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Oleg Carlson: “After I watched the Hugh Laurie TV series I realized that I am also a doctor, only I treat houses instead of people”

The architect is speaking about his Facebook project in which he shares about frequent cases of “healing” private residences designed with mistakes of various degrees of severity.

04 October 2018
Interview
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A country residence is a special architectural genre, which, as life shows, is something that not all of the architects can successfully master. A lot of country houses require major adjustments, they need therapy, and sometimes even surgery. Oleg Carlson has come up with an Internet project #ДокторHouse: the materials of the country residence projects that he cured are posted online in a “before-and-after” format on his Facebook page and the page of “ASB Carlson and K”.

How did your “Doctor House” story begin?

Surfing the Internet on long winter evenings, you can find lots of different things, including information about designing country houses. My colleagues post online their floor plans, the developers advertise their projects of country houses, and so on. And sometimes designers come with the project complaining about the fact that they do not understand how to do the interior design for the floor plan that was just thrust upon them.

Regretfully, most of houses built by such projects are subject to major reconstruction or even demolition. However, while the house is not yet in construction, it is not too late to put things right. And sometimes you just examine such a project, then you grab your pencil and start correcting the obvious limitations of the house planning. Or sometimes you just take the geo basis, the house plans, and make over the entire project – let’s say, revert the axis or apply the modular design principle.

This is how I started this “before and after” page on Facebook, where we posted the materials of the original and the revised projects, getting in touch with the authors in order to share our experience, to prove our solutions right, and to teach them the principles of architectural design.

And after I watched the Hugh Laurie TV series I realized that I am also a doctor, only I treat houses instead of people. House, M.D. has been out for thirty seasons (well, here we might want to ask Oleg what exactly he considers to be a “season”). Each year we “cure” from 20 to 30 projects. We have a goal of correcting the limitations of the project before the construction begins, thus saving the client’s time, money, and the customer's nervous system.

Oleg Carlson © ASB Carlson & K
The facades of a country house: before and after © ASB Carlson & K


Plan of the 1st floor: before and after © ASB Carlson & K


Plan of the 2nd floor: before and after © ASB Carlson & K


What are the main limitations of the projects that you undertake to make over?

The most common mistake is when you have a large total area and lots of useless premises in the house: corridors, some transient zones that are not included in the scenario of the life of the house, gigantic furnace rooms, and such like. Now add to this inconvenient and unsafe stairways – steep or narrow or dark – and incompetently designed bathrooms. A separate subject is the second-level space. You just cannot have second-level space in houses under 300 square meters because it steals the useful floor space from the bedroom. Say, why would you ever want to move from a cramped city apartment into a house of your own with bedrooms 10-12 square meters?

This is what goes on on the inside. On the outside, it is mostly open balconies and entrance groups that get piled up with snow, and flat roofs that start leaking every spring requiring some major repairs.

A lot of mistakes have to do with positioning your house in the site: the living room windows overlooking the fences, and the windows of some stupid mechanical rooms overlooking the gardens. The living rooms may look south, and the bedrooms may look north – and this is in our climate where you may not see the sun for weeks!

Once I was invited by the “Idealny Renont” (“Perfect Remodeling”) TV show on Channel 1 to the house of Sergey Yursky and his wife Natalia Tenyakova. This is where I had the complete set of designing mistakes! Starting from the wrong orientation of the house on the land site, which resulted in the fact that the house was turned to the plot with its rear façade, and the bedroom windows were stopped dead by the fences. There was yet another curious thing that was left off-screen in the TV show: how, with a bedroom on the second floor, the house got an extra outlaw bathroom, and how the stairway was made over in such a way that now the only way to climb it without running the risk of breaking your neck was doing it in groups holding each other’s hands.

What do you think is the cause of such unsuccessful projects?

Our architects are underpaid by their clients. Oftentimes, even very rich people look to pay for their project as little as possible, inviting “architects” who agree to design a house for 10 euros per square meter. So they end up getting what they later on take to us for a fix.

The quality of the project is not guaranteed by the client’s readiness to pay, either. I have had to make follow-up corrections in the projects done by an American firm that designed a house in the Wright style.

Wright houses are all about iron logic based on the modular design principle. But this logic has yet to be adapted to our climatic conditions, starting from organizing the tambour, which is nonexistent in Wright’s projects.

Another reason for these stupid mistakes – and this is something that I totally disagree with – is the belief of some of my colleagues that “the customer is always right”. The client comes to an architect assuming that he is a professional. The architect’s task is to ask his client lots of questions about how he sees his or her house, what kind of family they have, what their lifestyle is, hear the client out, and then propose his own solution, convincing, if necessary, the client of its advantages. The client’s will is no excuse for a bad project.

And what can you say about your own clients? Their wealth and social status alone must be enough of a reason to be intimidated to disagree with them, are they not?

As time goes by, you also develop your own authority, and when really rich clients come to you, they realize that they are coming to an acclaimed professional. These clients know how important it is to listen to the professional opinion.

Villa "Svetlana": before and after © ASB Carlson & K


Villa "Svetlana", plan of the first floor: before and after © ASB Carlson & K


Villa "Svetlana", plan of the second floor: before and after © ASB Carlson & K


Could you say that all of the Russian clients prefer some specific style?

Classical houses are definitely more popular in this country because classics is something that our clients understand and are used to. The main problem is that oftentimes you have a land plot of about 30-40 hundred square meters, and the client wants to build on it a manor house or even a palace, oblivious of the fact that a palace, whatever kind it is, presupposes lots of space around it.

It’s not often that the clients come to me asking to design a house in modern style. In order to want to build a “modern” house, you need to have lived in a classical one for a while. The client must get ripe for the modern architecture, learn to appreciate the beauty of its shapes, technologies, and materials. So, most of the time we play classics.

Let’s take our settlement “Sokol” for example – the houses that were built here in the very beginning. Some will say that this is a boring and dull kind of architecture. But in reality, everything was done there in a beautiful, competent, and grand-scale manner.

The facades of a country house: before and after © ASB Carlson & K


Floor plan: before and after © ASB Carlson & K


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What kind of advice would you give to those who only begins to design houses on their own? How do you learn to make great projects?

Back in the day, you could only get information from specialized magazines, and those were few and far between. At the university, we could only get them with written acknowledgement of receipt. Today you have the Internet that shows you all the expertise that is out there. Just go for it, take it and use it but don’t forget to use your head as well. Again, because of the Internet, the same mistakes keep popping up in many different projects over and over again. And, again, there are lots of great projects out there – you don’t really have to design anything, everything was designed before you.

Also, you need to learn to explain to your client the benefits of professional architectural solutions, and then you are going to end up getting more great projects to be ultimately proud of.

The Internet is more and more becoming the leading educational resource. Do you plan to further develop your “Doctor House” project?

Today, the knowledge and experience that we accumulated in the course of design and construction of individual residences, as well as our appreciation of the architecture of the perfect house, is only our knowledge and experience, about which we share a little on our “Doctor House” page.

We also have plans for launching our YouTube channel in the nearest future. We are already posting videos online in which I share about the subtleties of making a floor plan for a private residence. We will be posting a new video every two weeks: sharing about our new projects as they are “on paper” and about our visits to our clients. So, we are planning to continue sharing our experience and we hope that in the future Doctor House will not only treat houses but also teach people.


04 October 2018

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.