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Basmanny ​Manhattan

​Designed by City Arch, the city block on Moscow’s Malaya Pochtovaya Street, with its red-brick high-rises, terraces and penthouses, looks a little bit like Tribeca and other places in Lower Manhattan, New York City. The architecture of the complex explores a high potential of this university area and brings extra benefits to its residents.

11 June 2019
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The housing complex on the Malaya Pochtovaya Street is being built next to Moscow State Technical University named after N.E.Bauman, a prestigious educational institution that defines the atmosphere of this part of the Basmanny district of Moscow. There are lots of buildings around here that belong to the university, as well as to the startup companies that some of the university alumni launch after graduation. That is to say that this place is dominated by young, smart, and active people, chiefly male. You could even say that this is the nest of Richard Florida’s creative class because in his world-famous book “The Rise of the Creative Class” the sociologist wrote first of all about IT specialists who are in great demand in the modern world. In the age of augmented intelligence, the brainpower is flourishing and feeling confident about tomorrow. And, although the technical progress is moving forward by leaps and bounds in this field, the town-planning progress in this area of the nation’s capital is decades behind.

The development of this territory is expected to gain extra momentum thanks to the opening of a new additional entrance of the Baumanskaya metro station. The stream of commuters will be rerouted through the industrial park of the former plant of electrical equipment MZATE-2. Currently, the territory of the plant is outside of the life circle of the neighborhood, and the architectural environment does not meet people’s needs either. The endless walls and fences form labyrinths and dead-end alleys of a loosely organized, chaotic, and faceless industrial area. The residents of the nearby homes are forced to detour this area as an estrangement zone, while the university students have to contemplate the tar sheet roofs from the auditoriums.

The multifunctional housing complex at Malaya Pochtovaya, 12
Copyright: © City-Arch
The town-planning situation
Copyright: © City-Arch


The block construction analysis
Copyright: © City-Arch


The current environment of the MZATE-2 factory
Copyright: © City-Arch


The architects of “City-Arch” are proposing their own solution for the town planning problems of this area as a multifunctional housing development. The prevalence of the housing function will not only add to the housing stock in the city center, but also ensure comfort and safety of the city block: the area will be “watched over” from the windows of the new homes 24/7. As for the residents of the new complex, they will get a 5-minute walking distance to the metro station, a 7-minute walking distance to the Lefortovsky Park, and functionally eventful bottom floors. Running down the Gospitalnaya Street, the path to the new entrance to Baumanskaya metro station (to be opened in 2020) will not run past the dull factory fence anymore but past shop windows and a landscaped pavement with art objects and recreation spots. Making use of the fact that the ground level goes down from the metro station towards the university the height of a whole floor, the architects were even able to make two levels for pedestrian walks. Thus, the first “New York” association comes to mind – it looks a little bit like the High Line Park that carries the public functions of the bottom multi-height floors. The metro station, the university, and the housing complex itself are significant gravity centers, so there is no double that street retail will be in demand here.

The form-making scheme of the complex
Copyright: © City-Arch


Thanks to its height difference, the construction site of an irregular shape gave the architects an opportunity to inscribe the underground parking garage into the podium part of the project, which ultimately vacated extra area for landscaping. The client – MZATE-2, the owner of the land – expectedly briefed great density – about 39 000 people per hectare. Proceeding from the required figure and the maximum allowed height, the architects positioned the “building blocks” (of a known yield of useful floor space) along the perimeter of the land site, then turned them around based on the insolation and aeration of the apartments, as well as the organization of the yard space. Playing around with the number of floors in each of the sections (it ranges from 7 to 18), the architects were able to come up with diverse silhouettes and provide most of the apartments with panoramic views.

The technical and economic performance of the complex
Copyright: © City-Arch


The complex consists of ten towers. Five towers are lined up alongside the street, three are turned at an angle; one, seven stories high, was fitted into the yard, and one duplicates the street lineup, at the same time forming an arch leading into the yard. The street-side lineup is continued by the already-existing office building that belongs to the client. It is planned that this building will host a museum or modern art.

The creation of the image of the complex
Copyright: © City-Arch


The multifunctional housing complex with an underground parking garage at Malaya Pochtovaya, 12
Copyright: © City-Arch


Responding to the “factory” theme, the façades of three towers standing along the street will be made of red Flemish brick – sturdy and warm tactile material. The light-colored towers will be decorated with ceramic tiles, hollow inside. The pattern of narrow windows grouped in two or three floors is a technique that visually diminishes the number of floors. The slender windows make the façade easily readable, and bring everything to human-friendly proportions. In the early versions of the project, the towers standing along the street were orthogonal but then the architects decided to make their top parts lighter and more narrow, and accentuate them with black color. This is how terraces with penthouses came around, which went a long way to increase the attractiveness and the price of the top-floor apartments, thus making up for some loss in useful floor space. The terraces on the roofs make the top floor make like classic textbook penthouses of the Tribeca so much loved by movie makers. In my opinion, the architects could have made the ledges on all the four sides, and not just on two – the more terraces the better.

