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Clouds over the Railroad

In the stead of former warehouses near “Lyubertsy-1” station, a new housing complex has been built, which peacefully coexists with the railroad, with the flyover bridge, and with the diverse surrounding scenery, not only dominating over the latter, but improving it.

07 December 2020
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The housing complex “Oblaka” (“Clouds”) has been built in the town of Lyubertsy in the Moscow metropolitan area ahead of schedule. While the apartments are already being actively sold, residents and potential buyers are discussing on the Internet the prospect of living next to a railroad line: some consider the proximity to the noisy station “Lyubertsy-1” an inconvenience, and some consider it to be a huge bonus because you can always get to Moscow downtown area quickly, bypassing the traffic jams.

“Oblaka” housing complex
Copyright: © Photo courtesy by 3-RED


The project of the complex was developed by the architectural company “Mezonproject” at the commission of 3-RED developers. This is a fairly well-known developer, whose portfolio includes such implemented projects as the residential complex “Novokraskovo”, “Vidny Bereg”, the low-rise “May”, “House on Barvikhinskaya”, and others.

The leader of Mezonproekt Ilia Mashkov shared that his company was faced with a rather difficult task: to design, on a tight schedule, a commercially attractive housing complex on a land site that had a lot of spatial constraints and was far from easy in terms of its surroundings. But then again, such a situation is rather ordinary. In some sense, the developers are expecting the Russian architects to pull a miracle. And, surprisingly, sometimes miracles do happen.

The location plan. “Oblaka” housing complex
Copyright: © Mezonproekt


The land site with an area of slightly less than 0.8 hectares occupies an angular position at the intersection of Initsiativnaya Street and Komsomolsky Prospect. Parallel to the Initsiativnaya Street, run the railroad tracks. The suburban trains rumble here from early morning till late at night. The four-lane Komsomolsky Avenue comes perpendicular to the railroad, spawning a raised road junction exactly where the new complex is situated.

The environment around the new residential compound is very diverse. There are shopping malls, sprawling left and right from “Lyubertsy-1” station, as well as brightly colored shopping pavilions and market tents. The farther away from the station, however, the cozier it becomes: the residential blocks of the late-Soviet period, 1990’s, and 2000’s, schools and kindergartens, food stores and cafés. Within a walking distance, there is the Natashinsky Park with two big ponds. The new housing complex will serve as a dividing line – a bastion that separates the center of Lyubertsy from the bustle of the railroad. At the same time, curiously, its yard is facing the station.

The site plan. “Oblaka” housing complex
Copyright: © Mezonproekt


The complex consists of two buildings, three sections in each one. The tall elongated 25-story building separates the territory from the flyover bridge. A lower volume with the number of floors varying from 14 to 18 stands in the depth of the yard, “protecting” the rear. From the side of the Initsiativnaya Street, the yard space is protected by an iron fence and two two-story structures that are preserved on the land site (during the construction, they hosted the sales office and the showroom).

“Oblaka” housing complex
Copyright: © Photo courtesy by 3-RED


Such an arrangement has to do not just with the urge to create a closed and secure yard. This way, the complex get maximum sunlight, opening up southward. The only place that experiences a lack of sunlight is the street façade of the 25-story building that gazes northwest. The problem is solved by using triangular bay windows. In addition to ensuring extra insolation inside the apartments, the bay windows also serve to increase their floor space, at the same time enriching the planning geometry. The “teeth” of the bay windows also make the façade look more expressive. Without them, the façade would have probably looked commonplace.

“Oblaka” housing complex
Copyright: © Photo courtesy by 3-RED


At the design stage, it was assumed that some of the apartments would be sold to the residents, and some would be rented out. The latter would occupy a whole section – the last one, 18 stories high. Later on, however, the function was reconsidered, and now it is an office center with an independent entrance from the street side. This dialogue between the facades – the evenly pitched grid in the residential part and the dynamic “chessboard” grid in the office section – serves as the basis of the whole architecture of the complex.

Ilia Mashkov is reminiscing that this image came together almost at once – reserved, laconic, without any excessive plastique, and with a balanced color solution in the tone of Lyubertsy skies. At the same time, both height-wise, and in terms of the accuracy of architectural solutions, the new house obviously claims the role of a centerpiece.

The construction around our land site is rather homogeneous – a lot of standard housing projects. Against such a background, our project, which reflects the spot-on architectural trends of today, logically becomes the centerpiece in terms of visual perception.


