По-русски

Under the Canopy of Pope of Rome

Mezonproekt has built a new studio for the renowned sculptor Zurab Tsereteli inside the yard of the house on the Pyatnitskaya Street, across from the Church of Clement, Pope of Rome. Soft eco-modernism met some Art Deco features.

02 December 2019
Object
mainImg
This typology is very rare for the center of Moscow. The low-key three-story building of the artistic studio (total area about 300 square meters, height 12 meters) stands in the yard of the former city estate on the Pyatnitskaya Street. The client owns a small land plot underneath the building, while the yard itself is municipal. The building of the studio pops up in the clearing between the buildings from the side of the Klementyevsky Alley as a dramatic stained glass window three stories high. The influence of the large church of some “Saint-Petersburg” nature, designed, according to some sources, by the mighty Tresini himself, is also obvious here. The presence of Pope in Moscow’s toponymy comes quite as a surprise and causes strange feelings, as if symptomatically reminding us of the controversial character of the pillars of this world. I am not sure if Zurab Konstantinovich Tsereteli can be considered to be the Pope of Moscow’s sculpture making, but then again, why not? The studio, in spite of its small size, looks like a treasure chest, an expensive toy that is strikingly different from everything else in its style, color, and plastique. The walls are coated with a composite material that imitates walnut, the metallic frames of the stained glass windows painted bronze color.

The studio of Zurab Tsereteli
Copyright: Photograph: Archi.ru, 2019


In the stead of the current land plot, there used to be a wooden annex of an unassuming building; when the architects started working on the project, its foundation was everything that was left of it. However, the very theme of wood became for the architects of Mezonproekt the starting point in the search of the image. They eventually settled on the soft modernist version that presents a delicate contrast to the surrounding architectural context.

The studio of Zurab Tsereteli
Copyright: Photograph: Archi.ru, 2019


As for the personality of Zurab Tsereteli, considering his creative work, one could expect a more conservative image and style of his own studio. In this particular case, however, according to the partner of Mezonproekt, Ilia Mashkov, an agreement was reached about nonintervention in the architects’ affairs. The client did not influence the choice of the style and light-heartedly approved the visible appearance of the building. The construction, however, took five long years for various reasons.

On the plan, the mansion looks like the letter “L”, its volume essentially consisting of two parallelepipeds, large and small. One of them hosts the double-height architectural studio occupying the entire space of the second and third floors. The capacious hall is lit through the enormous stained glass, as well as through the skylight up above. The first floor underneath it hosts a master class hall for 25 people (since the master of the house is the President of the Russian Academy of Fine Arts, the function of this building is not only creative work but education as well). The rest of the building contains a lobby, an elevator, a staircase, and restrooms. The smaller parallelepiped is also occupied by the emergency staircase.

The studio of Zurab Tsereteli
Copyright: Photograph: Archi.ru, 2019


The entire main facade is essentially a stained glass with a sash pattern that is ostentatiously volumetric. The main entrance is made in the corner part between the two volumes. This made it possible to vacate some space for the studio, and turn it towards the stained glass window. An extra entrance is situated to the right of the main facade underneath the marquee. In order to set off this element, the architects added a bay window protruding from the facade on the level of the second floor. The other volume with the emergency staircase also looks into the yard with a stained glass window.

The studio of Zurab Tsereteli
Copyright: Photograph: Archi.ru, 2019


An art studio hosted in an individual building is, of course, an unusual typology. Strange though it might be, Melnikov’s house in the Krivoarbatsky Alley comes to mind. Both buildings are situated in the yard, both present a prominent contrast with the surrounding buildings, both consist of two vertical volumes glued to one another, both sport a stained glass window on the front part, the second and third floors occupied by a studio – these two buildings have a lot in common, even though the architects did not mean anything of the kind. Generally speaking, it often happens that an architect’s (an artist’s) house looks nothing like his work: Melnikov’s house does not look like the rest of Melnikov’s creative work, Shekhtel’s house on the Sadovaya does not look like the rest of Shekhtel’s work, and, following suit, Zurab Tsereteli’s studio looks nothing like Zurab Tsereteli. And all of these buildings are like small treasure chests with a secret, contrastive to their surroundings. Probably, the main thing that is different about this local typology is large windows and double-height spaces.

The studio of Zurab Tsereteli
Copyright: Photograph: Archi.ru, 2019


The three-story stained glass window of Tsereteli’s studio with a prominent vertical pattern looks like the deck of a musical instrument or a church organ, the wooden decoration of the walls adding to the likeness. The stained glass window represents some floor-based structure with different frequency of conditional “windows”, and even a hint at some generalized cornice – an Art Deco feature, which, however, is crossed here with wooden modernism. The windows of the side facades are distributed over the wall surface in an asymmetric way, some of them reaching the corners, which is definitely a sign of avant-garde architecture, even though these corners are on the inner sides.

  • zooming
    1 / 3
    The studio of Zurab Tsereteli
    Copyright: © Mezonproekt
  • zooming
    2 / 3
    The studio of Zurab Tsereteli
    Copyright: Photograph: Archi.ru, 2019
  • zooming
    3 / 3
    Photograph: Archi.ru, 2019
    Copyright: Photograph: Archi.ru, 2019


The decoration panels that imitate wood, dark and light-colored, could have been simply wooden, because the construction rules and regulations do allow low-rise wooden buildings. In the center of the city, however, these are still few and far between, or, rather, their usage is limited to temporary park pavilions and art clusters. Wooden architecture in the city is a branch that is very promising from the environmental standpoint, and it will be sure to develop. But then again, you cannot but recognize that the wood imitating panels are easier to maintain, and they are sturdier, all this considering the fact that they do look like the real thing.
  • zooming
    1 / 14
    The studio of Zurab Tsereteli
    Copyright: Photograph: Archi.ru, 2019
  • zooming
    2 / 14
    The studio of Zurab Tsereteli
    Copyright: Photograph: Archi.ru, 2019
  • zooming
    3 / 14
    The studio of Zurab Tsereteli. Development drawing alog the Pyatnitskaya Street. Project, 2014
    Copyright: © Mezonproekt
  • zooming
    4 / 14
    The studio of Zurab Tsereteli. Development drawing alog the Klimentovsky Alley. Project, 2014
    Copyright: © Mezonproekt
  • zooming
    5 / 14
    The studio of Zurab Tsereteli. Project, 2014 @ Mezonproekt
    Copyright: © Mezonproekt
  • zooming
    6 / 14
    The studio of Zurab Tsereteli. Location plan
    Copyright: © Mezonproekt
  • zooming
    7 / 14
    The studio of Zurab Tsereteli. Project, 2014
    Copyright: © Mezonproekt
  • zooming
    8 / 14
    The studio of Zurab Tsereteli. Plan of the -1st floor. Project, 2014
    Copyright: © Mezonproekt
  • zooming
    9 / 14
    The studio of Zurab Tsereteli. Plan of the 1st floor
    Copyright: © Mezonproekt
  • zooming
    10 / 14
    The studio of Zurab Tsereteli. Plan of the -1st floor
    Copyright: © Mezonproekt
  • zooming
    11 / 14
    The studio of Zurab Tsereteli. Plan of the 2nd floor
    Copyright: © Mezonproekt
  • zooming
    12 / 14
    The studio of Zurab Tsereteli. Plan of the roof
    Copyright: © Mezonproekt
  • zooming
    13 / 14
    The studio of Zurab Tsereteli. Section 1-1
    Copyright: © Mezonproekt
  • zooming
    14 / 14
    The studio of Zurab Tsereteli. Section 2-2
    Copyright: © Mezonproekt


02 December 2019

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.