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​Wooden Stones

The conceptual project by Totan Kuzembaev and the Sokolsky woodworking integrated plant is meant to demonstrate the diversity of design solutions that use wooden CLT panels, and the possibilities for combining these panels with concrete structures, including the field of renovating the Soviet-era five-story houses instead of tearing them down completely.

26 April 2018
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The concept of a multistory wooden cluster named “Wood City” was developed by Totan Kuzembaev Architectural Studio at the request of the Sokolsky woodworking integrated plant, part of Segezha Group. The project is of the “paper” kind to some extent, its purpose being to demonstrate, at the example of a specific platform, the potential of wooden multistory housing construction with the use of the CLT (cross laminated timber) panels. It is not accidental that the name of this visionary project echoes that of the famous Finnish project “Wood Town”, which was developed in 1997 by the University of Oulu; it was about popularizing wooden construction in Finland, and the project was a success: today, Finland builds multistory residential houses with a large share of wooden structures used in their construction. In Russia, however, the idea of multistory wooden construction is still waiting for the amendments to the existing construction rules and regulations, as well as for steady production of the building materials.

As a demonstration platform, the architects chose a Moscow micro-district named “Kamushki” (which literally translates as “Little Stones”), lying north of the Moscow City business center. In 2006, the Creative Union “Reserve” designed a housing and business complex here; today, the brick five-stories got into the housing renovation program – in their stead, Totan Kuzembaev designed houses of his own, and for some buildings on the corner he even proposed a possibility of reconstruction (without being torn down) by building new independent structures – wooden casings for the old buildings – and improving the living conditions by expanding the floor space and adding a mansard floor. This in fact was the development of the idea that was widely discussed in 2017 immediately after the renovation program was announced: why tear things down if we can reconstruct them? It is clear that not everyone is chuffed at the prospect of getting his beloved home torn down.

The opportunities for reconstruction combined with widening of the floor space are demonstrated in houses #20, 18, 3 and 5 in the southern part of the territory, between the 1st and 2nd Krasnogvardeiskiy drives and the Antonova-Ovseenko Street: a few five-story houses, which form here the perimeter of a large yard, are turned by Totan Kuzembaev into a city block united by a concrete public first floor. At first, the five-story houses are reconstructed, and after that they get a buildup of wooden mansards or penthouses; the spaces between the buildings are filled with wooden structures which close the perimeter and take this city block to the scale of “Stalin-construction” houses.

Wood City housing complex © Totan Kuzembaev Architectural Studio
Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


In his project, Totan Kuzembaev deliberately proposes different types of structures and layouts. In the north corner, in the area where houses #33, 31 and 11 are situated, there is a concrete parking lot with an apartment building, which in terraced steps “cascades” down its roof – pretty much the way BIG did it in the Guide to the Ørestad district of Copenhagen, only in this instance the originality of Totan Kuzembaev’s idea consists in a combined construction plan of wood and concrete.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Nevertheless, it is not only the parking lot that is made of concrete. All the houses here rest upon the podiums of concrete ground floors that contain public functions: cafés, shops, children’s clubs and everything that is naturally expected from the modern urban environment.

The houses that are made fully from wood, barring the first concrete floor, are subdivided into several types in accordance with their construction: panel type – made from CLT panels, modular – made from prefabricated modules, panel/modular and panel/framework ones – the latter combine panels and beams of glued wood.

The diagram of construction solutions. Wood City housing complex © Totan Kuzembaev Architectural Studio


And, if we are to speak about the layouts, the western part, which is closer to the Third Transport Ring, gets yet another city block of varying height, built with a panel/modular technology, which completes the group of renovated houses. This is a sectional house, and at the joints its sections are separated by concrete firewalls in order to make the building really fireproof. But then again, CLT panels are fireproof as it is because this is a massive structure – says the Vice President of Segezha, Dmitry Rudenko.

