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​Mirrors and Fir Trees

A new office center will be built in the place of the former antibiotics factory – the architects have a task of preserving a few existing buildings, and, more importantly, the fir trees that were planted here more than half a century ago.

07 September 2017
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The territory of the former antibiotics factory is situated on the Nagatinskaya street, a seven minutes’ walk away from the metro station and 350 meters off the Moskva River waterfront. Across the river stands the former ZIL plant. This territory is full of promise, it is being actively developed now but so far the former factory or, to be more precise, the Government Research Centre for Antibiotics, is surrounded by industrial parks on either side: on its west, from the metro station side, stands the pharmaceutical factory “Ferane”, and on its west there is a sewing factory.

The main buildings of the future business center were erected back in 1953, the same year as the fir trees were planted. For a long time, this publicly owned antibiotics factory was the nation’s largest but in the 1990, after the buildings were transferred into private ownership, it was closed down; currently, some of the buildings are rented out, others fell into decay and stand empty. Nonetheless, the central building and its two wings (between which a little fir park is situated) are still in a pretty decent condition. One can easily read a symmetrical composition with an inner yard turned to the Nagatinskaya Street.

"Yolki-Park" multifuctional complex © The Fourth Dimension
The current situation. The building of the Government Research Centre for Antibiotics. Photo courtesy: The Fourth Dimension


Integration. "Yolki-Park" multifuctional complex © The Fourth Dimension


The idea of transforming the old factory into a modern office and shopping center occurred to the owners chiefly because of the transformation activities going on at the neighboring territories. The main impulse was given by the ZIL plant renovation and the program of developing the waterfront lands of the Moskva River. The northwest and northeast borders of the land site in question will become new streets – which will instantly make the territory of the former Government Research Centre for Antibiotics open and permeable. The territory of the neighboring Ferane factory will get a few residential blocks. The role of the community center of this, yet-nonexistent, residential area will be played by the “Yolki-Park” center (literally translating as “Fir Park” but rhyming pretty accurately with “Gorky Park” in Russian – translator’s note) – this is the working name of the complex that the designers came up with.

One of the authors of the concept is an architect and a pedagogue Oscar Mamleev. His proposal became an alternative to the earlier project that provided for tearing down all the buildings and cutting down all the trees. Oscar Mamleev was able to convince the investors in the necessity of preserving not only the fir trees (which are of doubtless natural and historical value) but also the central building and its wings – although these do not boast a status of a cultural heritage site, they still play an important town-planning role in the ensemble of the Nagatinskaya Street. As for the new commercial areas, Oscar Mamleev proposed to place them in the depth of the site behind the central building keeping the existing average height of construction. The client was inspired by the idea, and for further design, the architectural firm “Chetvertoe Izmerenie” (“The Fourth Dimension”) was invited.

"Yolki-Park" multifuctional complex © The Fourth Dimension


"Yolki-Park" multifuctional complex © The Fourth Dimension


The project consists of three basic constituent parts: restoration, renovation, and new construction – explains one of the company leaders, Vsevolod Medvedev. Special attention was given to the administrative building. Despite the absence of any abundant decor, this building can be referred to the legacy of Stalin-era architecture: well-balanced composition and window proportions, impressive interiors with a double-height lobby, columns with column caps, and a grand staircase convince us that this building must be preserved as the monument of urban environment of the 1950’s – the architect stresses. We are not speaking about any scientific restoration in this case but the project still provides for restoration of the façades and repair of the inner premises with adjustments necessary for them to perform the new functions.

"Yolki-Park" multifuctional complex © The Fourth Dimension


The four-story buildings flanking the yard, according to Vsevolod Medvedev, were preserved significantly worse than the central one, and therefore required more effort. It was decided that one of them would be renovated to become a small hotel, the other – an office building. After the reconstruction, both buildings will become one story higher. The brickwork of the façades will be preserved. The authors propose to paint it dark gray, stretching on top of it a “shirt” of composite textile industrial-use fabric. At night, the semitransparent shroud will be softly backlit from inside, accentuating open galleries running along the perimeters of the buildings.

"Yolki-Park" multifuctional complex © The Fourth Dimension


"Yolki-Park" multifuctional complex © The Fourth Dimension


As for the territory of the front yard with its fir trees, the architects propose to turn it into a public city space. Instead of the tall fence that currently runs along the Nagatinskaya Street, there will be small transparent pavilions with shops, cafes, recreation zones and open-air terraces. From here, anybody can step over into the landscaped park. This solution was particularly important in view of the large flow of pedestrians headed for the metro station.

