По-русски

​A Depot of Postindustrial Life

This project of renovating a derelict depot building is all about the architects’ keen attention to detail and emotional “texture” of the public spaces, diversity of functional content, and romantic interpretation of the idea of a ruin that turns into an extra scenario of the project.

29 July 2019
Object
mainImg

The building of the railway depot of the Kurskaya Railway was built in 1906; then it was deleted from the list of architectural monuments (which also happened rather a long time ago) and fell into decay. Over the years it stood abandoned, the building got into a deplorable state: it has graffiti splashed all over it, the paint is peeling off, and the floors are propped up here and there. The walls, however, are still standing – for the exception of the cross aisle that was dismantled in the second half of the XX century. The elongated building can be seen from the bridge of the Kazakova Street, which leads from Gogol Center to the Zemlyanoi Val Street; few people notice it, however, because today the building looks more like a ruin at the backyard of the “Citydel” office center and two once-tenements and now office buildings designed by Ernst-Richard Nirnsee when he was still a young architect. Meanwhile, the habitual route of the office workers walking to Citydel runs precisely past the depot when they are making a shortcut to the metro station and to the clubs of ARMA – a slightly weird but still a rather busy path.

A concept for overhauling a former train depot
Copyright: © T+T architects
  • zooming
    1 / 5
    The depot on the Kazakova Street: the current state, 2019
    Copyright: © T+T architects
  • zooming
    2 / 5
    The depot on the Kazakova Street: the current state, 2019
    Copyright: © Т+Т Architects
  • zooming
    3 / 5
    The depot on the Kazakova Street: the current state, 2019
    Copyright: provided by Т+Т Architects
  • zooming
    4 / 5
    The depot on the Kazakova Street: the current state, 2019
    Copyright: © T+T architects
  • zooming
    5 / 5
    The depot on the Kazakova Street: the current state, 2019
    Copyright: provided by Т+Т Architects


Essentially, it was this route that became the starting point of the project, initiated by the management of the neighboring business center in collaboration with a few partners. The functional program is very diverse and very modern because of that: in addition to the pavilions, the project provides for a co-working space and even a small office. Plus, cafés and restaurants: there are plenty of offices around, and the nearby cafés do not seem to handle the guest traffic, so, probably, new places offering a bite to eat will be in demand.

Concept for overhauling the former railroad car depot. Section views
Copyright: © T+T architects


The route between Citydel and the Depot will stay – but it will be renovated and landscaped. From the side of the Kursky Railway Station, the pedestrians will be met by a small plaza situated in from of the south end of the Depot. Moving further along the building, we go past the main entrance and the ramp – the terrain goes up here – and come to yet another plaza with café tables, by the north end of the depot. Here the architects are proposing to make a stairway, by which one will be able to ascend to the bridge that bears a proud name of “Kazakovsky Puteprovod” – as we remember, it commands one of the best views of the depot, and by this bridge people also go to ARMA, but so far there is no stairway, and the pedestrians have to walk an extra distance to get to that bridge.

  • zooming
    1 / 5
    Concept for overhauling the former railroad car depot. The land plot
    Copyright: © T+T architects
  • zooming
    2 / 5
    Concept for overhauling the former railroad car depot. Facades
    Copyright: © T+T architects
  • zooming
    3 / 5
    Concept for overhauling the former railroad car depot. Landscaping
    Copyright: © Т+Т Architects
  • zooming
    4 / 5
    Concept for overhauling the former railroad car depot. Facades 1,2
    Copyright: © Т+Т Architects
  • zooming
    5 / 5
    Concept for overhauling the former railroad car depot. Master plan
    Copyright: © Т+Т Architects


The building stretches along the pedestrian route, “escorting” the pedestrians and offering them a string of changing impressions. For this reason, the architects accentuated the lengthiness of the building: they extended it in the north direction, towards the Kazakova Street, proposing to dismantle a few small dilapidated buildings (looking more like barns) on this side and replace them with a new volume of approximately the same size but an integral one, with laconic façades, clad in dark brick of an elongated type (Petersenkolumba) like the plinth that was used in Ancient Rome, with windows reaching to the ground and inclusions of golden grilles. The new volume picks up the “brick” theme, yet in modern interpretation, sometimes even playing on the contrast of impressions and matching the current approach with the historical building, in which the bricks are large and terra cotta red, characteristic of the early XX century, and is subjugated to arches of the windows and scarce, yet important, details in the spirit of historicism.