The outward appearance of the two buildings interprets the commercial name of the complex – “Clouds”. The sky is clearly read in all of its colors; the facades are turned into a semblance of a palette, using which the artist mixed up the shades of color to paint a picture of a cloudy sky. The main background color is light gray, almost white, like a foggy sky on an overcast day. Over it, there are stroke accents of dark graphite spots and vertical lines – the thunderclouds. And next to them, there are flashes of light, splashes of gray, gray-greenish, and pale blue – as if the fog and clouds at some point scattered and in the gaps appeared pieces of a clear sky.

“Oblaka” housing complex
Copyright: © Photo courtesy by 3-RED


“Oblaka” housing complex
Copyright: © Photo courtesy by 3-RED


“Oblaka” housing complex
Copyright: © Photo courtesy by 3-RED


“Oblaka” housing complex
Copyright: © Mezonproekt


“Oblaka” housing complex
Copyright: © Photo courtesy by 3-RED


However, you can only see this picture if you look at the house from the yard. The street facades and the side ends are dominated by a “thunderstorm” dark-gray. The dark parts of the buildings gravitate towards the flyover; the light ones overlook the yard. The wide pixel-and-stroke pattern in the cold pastel tones makes the house look fresh, partially making up for the simplicity of its form.

Such a vivid perception of the volume was achieved through the alternation of fiber cement panels of the ventilated facade. They are different not only in color but also in size and texture. A lot of attention is drawn by dark textured relief panels with a vertical and a horizontal pattern. In the residential part, they are echoed by the grates of the air conditioning units, and in the office part they single-handedly create a dynamic image of the construction. In that section, the panels encase the windows with black frames, which alternate, changing the proportions of the window apertures, and this seemingly simple technique goes a long way to liven up the facades. Only the top four floors of the office block “call to order” with their clear vertical lines.

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    “Oblaka” housing complex
    Copyright: © Photo courtesy by 3-RED
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    “Oblaka” housing complex
    Copyright: © Photo courtesy by 3-RED
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    “Oblaka” housing complex
    Copyright: © Photo courtesy by 3-RED


The housing complex is positioned as a comfort class. It features the traditional range of apartments – from studios to three-room ones.

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    Sections 1-5. Plan of the 1st floor. Section 6. Plan of the 1st floor. “Oblaka” housing complex
    Copyright: © Mezonproekt
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    Sections 1-5. Plan of the 2nd floor at elevation +3.600. Section 6. Plan of the 2nd floor at elevation +1.650. “Oblaka” housing complex
    Copyright: © Mezonproekt
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    Sections 1-3. Plan of the 15th-17th floors at elevations +40.650; +43.500; +46.350. Sections 4-5. Plan of the roof at elevation +41.122. Section 6. Plan of the 8th-17th floors at elevations +21.600 – 47.250. “Oblaka” housing complex
    Copyright: © Mezonproekt
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    Sections 1-5. Plan of the 3rd-14th floors at elevations +6.450 – +37.800. Section 6. Plan of the 3rd-7th floors at elevations +4.500 – +18.750. “Oblaka” housing complex
    Copyright: © Mezonproekt
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    Section view 1-1. “Oblaka” housing complex
    Copyright: © Mezonproekt
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    Section view 2-2. “Oblaka” housing complex
    Copyright: © Mezonproekt
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    Section view 3-3. “Oblaka” housing complex
    Copyright: © Mezonproekt


At the same time, the public zones and the yard spaces offer a whole array of solutions that are generally not to be found in housing projects of this class. The entrances to the hallways are barrier-free, almost on a level with the pavement. A small drop is smoothed out by a ramp, which is extremely convenient for mothers with strollers, cyclists, and people with disabilities.

“Oblaka” housing complex
Copyright: © Photo courtesy by 3-RED


The bottom floors are occupied by stores, cafés, and, of course, entrance groups with lobbies. The latter also look much more than comfort class – spacious, well-lit, with designer interiors.



The yard is not just closed and guarded – it is also completely car-free. The whole, even if a little too small territory of the yard is occupied by sports facilities and playgrounds, the guest parking places being situated on the outer contour of the compound.

This way, the architects achieved a feeling of peace and quiet on the territory of the complex. In this situation, the isolated yard looks more than appropriate and justified – it forms the necessary boundary, without which living here would not be as comfortable. Taking a defensive position towards the environment – a closed composition, windows with increased noise insulation, and a limited-access area – the complex still strives to become part of it. Because now, when riding a suburban train past Lyubertsy, you will see “Clouds”.


07 December 2020

Headlines now
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
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The Yauza Towers
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Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
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Opal from Anna Mons’ Ring
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Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
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In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
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Three-Part Task: St. Petersburg’s Mytny Dvor
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The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.