housing  complex “Malaya Ordynka 19”, where the architects created not just one, but three kinds of textured surface: Klinker pleated texture with intricate lattices, stone with wooden inserts, and glass waves. The architects have considerable experience in this area. Solutions just as interesting were used in the façade tectonics of the Vitality housing complex.

The composition of the Discovery housing complex is reminiscent of Vitality, because it is also based on the counterpoint of two buildings, long and vertical, dark and light, and is endowed with accented plastique that reveals the depth and relief of the façade. Discovery, however – in full accordance with its name – goes a little bit further: it bends and molds its surfaces, embellishing and adding visual kinetics with discrete stylistic techniques,, balancing on the verge of a simple, restrained, yet appropriate and agile form. Which, doubtlessly, in combination with the “golden lining” adds to visual value the facades of the main high-profile buildings – just in accordance with the well-known maxim that an architectural solution can significantly increase the value of a project.

22 January 2021

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.