"Yolki-Park" multifuctional complex © The Fourth Dimension


"Yolki-Park" multifuctional complex © The Fourth Dimension
 

In the depth of the site, behind the main building, where now there are factory structures to be torn down, the architects are planning to make new construction. A building with a rectangular plan is designed as a broad “mono-volume” put up against the central building. “We deliberately designed the modern part in such a laconic way – Vsevolod Medvedev explains – In our project we looked to bring out the merits of the historical building. The new construction, which was not to exceed the seven floor limit, was only to become a backdrop for it. For this reason, we took the simplest rectangular form, cut it lengthwise and crosswise with atriums, and then put it back together like a 3D jigsaw puzzle”.

"Yolki-Park" multifuctional complex © The Fourth Dimension


"Yolki-Park" multifuctional complex © The Fourth Dimension


"Yolki-Park" multifuctional complex © The Fourth Dimension


"Yolki-Park" multifuctional complex © The Fourth Dimension


What the architects ultimately got was four compact independent blocks connected on the level of the four bottom floors. One of the atriums cuts the volume lengthwise filling it with ambient light and accentuating the main entrance to the new building from the side of the west façade. The central atrium crosses the volume from north to south, supporting the direction of the movement of the pedestrian flow from the park and the historical building to the new office center. As for the connection between old and new volumes, the authors of the project provide it by means of a “ramp” bridge. It starts in the park, then cuts through the historical building on the level of the second floor, runs it through, getting into the atrium of the new building that commands the river views, and lets people out of the building through the north entrance. As Vsevolod Medvedev notes, the bridge not only unites the complex but also supports an important town-planning axis. “This bridge that came around as a result of the necessity to compensate for the height drop and to tie in the historical and new parts, as well as make the complex more permeable, this bridge follows the direction of the axis that proceeds to one of the boulevards of the ZIL territory, and its main centerpiece – the Khani Rashid “Gateway” tower – Vsevolod Medvedev says – the atrium of the new building will command a great view of the entire panorama of the opposite bank of the Moskva River”. Looking to concentrate people’s attention on the historical part, the architects were still able to come up with a reserved yet quality solution for the façades of the new building. For coverage, structural glazing is used. The west and north façades (the ones that are turned to the river and the designed streets) look a little more dramatic thanks to the curved glass that creates soft reflections. Along their entire perimeter, the façades are dissected with vertical “flutes”, because of which the reflections, being deflected and distorted, become very flexible and capable of changing the building’s image depending on the weather conditions and ambient light. It is obvious that, apart from tactful treatment of the history of its location, the main merit of “Yolki-Park” is its openness. All the buildings are easy to walk from end to end or circle along the perimeter under the awnings of the street galleries. The bottom floors, which are essentially fully transparent shop windows, are occupied by retail stores, cafes, a fitness center, and a swimming pool. The whole territory of the complex is vehicle-free. The underground parking capable of serving the office workers and visitors of the complex will be built underneath the new building, without encroaching on the territory of the park and the existing buildings. And, as bonus for the future office workers, there are inside yards and green terraces on a usable roof of the new building on the 4th and 6th floor levels.

“Yolki-Park” is the perfect answer to the question: what should be contextual architecture like in the case when the nearest surroundings are yet unknown and not even being designed: it is neutral to the point of mimicry; instead of reflecting, it dissolves the yet-nonexistent neighbors. If the surroundings turn out to be great, this architecture will not get in their way, and, if otherwise, they will be not worth reflecting anyway... This architecture reacts to uncertainty with uncertainty. On the other hand, in respect to what is really known to be valuable, it is definitely respectful: it keeps whatever it can, be that buildings or trees, it fixes the views of the most famous panoramas, and it works on cohesiveness and permeability as opposed to the closeness of the industrial past. The project is aimed at the future; furthermore, it is already walking into the future, combining the known and the indefinite.
"Yolki-Park" multifuctional complex © The Fourth Dimension
"Yolki-Park" multifuctional complex. Plan of the -2nd floor © The Fourth Dimension
"Yolki-Park" multifuctional complex. Plan of the -1st floor © The Fourth Dimension
"Yolki-Park" multifuctional complex. Plan of the 1st floor © The Fourth Dimension
"Yolki-Park" multifuctional complex. Plan of the 2nd floor © The Fourth Dimension
"Yolki-Park" multifuctional complex. Plan of the 3rd floor © The Fourth Dimension
"Yolki-Park" multifuctional complex. Plan of the 4th floor © The Fourth Dimension
"Yolki-Park" multifuctional complex. Plan of the 5th floor © The Fourth Dimension
"Yolki-Park" multifuctional complex. Plan of the 6th floor © The Fourth Dimension
"Yolki-Park" multifuctional complex. Plan of the 7th floor © The Fourth Dimension
"Yolki-Park" multifuctional complex. Key plan © The Fourth Dimension
"Yolki-Park" multifuctional complex. Master plan © The Fourth Dimension
"Yolki-Park" multifuctional complex. Master plan with regard to prospective development of the street and road network © The Fourth Dimension


07 September 2017

Headlines now
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?