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​A Town Within a Suburb

The construction of the first stage of “Novokraskovo” housing complex has been completed. Two city blocks set quite a different rhythm to the surrounding territory of the settlement: the new complex comes in larger increments, yet at the same time it is more flexible and diverse – of the true urban type.

25 March 2019
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We already covered the housing project of “Novokraskovo”: it consists of four large city blocks on the Egoryevskoe Highway lying 15 kilometers off the Moscow Ring Road, east of Lyubertsy. Essentially, this is a countryside place, not far away from the proverbial town of Malakhovka but currently it is mostly dominated by multistory buildings – and the work of Ostozhenka Architects became the first example of design architecture here. The settlement of Kraskovo is particularly known for its sand quarries: a result of the work of the Korenevsky plant of building materials (founded in 1930, just as Malakhovka), they were later on flooded over and turned into manmade lakes.

Novokraskovo housing complex. View from the corner of Korenevskoe and Egoryevskoe highways
Copyright: © Ostozhenka Bureau
Novokraskovo housing complex. Top view
Copyright: © Ostozhenka Bureau


The residential complex is occupying the territory of a former military base situated between the highway, the Chekhova Street and the Novokraskovsky Quarry Lake: the latter is sort of hazardous to swim in but still there is a semblance of a sand beach on the other shore. Until recently, this place looked all but derelict: the classic lopsided trees peeking from behind the sickeningly familiar concrete fence of the military base.

Now it has turned into a full-fledged urban area – in front of terra-cotta brick façades, at the crossroads, a small Y-shaped square appeared thanks to a slight turn of the corner building: this space “pause” or “rest” gave extra meaning to the crossroads. It even looks as though the surrounding greenery has decided to live up to the new standards – now it looks almost like a park. It is only the laconic volume of the sales office, saluting to the cars driving down the highway, that lets us know that it wasn’t always this way here. According to the project, the office building will later be replaced by a sculpture with a clock – a clear indication of the city importance of this square.

Novokraskovo housing complex. View from the crossing of Korenevskoe and Egoryevskoe highways
Copyright: © Ostozhenka Bureau


Novokraskovo housing complex
Copyright: © Ostozhenka Bureau


Currently, two city blocks out of four have been built – the first and second stages, houses 1-4.

Novokraskovo housing complex. Master plan
Copyright: © Ostozhenka Bureau


These two blocks, however, are larger than the other two, which will be built more to the north on the lake shore – and, in addition, they are more representative-looking. It is these particular blocks that are essentially the face of the complex, and, it must be said that already now – at least, for the cars passing by – it looks like quite a complete architectural project.

The bend of the façade in front of the square, however small compared to the scale of the complex at large, is a very important stylistic device: this “author’s signature”, very delicate and reserved, demonstrates both bending plastique and, if viewed from certain angles, the sharpness of the corner “nose” that takes on the role of the main façade of the entire complex. Therefore, the tall bottom floor is fully glazed and sunken in – the volumetric cutaway is enough to create an effect of an overhanging mass above the transparent ground floor.

Novokraskovo housing complex. View from the square
Copyright: © Ostozhenka Bureau


Cafes, shops, and public spaces will occupy the bottom floors of the outside contour; one of the sections will host a children’s clinic, which is already popular with the local residents. However, the bottom floors of different buildings are designed differently: the theme of modernist “stripe” is sometimes continued, and sometimes it dies away, the buildings losing in their height. Along the length of the highway, the band of the bottom floors is intercepted by three groups of pylons that cover two floors, one on top of the other – “porticos” at the base of the towers.

Novokraskovo housing complex. Overview from the Egoryevskoe Highway, Moscow-bound
Copyright: © Ostozhenka Bureau


The design of the bottom floors on the “yard” side is more interesting still: there are lots of galleries here, resting on pillars sometimes one and sometimes two stories tall. They make it possible to interpret the vehicle-free yards as inland “mini-squares”. The pillars are mostly white, the gallery walls behind them being subjugated to a color code: orange, red, and cadmium yellow colors are assigned to specific buildings, and they also appear in the arches that serve as gateways to the yards, elevator lobbies with pram storage rooms, and the corridors on each floor. The color casts overtones and gives some extra intrigue to the depth of the galleries. This effect was used by the architects in the “Akvareli” (“Watercolor”) housing complex located comparatively near, in Balashikha, which was completed six years earlier. This housing complex, just many other buildings designed by Ostozhenka, is echoed by a sophisticated structure of volumes that combines “beams” with “towers” and is abundant in cutaways, which turn out to be both a “compulsory measure”, i.e. the result of searching for the optimum insolation solution – and, at the same time an artistic device that enriches both plastique and silhouette. What also makes this complex akin to “Akvareli” is also the architects’ love for white color – which easily reflects other colors and sunlight. In this particular instance, the architects settled on white stucco, both for economy and imagery reasons.

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    Novokraskovo housing complex. View of the yard of the first block © Novokraskovo housing complex
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. View of the yard of the second block
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. View of the first block from the Egoryevskoe highway
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. A facade fragment
    Copyright: © Ostozhenka Bureau


But then again, in spite of these similarities, the complexes are completely different. “Novokraskovo” is much more about the “fortress” theme, very much like a silhouette outline of an Italian castello – which is boosted by externally brick façades and towers, especially those three that stand along the highway, at the basis of which the pylons of the “porticos” appear. But then again, it does not go any further than a mere hint: just as important is the image of the “city at large”, a complex multi-height and multicolored structure. The white color mostly belongs with the yards but it also appears on the outside façades; the brick also “leaks inside”, reminding us of a jigsaw puzzle of numerous interconnected differently colored pieces or a snow iceberg melting inside the brown crust.

