По-русски

​Wooden Stones

The conceptual project by Totan Kuzembaev and the Sokolsky woodworking integrated plant is meant to demonstrate the diversity of design solutions that use wooden CLT panels, and the possibilities for combining these panels with concrete structures, including the field of renovating the Soviet-era five-story houses instead of tearing them down completely.

26 April 2018
Object
mainImg

The concept of a multistory wooden cluster named “Wood City” was developed by Totan Kuzembaev Architectural Studio at the request of the Sokolsky woodworking integrated plant, part of Segezha Group. The project is of the “paper” kind to some extent, its purpose being to demonstrate, at the example of a specific platform, the potential of wooden multistory housing construction with the use of the CLT (cross laminated timber) panels. It is not accidental that the name of this visionary project echoes that of the famous Finnish project “Wood Town”, which was developed in 1997 by the University of Oulu; it was about popularizing wooden construction in Finland, and the project was a success: today, Finland builds multistory residential houses with a large share of wooden structures used in their construction. In Russia, however, the idea of multistory wooden construction is still waiting for the amendments to the existing construction rules and regulations, as well as for steady production of the building materials.

As a demonstration platform, the architects chose a Moscow micro-district named “Kamushki” (which literally translates as “Little Stones”), lying north of the Moscow City business center. In 2006, the Creative Union “Reserve” designed a housing and business complex here; today, the brick five-stories got into the housing renovation program – in their stead, Totan Kuzembaev designed houses of his own, and for some buildings on the corner he even proposed a possibility of reconstruction (without being torn down) by building new independent structures – wooden casings for the old buildings – and improving the living conditions by expanding the floor space and adding a mansard floor. This in fact was the development of the idea that was widely discussed in 2017 immediately after the renovation program was announced: why tear things down if we can reconstruct them? It is clear that not everyone is chuffed at the prospect of getting his beloved home torn down.

The opportunities for reconstruction combined with widening of the floor space are demonstrated in houses #20, 18, 3 and 5 in the southern part of the territory, between the 1st and 2nd Krasnogvardeiskiy drives and the Antonova-Ovseenko Street: a few five-story houses, which form here the perimeter of a large yard, are turned by Totan Kuzembaev into a city block united by a concrete public first floor. At first, the five-story houses are reconstructed, and after that they get a buildup of wooden mansards or penthouses; the spaces between the buildings are filled with wooden structures which close the perimeter and take this city block to the scale of “Stalin-construction” houses.

Wood City housing complex © Totan Kuzembaev Architectural Studio
Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


In his project, Totan Kuzembaev deliberately proposes different types of structures and layouts. In the north corner, in the area where houses #33, 31 and 11 are situated, there is a concrete parking lot with an apartment building, which in terraced steps “cascades” down its roof – pretty much the way BIG did it in the Guide to the Ørestad district of Copenhagen, only in this instance the originality of Totan Kuzembaev’s idea consists in a combined construction plan of wood and concrete.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Nevertheless, it is not only the parking lot that is made of concrete. All the houses here rest upon the podiums of concrete ground floors that contain public functions: cafés, shops, children’s clubs and everything that is naturally expected from the modern urban environment.

The houses that are made fully from wood, barring the first concrete floor, are subdivided into several types in accordance with their construction: panel type – made from CLT panels, modular – made from prefabricated modules, panel/modular and panel/framework ones – the latter combine panels and beams of glued wood.

The diagram of construction solutions. Wood City housing complex © Totan Kuzembaev Architectural Studio


And, if we are to speak about the layouts, the western part, which is closer to the Third Transport Ring, gets yet another city block of varying height, built with a panel/modular technology, which completes the group of renovated houses. This is a sectional house, and at the joints its sections are separated by concrete firewalls in order to make the building really fireproof. But then again, CLT panels are fireproof as it is because this is a massive structure – says the Vice President of Segezha, Dmitry Rudenko.