The multifunctional housing complex with an underground parking garage at Malaya Pochtovaya, 12
Copyright: © City-Arch


The multifunctional housing complex with an underground parking garage at Malaya Pochtovaya, 12
Copyright: © City-Arch


The multifunctional housing complex with an underground parking garage at Malaya Pochtovaya, 12
Copyright: © City-Arch


The public volumes, which unite the residential section on the bottom level, simulate the industrial architecture of the XIX century: squatting arches with triangular frontons look like the entrances to the factory or warehouse territory, even though the Ladovsky’s portal on the Krasnye Vorota also comes to mind. One of the arches has a skylight in it that is vaguely reminiscent of a factory chimney and conveys daylight to the tall inside space beneath the arch. This part of the podium is connected to the office building, and, if it is indeed to become a museum, it will make sense to exhibit large-scale installations here. The arches are made of concrete, while the framework of the stained glass windows is made of black steel. The horizontal steel girder under the fronton offers some space for advertising billboards. In the same style, and from the same double-L beams, the architects are planning to make the benches with wooden seats, streetlights, and other outdoor furniture, the main accent being a metallic arcade with swings.

The multifunctional housing complex with an underground parking garage at Malaya Pochtovaya, 12
Copyright: © City-Arch


The multifunctional housing complex with an underground parking garage at Malaya Pochtovaya, 12
Copyright: © City-Arch


The first level of the podium is essentially a tall space – 6 meters high – and it is designed is such a way that one can use either the whole of it, or it can be divided among different renters having a loft floor in it. Supposedly, it will host a supermarket, a children’s store, a bookstore, a stationary store, as well as one of the floors of a 3-level co-working space, with a flexible interior that can be transformed for various events. The top level of the podium (the High Line) unites the bottom multi-height floors with various functions, meant both for the local residents and the transient flow “metro station – university”: a bank, a café, a restaurant, a drugstore, a fitness center, an exhibition gallery, and rentable premises for local businesses and startups, for example, the university alumni.

The multifunctional housing complex with an underground parking garage at Malaya Pochtovaya, 12
Copyright: © City-Arch


The section view (schemetic) along the Gospitalnaya Street
Copyright: © City-Arch


The section view (schemetic) from the side of the Cheshikhinsky Drive
Copyright: © City-Arch


The functional diagram of the complex from the Bolshaya Pochtovaya Street
Copyright: © City-Arch


The yard space is conditionally divided into two levels by the terraced terrain. The highlights of the yard are playgrounds and sports fields for people of various age brackets, designed for passive and active recreation. What is also important is the fact that the yard is not isolated from the nearby “Brezhnev” houses: a winding ramp is lengthening the walking route and gradually descends towards the earlier-built houses, making a few great ice slides for children in the wintertime. Therefore, the neighbors will be also getting extra bonuses from the appearance of this new housing project with a thought out and picturesque recreational space.

The inside yard of the complex from the side of the Cheshikhinsky Drive
Copyright: © City-Arch


The landscaping design of the yard space
Copyright: © City-Arch


The multifunctional housing complex at Malaya Pochtovaya, 12. The scheme of the planning solutions at the 0.000 elevation
Copyright: © City-Arch


The multifunctional housing complex at Malaya Pochtovaya, 12. The scheme of the planning solutions at the -5.200 elevation
Copyright: © City-Arch


The apartment floor plans were designed with regard to the fluctuations of the housing market – specifically, they leave a possibility to increase the number of small apartments, should such need arise. In a standard three-room apartment, the living room and the kitchen have windows open on one side, the bedroom and the children room – on the other. The heating convectors are installed in the floor before the windows, which made it possible to make all the windows as floor-to-ceiling, thus further increasing the residents’ quality of life.

The overall view of the complex from the birds-eye view
Copyright: © City-Arch


The new complex is meant to improve the quality of the local urban environment, and, possibly, set a new town planning trend – a “Manhattan” one, where a person, put amidst high-rises, still feels safe and interested. And, in order to achieve that, you only need to get an organized public territory, a well-developed structure of the lower floors, and an unusual-looking silhouette of the rooftops.


11 June 2019

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.