Continuing What Was Once Started

The project of an office-and-hotel complex located on the first kilometer of the Rublevo-Uspenskoe Highway develops their old ideas and responds to the architecture of the buildings that “Sergey Kisselev and Partners” had built earlier in this area.

Written by:
Julia Tarabarina
Translated by:
Anton Mizonov

21 February 2018

Object

Architect:

Firm:

Sergey Kisselev & Partners http://www.sk-p.ru/

The land site at the beginning of the Rublevo-Uspenskoe Highway has been explored by “Sergey Kisselev and Partners” for more than a decade now. In 2015, its south part saw the completion of the office center Pallau RB, the designing of which had been started still before the economic crisis of 2007. The north part of the territory lies vacant so far; it is meant to be used in another project that is now being considered by the government of the Moscow region.

This place, in spite of the proximity of Moscow’s main thoroughfare, is rather quiet: it is separated from the highway by two buildings of car dealerships; it is 170 away from the Moscow Ring Road, its north part borders on the villa community “Rublevo-10”, and its south part borders on the Romashkovsky Forest. For this reason, it was planned very early on that, in addition to offices, a hotel would be built here as well. Ultimately, the territory was divided into two parts: the part that is closer to the Moscow Ring Road got the office buildings “А” and “Б”, while the part that is closer to the forest got the hotel buildings “В” and “Г”; each pair of the buildings is linked by a podium. Beneath the entire territory of the complex, there is single-level underground parking garage. The two pairs of volumes that stand in a fan-like fashion from north to south are separated by a landscaped triangle with a small pedestrian promenade. It is planned that the hotel complex will be built first; the offices and the landscaping part will become the second stage of construction and will appear later on down the line.

zooming — Hotel and business complex on the Rublevo-Uspenskoe Highway. Photo visualization. View from the Rublevskoe Highway © Sergey Kisselev and Partners

The two office buildings form a visual transition and follow the outlines of the Pallau buildings, inheriting not only the business function, but also the abundance of glass and the angles of the sloping planes, including those of the roofs – inwards from the outside, as if all the slabs turn their noses up before the formal border of the nation’s capital – the Moscow Ring Road. If one is to look from the southeast, the office buildings line themselves up as an incremental rhythmic array, alternating glittering glass and yellowish façades. But then again, while the façade panels of Pallau are metal, and their delicate metallic glitter can be traced back to the original concept of a glass volume clad in golden casing, it is planned that the new buildings will utilize Jurassic stone: its color and texture is different but, if viewed from a distance, they would still look pretty similar.

The glass casing is also designed in a “reverse” way to a certain degree: the new buildings will also have glass façades, only these will be the side ends instead of the longitudinal walls. Their pixel-like pattern, dark on the downside and light on the upside, is provided by this simple technique: instead of conjuring with various shades of blacked out glass (which inevitably leaves the building’s without some of the ambient light), the architects proposed to take some of the glass sections with the same UF-protection coefficient, and reverse them 180º – this way, the protective properties remained just as effective, while the sunlight reflection angle became different, which is meant to create an effect of soft pixel “dissolution” of the glass surfaces and a smooth transition to the sky. This is a technique that is cost-efficient and elegant at the same time.

Thanks to the chamfers of the roofs – together they go 5 meters upwards – the architects were able not only to hide mechanical rooms but also to make the western part of the roofs usable – they will serve as venues for the office parties. According to the chief architect of the project, Anastasia Khomyakova, this place is sure to command fine forest views. The usable parts of the roofs are fenced off from the Moscow Ring Road by the overhangs of the mechanical rooms.

The other three façades are subjugated to a large-cell grid that vertically groups from three to five floors, the inner side wall sporting a regular grid with constant horizontals and verticals becoming denser but more slender with each upward step. As for the outer side façades, their horizontals are displaced: the result looks like a gigantic jigsaw puzzle or a simplified picture of some tectonic shift. The depth of the ribs also grows downwards, strengthening the geological or maybe gothic associations.