Wood City housing complex © Totan Kuzembaev Architectural Studio


The western block, unlike the southern one, is of ostentatiously varying height: it sports romantic pitched roofs, separated by green terraces on the level of the fifth floor. Glittering from behind the tree trunks, the glass of the window panes on the bottom floors creates an effect of a “hanseatic town” hovering in a cloud of greenery.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


However, neither the austere and dense block that is reconstructed from the surviving five-story buildings, nor the light winsome little city with pitched roofs come close to the towers that the architect placed in the middle: three Aztec pyramids with a cutoff top are (panel) and four panel/framework houses with “dancing” floors (the framework is needed to support the dance) and panoramic windows on all of the floors. And five modular houses, in which many of the volumes stand out like building blocks in a toy construction set, making a parade of the possibilities of the wooden cantilevered structures, which are definitely richer than those of concrete. These buildings look like avant-garde structures, whose purpose is to surprise people with their diversity. However, in addition to the spectacular plastic solutions – and we are stressing it here – each of them is tied to a specific type of construction elements set, demonstrating its advantages and potential.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


The play of the volumes is further supported by the children’s playgrounds/art objects in the yards.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


***

“It was the architects’ initiative to propose several types of houses, and now we can see the new housing units, built in the spaces between the already existing buildings, organically turn this micro-district, built back in the 1960’s, into a modern city block. There was no question about who should become the author of this project. Totan Kuzembaev is a true virtuoso in the field of wooden construction, he understands it and he feels it like nobody else does – Dmitry Rudenko says – In this country, there has been a lot of talk about wooden housing construction but this notion most of the time comes down to a single cottage built with the use of traditional technology from logs, or, at best, from glued timber, while wooden structures have been long since been used in the housing construction all over the globe, just as in the construction of public and office buildings. In order to showcase the real potential, we decided to take a venue in Moscow and use it as an example of a city block, in which modified wood is extensively used, specifically, CLT as the most promising material, whose operational properties are as good as those of concrete. We want to show that it’s about modern architecture, and not about village huts. The Wood City project is a part of the global strategy because just coming up with the idea of a city block does not yet mean building it. It is necessary not only to change the construction rules and regulations with regard to the new materials but, in the light of the prospects for such changes, launch the production of such materials by building new integrated house construction factories that would make houses from wood instead of concrete”.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


“So far, we are only dreaming of wooden high-rises, and in many countries they are a reality. For our company, which has been working in the field of wooden architecture for a long time, this project became an opportunity to work with “quite different wood”. The new wood-based materials, just environmentally friendly as wood itself, and the appearance of a modern wooden city block are just as important as the appearance of a new park in the city” – Totan Kuzembaev says.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Oh, and by the way, about ecology! Wood as such is an environmentally friendly and sustainable material. In addition, the modular structures are capable of making the very construction process more ecological: due to the fact that they are only assembled together on the construction site, there will be neither dust nor dirt around. About the abundance of greenery that the project provides for: it is there in the yards, on the new roofs and even on the balconies, in accordance with the Singapore principle “place green plants wherever possible”. This must enhance the environmental message of the project: according to estimates, within twenty four hours the Earth grows enough trees to provide building materials for the construction of a wooden city block eight stories high. This green wooden block looks against the contrastive background of the Moscow City business center as a welcome oasis. According to the project, trees are also planted along the perimeter of the block, creating a “green screen” between the houses and the busy city highways.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Therefore, Wood City became an alternative, though slightly utopian, to the traditional Moscow approach to renovation. The height here only reaches 9 floors.

***

“We have material classification standards for metal, brick, concrete, and even glass – says the coauthor of the project Olzhas Kuzembaev – However, so far, there are no such classification standards for wood, it is only being developed now. When the construction rules include the classification for wooden structures and materials, this will hail the beginning of the new era of industrial-scale wooden construction.

All of the technologies that we proposed are basically ready to be used on an industrial construction scale. Which, in addition to the obvious economic benefits, contains a positive social aspect as well: it decreases the need for unskilled labor. Besides, this country currently exports more than 90% of industrial wood; abroad, it already considered as a high-technology material. And this in inefficient from the macroeconomic standpoint. In this project, our mission was to show that the industry of wooden housing construction can be just as up-to-date as the construction of any other materials, and in some aspects, even surpass them”.

Indeed, it does not look probable that Wood City can be implemented any time soon but the future is being brought closer to us by the issued in the late March of 2018 second edition of set of rules for the multi-apartment and public buildings with the use of wooden structures (rules for design and construction), which already cover the new wood-based materials. Still, the question remains open about certifying the modified wood-based materials, which are widely used in construction in many countries, such as CLT (that Wood City is built from), LVL and MXM. While all of these Issues are being settled, the wooden high-rises could be built on project specific technical conditions – in any case, our architects are ready for this.

26 April 2018

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.