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Continuation and Development

The second “office” stage of Comcity, the most popular business park of the “New Moscow” area, continues the underground street of the already existing part of the complex, responding to its architectural identity.

18 August 2020
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We recently wrote about the Homecity housing complex – a low-rise residential area with an inner promenade that is being built not far away from the Rumyantsevo metro station as part of the Comcity complex. We will remind you here that the plan of the Comcity business park looks like a slim triangle turned to the Kievskoe Highway with the sharp nose of Alpha, a building belonging to the first stage of construction. It was completed by 2014, designed by the Czech architectural company Cigler Marani, its two dark-colored wing cantilevers perfectly visible from the highway.

Then, in 2016, the developers invited the architects of Sergey Kiselev and Partners to work with this territory, who first of all helped to reconsider its functional zoning – and this is how a small residential complex appeared within the business park. Then Sergey Kiselev and Partners began working on three individual land sites, sliced like the layers of Maslow’s Pyramid, parallel to the highway and sideways to the axis of the acute triangle of the entire territory. The housing complex is situated the farthest away from the highway; it must be later joined by the Charlie office complex, which will be designed and built last. 

The project of the office building and the hotel of the Bravo phase are already complete; its construction is going at a record-breaking rate, and we are covering it in this article.

Location plan. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Bravo continues the Alpha building volume-, planning-, and composition-wise. This makes a lot of sense because Alpha has long since run out of vacant premises. This complex, masterfully designed to meet the needs of telecommunication companies, occupied the profitable niche, being one of the first to propose the “office park” format, i.e. self-sufficient infrastructure in the eco-friendly theme.

The total area of the “Bravo Phase” is about 103,000 square meters; it will be occupied by three buildings – two blocks of offices and a hotel with an extensive underground space. Crucially important is the fact that the already existing “underground shopping street”, which belongs to Alpha, will eventually join the Bravo inner gallery. The composition of the buildings follows that of Alpha, keeping the axial symmetry: the two office wings B1 and B2, looking like two stylized palms of human hands, “embrace” the 150-room Novotel hotel. Two inner plazas appear between the side ends of the hotel and the office buildings.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Together, Alpha and Bravo form a mega-structure of volumes tied into a single city block that supports the 24/7 life of the resident companies. The composition of Bravo unfolds in space in accordance with the set logic. For example, the main block of Alpha is symmetrical; hence, buildings B1 and B2 are as well; they look like a curious echo from beginning to end of the entire complex.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Both composition and architecture-wise, the second stage of construction avoids direct quotes from Alpha, yet similar techniques are easily observed. For example, B1 and B2 use similar superimposed grids: one from dark-colored aluminum panels, and one from slim metallic profile ribs. The highlights here are vertical grilles situated next to the windows, which liven up the rhythm. The black color and metal, however, noticeably resonate with the facades of Alpha and allow us to perceive the buildings of Bravo as not only its structural continuation, but a visual one as well.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


At the client’s decision, the office premises will be divided into three lots. Trying to make sure that not a single square meter of useful floor space goes to waste, the architects subjected all of the spaces to free planning – there are no corridors inside; there are two elevator/staircase blocks, plus two more staircases per 5,000 square meters of the standard floor of each building – shares Anastasia Khomyakova – The units turned out to be compact, with all the utility lines grouped around them.

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    Plan of the -1st floor. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Plan of the 1st floor. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Plan of the standard floor. COMCITY office complex
    Copyright: © Sergey Kisselev and partners


In addition, Bravo continues the idea of vertical zoning – the semi-basement public level designed as a covered pedestrian promenade, lit by skylights. Actually, this is the “city within a city”, the way Comcity positions itself; this place is open to the public, you can walk around the shops here, the office turnstiles shifted closer to the elevator halls. The stream of people flows into the gallery from the direction of the main Alpha entrance and through the semicircular “funnel” of the stylobate; further on, it can go through the entire city block, and, passing the bend, end up in the Bravo buildings.

On the inside, the white color is combined with living plants and light-colored wood, while the central atrium will feature a fountain with a waterfall flowing down from the skylight on top of the dome.

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    The shopping gallery. Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    The shopping gallery. Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    The shopping gallery. Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners
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    Bravo phase. COMCITY office complex
    Copyright: © Sergey Kisselev and partners


The hotel, as a building that is predominantly residential, unlike the uptight technological-looking offices, got Clinker tile facades, on which different shades of ochre are blended together to form a mottled carpet with white fiber cement inserts – such a combination obviously resonates with the Homecity housing complex that is being built nearby.    At the same time, the basement part of the hotel becomes the continuation of the stylobate and the offices, and will be likewise coated with ceramic granite.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


The semi-basement inner link between Alpha and Bravo buildings is echoed by the upper pedestrian street on top of the stylobate – the authors of Bravo continue the development that already exists on the stylobate of Alpha, using plants of the same type and similar small-form architecture, which, among other things, helps decorate the skylight domes.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Bravo phase. The landscaping plan. COMCITY office complex
Copyright: © Sergey Kisselev and partners


Passing between the office buildings, the upper street exits to the slab of the hotel, and here the stream splits in two: you can swerve left or right to find yourself at one of the two plazas, seemingly identical yet different in details. These open up north, to the driveway between Bravo and the future Charlie. The authors interpret these plazas as grand courtyards, or cours d’honneur; each one sports a fountain, green plants, and a small amphitheater. Over here, to the north, the portals of the main entrances of the office buildings are turned – frames of light-colored stone, the two-level height of which, a little under 8 meters, responds to the just impressive and spacious height of the entrance lobbies inside.

Bravo phase. COMCITY office complex
Copyright: © Sergey Kisselev and partners


As we can see, the “phase Bravo” serves as the connecting link of the complex: like a curious joint, it not only picks up and develops the positive ideas of the existing building but also, “over the head” of the “phase Charlie”, a project that is yet nonexistent, resonates with the Homecity housing complex that is also in construction. All of these things put together must boost the growth and development of the business park, situated not far away from Moscow Ring Road, and already fairly popular – probably not just because of the favorable location but also thanks to a modern compound structure of spaces belonging to the significant, however small, business city, which in the new projects get logical development and completion.

18 August 2020

Headlines now
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.