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Oleg Carlson: “After I watched the Hugh Laurie TV series I realized that I am also a doctor, only I treat houses instead of people”

The architect is speaking about his Facebook project in which he shares about frequent cases of “healing” private residences designed with mistakes of various degrees of severity.

04 October 2018
Interview
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A country residence is a special architectural genre, which, as life shows, is something that not all of the architects can successfully master. A lot of country houses require major adjustments, they need therapy, and sometimes even surgery. Oleg Carlson has come up with an Internet project #ДокторHouse: the materials of the country residence projects that he cured are posted online in a “before-and-after” format on his Facebook page and the page of “ASB Carlson and K”.

How did your “Doctor House” story begin?

Surfing the Internet on long winter evenings, you can find lots of different things, including information about designing country houses. My colleagues post online their floor plans, the developers advertise their projects of country houses, and so on. And sometimes designers come with the project complaining about the fact that they do not understand how to do the interior design for the floor plan that was just thrust upon them.

Regretfully, most of houses built by such projects are subject to major reconstruction or even demolition. However, while the house is not yet in construction, it is not too late to put things right. And sometimes you just examine such a project, then you grab your pencil and start correcting the obvious limitations of the house planning. Or sometimes you just take the geo basis, the house plans, and make over the entire project – let’s say, revert the axis or apply the modular design principle.

This is how I started this “before and after” page on Facebook, where we posted the materials of the original and the revised projects, getting in touch with the authors in order to share our experience, to prove our solutions right, and to teach them the principles of architectural design.

And after I watched the Hugh Laurie TV series I realized that I am also a doctor, only I treat houses instead of people. House, M.D. has been out for thirty seasons (well, here we might want to ask Oleg what exactly he considers to be a “season”). Each year we “cure” from 20 to 30 projects. We have a goal of correcting the limitations of the project before the construction begins, thus saving the client’s time, money, and the customer's nervous system.

Oleg Carlson © ASB Carlson & K
The facades of a country house: before and after © ASB Carlson & K


Plan of the 1st floor: before and after © ASB Carlson & K


Plan of the 2nd floor: before and after © ASB Carlson & K


What are the main limitations of the projects that you undertake to make over?

The most common mistake is when you have a large total area and lots of useless premises in the house: corridors, some transient zones that are not included in the scenario of the life of the house, gigantic furnace rooms, and such like. Now add to this inconvenient and unsafe stairways – steep or narrow or dark – and incompetently designed bathrooms. A separate subject is the second-level space. You just cannot have second-level space in houses under 300 square meters because it steals the useful floor space from the bedroom. Say, why would you ever want to move from a cramped city apartment into a house of your own with bedrooms 10-12 square meters?

This is what goes on on the inside. On the outside, it is mostly open balconies and entrance groups that get piled up with snow, and flat roofs that start leaking every spring requiring some major repairs.

A lot of mistakes have to do with positioning your house in the site: the living room windows overlooking the fences, and the windows of some stupid mechanical rooms overlooking the gardens. The living rooms may look south, and the bedrooms may look north – and this is in our climate where you may not see the sun for weeks!

Once I was invited by the “Idealny Renont” (“Perfect Remodeling”) TV show on Channel 1 to the house of Sergey Yursky and his wife Natalia Tenyakova. This is where I had the complete set of designing mistakes! Starting from the wrong orientation of the house on the land site, which resulted in the fact that the house was turned to the plot with its rear façade, and the bedroom windows were stopped dead by the fences. There was yet another curious thing that was left off-screen in the TV show: how, with a bedroom on the second floor, the house got an extra outlaw bathroom, and how the stairway was made over in such a way that now the only way to climb it without running the risk of breaking your neck was doing it in groups holding each other’s hands.

What do you think is the cause of such unsuccessful projects?

Our architects are underpaid by their clients. Oftentimes, even very rich people look to pay for their project as little as possible, inviting “architects” who agree to design a house for 10 euros per square meter. So they end up getting what they later on take to us for a fix.

The quality of the project is not guaranteed by the client’s readiness to pay, either. I have had to make follow-up corrections in the projects done by an American firm that designed a house in the Wright style.

Wright houses are all about iron logic based on the modular design principle. But this logic has yet to be adapted to our climatic conditions, starting from organizing the tambour, which is nonexistent in Wright’s projects.

Another reason for these stupid mistakes – and this is something that I totally disagree with – is the belief of some of my colleagues that “the customer is always right”. The client comes to an architect assuming that he is a professional. The architect’s task is to ask his client lots of questions about how he sees his or her house, what kind of family they have, what their lifestyle is, hear the client out, and then propose his own solution, convincing, if necessary, the client of its advantages. The client’s will is no excuse for a bad project.

And what can you say about your own clients? Their wealth and social status alone must be enough of a reason to be intimidated to disagree with them, are they not?

As time goes by, you also develop your own authority, and when really rich clients come to you, they realize that they are coming to an acclaimed professional. These clients know how important it is to listen to the professional opinion.

Villa "Svetlana": before and after © ASB Carlson & K


Villa "Svetlana", plan of the first floor: before and after © ASB Carlson & K


Villa "Svetlana", plan of the second floor: before and after © ASB Carlson & K


Could you say that all of the Russian clients prefer some specific style?

Classical houses are definitely more popular in this country because classics is something that our clients understand and are used to. The main problem is that oftentimes you have a land plot of about 30-40 hundred square meters, and the client wants to build on it a manor house or even a palace, oblivious of the fact that a palace, whatever kind it is, presupposes lots of space around it.

It’s not often that the clients come to me asking to design a house in modern style. In order to want to build a “modern” house, you need to have lived in a classical one for a while. The client must get ripe for the modern architecture, learn to appreciate the beauty of its shapes, technologies, and materials. So, most of the time we play classics.

Let’s take our settlement “Sokol” for example – the houses that were built here in the very beginning. Some will say that this is a boring and dull kind of architecture. But in reality, everything was done there in a beautiful, competent, and grand-scale manner.

The facades of a country house: before and after © ASB Carlson & K


Floor plan: before and after © ASB Carlson & K


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What kind of advice would you give to those who only begins to design houses on their own? How do you learn to make great projects?

Back in the day, you could only get information from specialized magazines, and those were few and far between. At the university, we could only get them with written acknowledgement of receipt. Today you have the Internet that shows you all the expertise that is out there. Just go for it, take it and use it but don’t forget to use your head as well. Again, because of the Internet, the same mistakes keep popping up in many different projects over and over again. And, again, there are lots of great projects out there – you don’t really have to design anything, everything was designed before you.

Also, you need to learn to explain to your client the benefits of professional architectural solutions, and then you are going to end up getting more great projects to be ultimately proud of.

The Internet is more and more becoming the leading educational resource. Do you plan to further develop your “Doctor House” project?

Today, the knowledge and experience that we accumulated in the course of design and construction of individual residences, as well as our appreciation of the architecture of the perfect house, is only our knowledge and experience, about which we share a little on our “Doctor House” page.

We also have plans for launching our YouTube channel in the nearest future. We are already posting videos online in which I share about the subtleties of making a floor plan for a private residence. We will be posting a new video every two weeks: sharing about our new projects as they are “on paper” and about our visits to our clients. So, we are planning to continue sharing our experience and we hope that in the future Doctor House will not only treat houses but also teach people.


04 October 2018

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.