Wood City housing complex © Totan Kuzembaev Architectural Studio


The western block, unlike the southern one, is of ostentatiously varying height: it sports romantic pitched roofs, separated by green terraces on the level of the fifth floor. Glittering from behind the tree trunks, the glass of the window panes on the bottom floors creates an effect of a “hanseatic town” hovering in a cloud of greenery.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


However, neither the austere and dense block that is reconstructed from the surviving five-story buildings, nor the light winsome little city with pitched roofs come close to the towers that the architect placed in the middle: three Aztec pyramids with a cutoff top are (panel) and four panel/framework houses with “dancing” floors (the framework is needed to support the dance) and panoramic windows on all of the floors. And five modular houses, in which many of the volumes stand out like building blocks in a toy construction set, making a parade of the possibilities of the wooden cantilevered structures, which are definitely richer than those of concrete. These buildings look like avant-garde structures, whose purpose is to surprise people with their diversity. However, in addition to the spectacular plastic solutions – and we are stressing it here – each of them is tied to a specific type of construction elements set, demonstrating its advantages and potential.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


The play of the volumes is further supported by the children’s playgrounds/art objects in the yards.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


***

“It was the architects’ initiative to propose several types of houses, and now we can see the new housing units, built in the spaces between the already existing buildings, organically turn this micro-district, built back in the 1960’s, into a modern city block. There was no question about who should become the author of this project. Totan Kuzembaev is a true virtuoso in the field of wooden construction, he understands it and he feels it like nobody else does – Dmitry Rudenko says – In this country, there has been a lot of talk about wooden housing construction but this notion most of the time comes down to a single cottage built with the use of traditional technology from logs, or, at best, from glued timber, while wooden structures have been long since been used in the housing construction all over the globe, just as in the construction of public and office buildings. In order to showcase the real potential, we decided to take a venue in Moscow and use it as an example of a city block, in which modified wood is extensively used, specifically, CLT as the most promising material, whose operational properties are as good as those of concrete. We want to show that it’s about modern architecture, and not about village huts. The Wood City project is a part of the global strategy because just coming up with the idea of a city block does not yet mean building it. It is necessary not only to change the construction rules and regulations with regard to the new materials but, in the light of the prospects for such changes, launch the production of such materials by building new integrated house construction factories that would make houses from wood instead of concrete”.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


“So far, we are only dreaming of wooden high-rises, and in many countries they are a reality. For our company, which has been working in the field of wooden architecture for a long time, this project became an opportunity to work with “quite different wood”. The new wood-based materials, just environmentally friendly as wood itself, and the appearance of a modern wooden city block are just as important as the appearance of a new park in the city” – Totan Kuzembaev says.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Oh, and by the way, about ecology! Wood as such is an environmentally friendly and sustainable material. In addition, the modular structures are capable of making the very construction process more ecological: due to the fact that they are only assembled together on the construction site, there will be neither dust nor dirt around. About the abundance of greenery that the project provides for: it is there in the yards, on the new roofs and even on the balconies, in accordance with the Singapore principle “place green plants wherever possible”. This must enhance the environmental message of the project: according to estimates, within twenty four hours the Earth grows enough trees to provide building materials for the construction of a wooden city block eight stories high. This green wooden block looks against the contrastive background of the Moscow City business center as a welcome oasis. According to the project, trees are also planted along the perimeter of the block, creating a “green screen” between the houses and the busy city highways.

Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Wood City housing complex © Totan Kuzembaev Architectural Studio


Therefore, Wood City became an alternative, though slightly utopian, to the traditional Moscow approach to renovation. The height here only reaches 9 floors.

***

“We have material classification standards for metal, brick, concrete, and even glass – says the coauthor of the project Olzhas Kuzembaev – However, so far, there are no such classification standards for wood, it is only being developed now. When the construction rules include the classification for wooden structures and materials, this will hail the beginning of the new era of industrial-scale wooden construction.

All of the technologies that we proposed are basically ready to be used on an industrial construction scale. Which, in addition to the obvious economic benefits, contains a positive social aspect as well: it decreases the need for unskilled labor. Besides, this country currently exports more than 90% of industrial wood; abroad, it already considered as a high-technology material. And this in inefficient from the macroeconomic standpoint. In this project, our mission was to show that the industry of wooden housing construction can be just as up-to-date as the construction of any other materials, and in some aspects, even surpass them”.

Indeed, it does not look probable that Wood City can be implemented any time soon but the future is being brought closer to us by the issued in the late March of 2018 second edition of set of rules for the multi-apartment and public buildings with the use of wooden structures (rules for design and construction), which already cover the new wood-based materials. Still, the question remains open about certifying the modified wood-based materials, which are widely used in construction in many countries, such as CLT (that Wood City is built from), LVL and MXM. While all of these Issues are being settled, the wooden high-rises could be built on project specific technical conditions – in any case, our architects are ready for this.

26 April 2018

Headlines now
A New Track
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Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
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Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
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Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
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Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
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Depths of the Earth, Streams of Water
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Fir Tree Dynamics
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​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?