  • zooming
    1 / 3
    A concept for overhauling a former train depot. Perspective view of the new building
    Copyright: © T+T architects
  • zooming
    2 / 3
    Concept for overhauling the former railroad car depot. Facades
    Copyright: © Т+Т Architects
  • zooming
    3 / 3
    Concept for overhauling the former railroad car depot. Facades
    Copyright: © Т+Т Architects


As for the Depot building itself, the project includes replacing the roofing in it – currently, the roof is simply propped up – and installing two skylights, about two thirds of its length: these will lighten up the food court and the rentable indoor cinema floors. The original bricks will be repaired, cleansed, and coated with hydrophobic substance; the roof will be covered by black-colored metal, the window sashes will also be black, as is the custom in modern reconstruction projects.

  • zooming
    Concept for overhauling the former railroad car depot. Facades
    Copyright: © T+T architects
  • zooming
    Concept for overhauling the former railroad car depot. Facades
    Copyright: © T+T architects


However, besides the basic and quite expectable techniques, the project has in it a whole number of interesting features, which are essentially the constituent parts of its identity, gathered here rather densely, and it is these features that make this project different from many others of a similar kind, for example, from the Depot on the Lesnaya Street – the explication says.

One of the main narratives is the glass “showcase” on the elongated façade on the side of the main pedestrian traffic. What survived here is a semi-destroyed gable, a remnant of the earlier dismantled crosswise volume: the architects are taking the wall even more apart, opening up the interior view the width of about two picketed enclosures, conserve the ruined side walls and place the whole of it (both the gap and the ruin) – into a glass casing, as if this turning this splinter into a museum object, preserving the trace of the building’s history as a reminder of the long period of its abandonment and the part of it that is now gone. This romantic “ruin” installation is one of the signature techniques T+T architects, which vividly illustrates their approach to working with historical buildings: the urge to accentuate their age and their history with renovation transformations. The architects applied the same approach in the competition project for redeveloping the Shcherbinka water tower: part of the tower’s top was deliberately fractured in order to enhance the contrast between the old and the new, or even for a more vivid visualization of the unity and struggle of opposites.

  • zooming
    A concept for overhauling a former train depot. Perspective view of the main entrance of Building 1
    Copyright: © T+T architects
  • zooming
    Concept for overhauling the former railroad car depot. Facades
    Copyright: © T+T architects


Anyhow, the glass “showcase” volume will glow at night and will by day demonstrate to the passers-by the insides of the building, and – like a decoration in the spirit of Hubert Robert – the fragment of the ruined wall. The ruin, however, is not the entrance – the entrance is situated more to the left, and it is marked by a “forehead” of a sheet of black metal hanging from the roof, which serves as a background for the heading.

The main façade of the building is situated on the sidewall, closer to the southern plaza, in front of the tripartite “basilica” façade of the Depot, that survived into the present in quite a decent state. Here one can see stone stairs with a ramp cut into them; on the plaza, there are three railway lines: on one side, they go under the stairs, on the other side they stop short in the grass, ending in “technological” street lights made from double-L beams. The plaza is separated from the real railroad by a metallic fence that imitates a concrete PO-2, yet also, just like the brick wall, deliberately ruined: it looks as if it were turned into a grille from formwork. In front of the fence, there is a transformable amphitheater made of wood blocks. From the opposite side, the space is separated from the pedestrians by a maintenance cabin decorated with fragments of a Soviet cast-iron fence of overlapping circles and meander. This place, as we can see, is filled up to the brim with memories and narratives that make the local environment very interesting. From the outside world, the plaza is separated by a brick volume: it conceals the garbage bins, but the grilled doors are turned outside; what is turned on the outside is the textured brick wall, reminiscent of the new office building in the north part of the Depot.