The sculptural image is dictated, among other things, by the insolation requirements – the architects explain – but it is strengthened by the “introduction of white stucco fragments into the outside perimeter and, the other way around, brick ones into the yards” – in order to avoid the effect of lengthy façades of equal height along the perimeter of the complex.

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    Novokraskovo housing complex. View of the yard of the first block
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. View of the building of the first block
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. A facade fragment
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. View of the building of the second block
    Copyright: © Ostozhenka Bureau


“Both these materials are naturally warm and really homely – the architects explain – and on the sensitive level, however different, they are perceived as being of the same kind, and they beautifully complement each other. In the vein of this solution, dictated, among other things, by economic reasons, we made the choice of color and stucco, and designed the façade surfaces”.

Novokraskovo housing complex. Overview from the Korenevskoe Highway
Copyright: © Ostozhenka Bureau


This is not all there is to it, however: depending upon their location, the façade materials get different rhythms of alternating vertical and horizontal windows. On the brick façades, it is strictly chessboard-like, the narrow windows being grouped in twos that look very much like a pair of eyes above the wide open mouth of the horizontal window. In the yards, the rows of windows become more agile and form punctured lines. The white side ends are getting pristine diagonal compositions of small openings that distantly resemble the façade grid of the Melnikov House. The strict diagonal rhythm is also supported by the casings of the air conditioning units – on the outside façades they are painted the color of the walls and thus merge with the brick and white colors alike. Inside the yards, the casings also become a color code element. The casings are factory-painted, while the round openings in the metal help the “little balconies” to perform the expected decorative function. In combination with the colorful slants and the dazzling white of the wall everything looks fresh and pure. The balconies, which are sunken in to be on a level with the wall on the façades, turn into bay windows on the yard side, getting a slight sideways turn and their share of color.

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    Novokraskovo housing complex. View of the second block from the Egoryevskoe Highway
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. View from the Egoryevskoe highway
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. View from the Korenevskoe highway
    Copyright: © Ostozhenka Bureau


Of course, the sophisticated silhouette of the complex is defined by the balance between the required output of square footage, insolation requirements, height restrictions, and town planning logic. This is why the corner building, the one that faces the crossroads and the square, is seven stories high. It serves as a transition link between the complex and the surrounding houses that are mostly two or three stories high standing behind the trees – and ensures a comfortable city scale. Further on, on either side, the volumes grow higher up to a maximum of 17 floors. One must say that on the other side of the Chekhova Street (which is also the Korenevskoe Highway), on the territory of the Construction Research and Development Institute, the Vyacheslav Bogachkin Architects designed a housing project of the same height, and, therefore, in the course of the design work, Ostozhenka Architects had to take into account not only the already-existing buildings but also this neighboring project; but then again, it is not yet clear if the latter will be actually built.

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    Novokraskovo housing complex. The 1st floor
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. The 5th floor
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. The 14th floor
    Copyright: © Ostozhenka Bureau


One of the important narratives of the project is the system of green spaces that penetrating the entire residential area. Arrays of new, so far small, trees separate the complex from the street and the highway, and surround it along its perimeter. On the inside of the complex, there will be a crossing of two boulevards. On the one hand, they will serve as the inside traffic arteries, and, on the other hand, they are connected by pedestrian links with landscaped vehicle-free yards and the quarry lake shore. The construction of a school and underground parking garage is still debated because they would have to be built on alluvial lands, and the local residents protest against filling some of the lake. The construction of a kindergarten, which is located closer to the residential buildings, has already begun.

Novokraskovo housing complex. Top view, a fragment
Copyright: © Ostozhenka Bureau


In spite of the rather sophisticated composition of volumes, the architects were still able to avoid sharp angles in their planning solutions and get the required diversity of apartment floor plans – from small studios to spacious three-room apartments. Virtually all of the curvilinear surfaces conceal stanza balconies that make it possible to solve the task of making sure that the rooms nevertheless have regular measurements; some of the apartments of the first, second, and third floors are enlarged in order to get the required amount of sunlight. Going higher up, the architects unified the floor plans, considering the fact that the project is essentially economy class. The corridors are rather long at times, leading to 7-8 small apartments, which is crucial for space-efficient planning. 

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    Novokraskovo housing complex. Development drawing along the inner boulevard
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. Development drawings
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    Novokraskovo housing complex. The facade scheme
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. The facade scheme
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. Development drawings
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. Development drawings
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. Facades, Buildings 2 and 3 © Novokraskovo housing complex
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. Facades, Buildings 5 and 6 © Novokraskovo housing complex
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. Longitudinal section view, Building 3 © Novokraskovo housing complex
    Copyright: © Ostozhenka Bureau
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    Novokraskovo housing complex. Longitudinal section view, Building 4 © Novokraskovo housing complex
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    Novokraskovo housing complex. Longitudinal section view, Building 5 © Novokraskovo housing complex
    Copyright: © Ostozhenka Bureau


Ostozhenka Architects have long since developed their own methods of creative and productive work with large-scale housing projects: they inevitably turn out to be big – yes – but still recognizable and having a unique identity of their own. When still in the concept stage, the architects considered a prospect of building a few towers here, yet the project ultimately ended up being made of perimeter city blocks sporting a picturesque silhouette formed by rhythmically placed tower-like volumes. The complex became one of the logically grounded versions of implementing the idea that Ostozhenka Architects have been promoting for years – perhaps, from the day the company was founded – and which is still relevant today. Essentially, this residential area is a small town in its own right, which sets new standards of space organization to this actively developing formerly industrial area.
Novokraskovo housing complex
Copyright: © Ostozhenka Bureau


25 March 2019

Headlines now
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.
A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.
Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.