The two hotel buildings that stand in the western part of the territory look more conservative. The façades of the one that is closer to the center of the construction site are designed in dark brick, the architects planning to use hand-formed solid brick with a grisaille effect, which is created by the strips of lighter bricks running along the vertically grouped windows that make visible the sunlit chamfers – in order to raise people’s spirits and enhance the volume of the windows. Here, though to a smaller scale than on the office façades, the play of horizontals is also visible: the interfloor lintels are sometimes thinner and sometimes wider, and thus they form a semblance of a small wave. The lintels in the groups of windows are made of dark-brown brick; the frequent hollows of the stanza balconies are clad in dark metal bars, and all of this, put together, creates deep volumetric chocolate-colored façades. The tall 5-meter (as is the hot trend of today) ground floors are occupied by a cafe turned in the direction of the small park.

The second building, i.e. the one that stands closer to the woodland, is notable for its light-colored brick which is even closer to the color of white stone. The bricks here are also hand-formed, with crumpled “white-clay” texture – finding the right brick manufacturer turned out to be quite a chore. Neither verticals nor horizontals prevail here; rather, they are mixed up: the textured stripes put one in the mind of constructivist city blocks, and the dark inserts between the windows look as if they were borrowed from the neighboring building. The resulting hybrid is akin to a fragment of a strip of lace blown out of size – everything looks rather cozy, countryside-style, like a dappled shade on a summer terrace. But then again, let’s not forget that the warmth of the sepia grisaille is meant to compensate for the scale of the complex: each building here has 17 floors in it, and is 60 meters high, although, by the standards of buildings situated just beyond the Moscow Ring Road, this falls short of the notion of a “giant scale”, the common number of floors here being 25.

As we remember, the two hotel buildings are linked to each other by a podium which is the same 5 meters high as the public and commercial ground floors. It will host a fitness center with a spa; its landscaped roof will be turned into a walking promenade. This complex is interesting as the continuation of the work that “Sergey Kisselev and Partners” started here long ago. In this sense, their own creation (which, we have to admit, underwent some significant changes during the design process but still retained the architects’ original idea) becomes an important contextual fragment for the authors, requires a response, even some sort of resonance, to enhance and explore this theme even further. A keen observer may see here a kind of gothic tapering of the roofs of the office buildings that overlook the highway with two of their walls – and, at the same time, a slight transition to a different theme, which is homely, palpable, and is connected, let’s say, with the signs of the times; a theme which is defined by the functional requirements, and, possibly, by the relevance of the “Manhattan-type” high-rise brick imagery. The three blocks of buildings, the first of which is already complete, come together, one way or another, to form a certain chain, grow, turn around, change their materials, but remain parts of the same story.

Architect:

Firm:

Sergey Kisselev & Partners http://www.sk-p.ru/

21 February 2018

Headlines now

Review

Living in the Architecture of One’s Own Making

Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.

Object

A City Block Isoline

Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.

Report

Competition: The Price of Creativity?

Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.

Object

Terraced Design

The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.

A Kremlin’s Core and Meteorite Fragments

We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!

Contest Results

The Volga Regatta

GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.

Object

A New Track

We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.

Report

Four Different Surveys

The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.

Report

Scheduled Evolution

ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.

Object

The Golden Crown

The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.

News

Flexibility and Integration

Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.

Object

A Step Forward

The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.

Object

Gold in the Sands

A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.

Object

Layers and Levels of Flight

This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.

Object

Light and Shadow

In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.

View

Casus Novae

A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.

Report

Treasure Hunting

The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.

Object

Depths of the Earth, Streams of Water

In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.

Object

Fir Tree Dynamics

The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.

Object

A Brick Shell

In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.

Report

Word Forms

ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.

Object

Flexibility and Acuteness of Modernity

Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.

Interview

Yuri Vissarionov: “A modular house does not belong to the land”

It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.

Object

Moscow’s First

“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.

Object

Looking at the Water

The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.

Object

The White Wing

Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.

Object

Urban Dunes

The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.

Object

Proportional Growth

The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.

Object

The “Staircase” Building

In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.

Object

Projection of the Quarter

No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.