  • zooming
    1 / 5
    A concept for overhauling a former train depot. Perspective view of the sidewall of Building 1
    Copyright: © T+T architects
  • zooming
    2 / 5
    Concept for overhauling the former railroad car depot. Landscaping
    Copyright: © Т+Т Architects
  • zooming
    3 / 5
    Concept for overhauling the former railroad car depot. Landscaping
    Copyright: © Т+Т Architects
  • zooming
    4 / 5
    Concept for overhauling the former railroad car depot. Landscaping
    Copyright: © Т+Т Architects
  • zooming
    5 / 5
    Concept for overhauling the former railroad car depot. Landscaping
    Copyright: © T+T architects


The next plaza, situated in front of the Kazakova Street and the stairway, which is currently in design, is slightly smaller, is protected from the railroad by a slit metallic fence, the other two borders being the building of the Depot and the slope under the pathway. There are plans for making it completely green, and installing benches along its edges, as well as placing tables, artifacts, and, possibly gaslights on the plaza.

  • zooming
    1 / 3
    A concept for overhauling a former train depot. Perspective view of the square from the new building
    Copyright: © T+T architects
  • zooming
    2 / 3
    Concept for overhauling the former railroad car depot. Landscaping
    Copyright: © Т+Т Architects
  • zooming
    3 / 3
    Concept for overhauling the former railroad car depot. Landscaping
    Copyright: © Т+Т Architects


This way, the building is getting attractive functions, such as cafés, a co-working space, and a studio floor, which it will be possible to use for organizing concerts from time to time. The path running alongside it is also filled with impressions and emotions. What’s more, however, is the fact that in this project the building of the Depot gets yet another façade – the view from the bridge on the Kazakova Street. From this side, the land site is diagonally crossed by the railway power line, one support standing before the façade of the depot, the other cutting into the northern annex. “Since removing these supports was absolutely out of the question, we decided to make the most of the situation, turning them into an artifact” – Sergey Trukhanov says. The north construction was placed in a yellow-colored recession, and, since the neighboring corner is cut through by a window, the evening backlights bring out the “1” digit that enters into a rhythmic resonance with the asymmetrical side end of the new building and the symmetrical outline of the old one.

  • zooming
    1 / 3
    A concept for overhauling a former train depot. Perspective view from the Kazakova Street
    Copyright: © T+T architects
  • zooming
    2 / 3
    Concept for overhauling the former railroad car depot. Facades
    Copyright: © Т+Т Architects
  • zooming
    3 / 3
    Concept for overhauling the former railroad car depot. Facades 3,4
    Copyright: © Т+Т Architects


The recession of the grilled support works as a giant signboard and is sure to attract people’s attention, as if marking the fact that there is a new interesting place here, down below. A worthy addition to Vinzavod, ARMA, and Artplay in the industrial park of the Kursky Railway Station, which is arguably the most developed one in Moscow, but which, as we can see, still has some room to grow.

The project of reinventing the derelict depot building near the Kursky Railway Station is comparatively small but really attractive and trendy: it belongs to the postindustrial society, balancing on the verge of landscaping, urbanism, reconstruction, and preservation. The historical building is matched against the modern one, and they both “grow into” the urban environment and become its active part. All of this comes as no surprise for T+T architects, who are widely known for their urbanist works and for the projects having to do with preserving and revising the heritage of the industrial architecture, the interest for which the architects constantly keep up, just as their desire to do cross-specialty projects and be as versatile as possible. One must admit that the combination of different themes is probably the perfect tool for making the city come alive and turning it into a great place to live in – through finding the seemingly quite unassuming gems with a huge public potential.


29 July 2019

Headlines now
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.